Archive for the ‘quilts’ Category

I worked with another photo last night, and I didn’t have nearly the success with adjustments and filters as I did with the first photo. Now I need to think through why that is so. Here’s the new photo – driftwood from Vashon Island in Puget Sound.

Well, crap….seems like I did it again in saving…or not saving. I need to remember to save everything as a psd file first to preserve the layers, and then save each piece individually. Okay, bottom line, nothing really spoke to me with the different adjustments, so I need to think through why that is so.

Is it because this is a fairly abstract image to begin with, mostly line and color? Perhaps that is why I am so fascinated with tree bark to begin with. The lines, shadows, differing colors to create the texture. And this picture, knowing it is driftwood, also reeks of a hidden history after being tossed in the water and then left high and dry. But how would I create some of that mystery?

What initially prompted me to take a picture of this? Probably all the smooth curved lines and the knot.

Looks like all kinds of interesting lichen within all those folds. The colors are so subtle, but at the same time I see a nice interplay of line and shadow.

I look at that knot and see a captured sea spirit. The more I look at this one, the more I am intrigued by it. The curves are so soft amidst all that hardness.

Now that I look at a couple of additional questions, I am stumped. Main idea? I like the thought of a captured sea spirit. Areas worth keeping? I can see leaving out everything else from these two crops. Other elements to add? No clue. But as I ponder, the first thought that comes to mind is to carry the lichen out into a border, and maybe the overall piece doesn’t need to be square or rectangular, maybe more oval so that the spirit seems encased and surrounded but is really still there. Don’t know if that is making sense….

How and where can more pizazz be added? Again, no clue. But…perhaps a lot of thread painting would be needed for surface texture.

I can see this going to sketches as the next step and seeing what develops from there. Comments?

Well, this has been a week of learning experiences, including running the machine needle through the tip of my finger. I’m somewhat frazzled deciding on a project, since I don’t have any looming deadlines. I do, however, have a list of projects that need doing, so I picked one from that list and then added another.

First, from the UFO list. Several years ago (going on three?) I took a class with a friend on a Judy Niemeyer pattern, Stepping Stones. You can see the pattern here. Originally it was going to be a king-sized bed quilt, but I was still teaching, so that got put on hold. When I reorganized the studio (twice), the blocks made it into the UFO pile, and when I made my list in May of projects, I listed these. But….I listed them as a potential table runner, figuring that way they would be done, and I could actually use the table runner, as we have a new dining room set (new to us – we’re babysitting it for a friend). I would also have enough for 6 placemats, too.

Well, there were loads of problems. Could I find the black fabric I was using for connector strips (three searches)? Could I do all the matching, since it had been about 3 years? How would I quilt it? What would I use for backing? I got the four completed blocks into one runner, and then I spent the next three hours taking out all the paper….note to self: you still need to vacuum. The blue I thought to use for backing was a stretchy polyester that wasn’t long enough, so plan B was leftover dark blue from another quilt back. Then I had to buy batting.

Finally everything is together and ready for quilting…..and I had no idea what to do for the quilting. Didn’t seem like feathers would work. Didn’t want to do a stitch-in-the-ditch. Tried some outlining, but I didn’t like it. Then I thought about the overall loopy pattern from the May challenge, but ended up picking all that out. I realized I would need to go with monopoly thread, so the stitching wasn’t obvious. And I was playing around with tension, including two more ripping sessions.

I tried doing some partial circles on each block, so it would look like rippled water. And then I discovered the settings on my machine were set for the decorative stitch I used in the black borders. Seems like I still had the setting on one of the decorative stitches, and I was trying to free motion and there was a lot of drag. I also discovered that I could use a variation of a zigzag stitch and still have the feed dogs up. Turns out I liked the ripple effect, and that’s what I went with for the rest of the runner. Here’s a pic:

Here’s the finished table runner, which is absolutely perfect on the table. It will work with any of the leaves when we put them in.

Then I was feeling somewhat at loose ends. I had been watching The Quilt Show and following the color lessons from Michelle Jackson. I decided to do the first color study, and again I learned a huge amount. The first lesson was really interesting, especially since I have a lot of trouble choosing and working with color. This was to take  a monochromatic color and determine dark, medium, and light. I chose greens, because I have a lot in the stash. I discovered that when I’m choosing, I really need to analyze tones and hues. I also need to be sure there is definite contrast. The first study I did was the one where you had a light, medium, and dark, with not a huge amount of contrast. I did not have enough contrast within those three colors.

I also was working with fusing for like the second time ever, and my pattern pieces were not always meeting up. I spent a lot of time trying to make this piece look like something – going back to linear me and not being able to just work without it having to be “something.”

I finally got all the pieces ironed down, and I felt I was moderately successful. Mostly because I learned a great deal about choosing the colors. I was still trying to figure out what to do with the piece. Yes, it’s just an exercise, but the linear part of me needs it to be “something.” Ideally I want to be able to work with light, medium, and dark marbled fabric, but I can see I have a long way to go.

Again, I couldn’t figure out what to do with quilting it. I tried out one decorative stitch and didn’t like it. I reverted back to the satin stitch I was doing two table runners ago. All of a sudden I began to like the piece more. It began to look more “painterly,” and pretty abstract in a pleasing way. I ended up binding in, and the piece would work as a nice little runner or table mat for a vase. It’s going up in my Etsy store.

Who knows where I’m headed next? There are 6 placemats to finish…..

So for this month’s Free Motion Quilting Challenge, I set myself the task of remaking hubby’s lap quilt. I made this quilt about 16 years ago, when I was just getting into some serious learning to quilt. Oh my, have I learned a lot since then! Three hours of taking out all the stitches…think back to just how old that invisible thread was…..and how bad really cheap batting was (which was all I could afford at the time….). Yup, I was pretty appalled at what I had. Here’s the original – very square, emphasis on the squares. All stitch-in-the-ditch.

I used the pattern from this month – Leah Day’s wavy stipple, which I really liked. I was using a variegated thread, but then I decided it was too obvious, so I changed to a blue that blended in with the fabric. Much happier.

I’m really partial to what is happening with the backs with free motion. Here’s a couple of shots of the back.

What’s becoming obvious is how 16 years ago I used to “iron” as opposed to “press.” had a lot of squaring off to do…..

I really like what’s happening on the back.

And now for the front…..for the first time I actually marked some of the quilt top. I wanted something in the purple/blue blocks to offset the square-ness, so I marked all the curves.

I am very pleased with more curves showing in this quilt.

I did some pebbles in the first small blue border, which I like. I was going to quilt the leaves from January in the outside border, but I didn’t like it. One of the things I found at Road 2 California was that it seemed like a lot of quilting was done just because the quilter could do it. I opted to leave the border as it was.

I ended up cutting off about 1.5 inches all around to square up the quilt, so I had extra binding, which was good…..but oh my, how I had bulky binding…..Now I just have hand stitching for S&B tonight with friends. And then it gets put away till next winter, when it’s finally cool enough for lap quilts. I have enjoyed taking apart old quilts so that I can practice on them. Let’s see what Cindy Needham brings us in June!

A great big welcome to all the folks coming here from SewCalGal’s tutorial and Fun Friday Giveaway! I enjoyed doing the tutorial on quilting marbled fabric, especially thanks to SewCalGal’s sponsoring the Free Motion challenge this year. Hopefully you’ll leave comments about what you might do with the marbled fabric. What I want to announce today is a new part of the website and blog, for those of use who use – or have used marbled fabrics – in your quilting and assorted sewing projects.

When we first started our website (back in 1997….and a few changes along the way as we learned a whole lot!), we had part of the site to show off people’s projects who used the fabric in their quilts. We’d like to start that again. If you check here, you will see some of the very early quilts I did that used marbled fabrics. When I first started using the fabrics, after we began to learn in 1992, I pretty much put everything with black. I was rather afraid of color at that point. One cyber friend who paid us a visit back in 2002 said, “Let me take a fat quarter and see what I can do with it,” and a week later she came back with a completely quilted piece of fabric. Oh my, it was gorgeous.

That’s what started me actually quilting the fabric. It took a while to get the speed and rhythm down for the free motion and the stippling, but it made such an impression on the appearance of the fabric. At the time we were just making fabric and selling it, not really paying attention to the actual quilting of it. Along the way, several artists bought some and began to incorporate it into their quilts. Kathy Nida used some in one of her first quilts that got accepted into a show, in 1999. To this day I love looking very carefully through her work to see remnants of fabrics she’s purchased from us.

A Study in Flesh by Kathy Nida

We’re on a mission to have people use marbling in their artwork. Send us a picture of how you use the fabric, whether you actually quilt the fabric or just use it in a more traditional manner. We’ll get you up with credit on both a blog page, as well as the web gallery.

Good lick with the giveaway – the fabrics are really quite pretty – and I want to see what you do. Plus….I’m doing a newsletter within the next week, so be sure to sign up to receive the monthly missive, and we always give away some fabric each month. Use the box on the upper right. Check out Ebay and Etsy as other sources for marbled fabrics, and you can always order direct from us.

Happy quilting!

….well, probably not a real bump, more like a slight detour in the development of this new piece. I am trying to represent depression as something that is hidden in the brain. I have a great center piece that looks like dendrites. I want to build around it in reds for the angst that comes with depression, and I was running into some issues with how to quilt the third piece. So I looked at the rest of the fabric pieces I had to see if anything looked like it would work better. Found a piece that will be fabulous, and it’s going to take a lot of quilting to make this piece really happen.

As I’m auditioning threads, hubby comes in for his opinion, and as I’m trying to explain what I want to attempt, he brings up some legitimate questions on construction. While this is an art quilt, it still needs to hang like a quilt in a gallery setting, so I have to keep that in mind. I’ve had issues when trying to construct “unusual” fiber pieces in the hanging, so I have learned to keep that more in mind.

We’re drawing back and forth on the ideas, and it finally occurs to me that I need to do a mock-up to see if this design is really going to work. If I can get it together, it should be pretty amazing. So that’s the task ahead of me tomorrow morning after marbling. It’ll set back the actual quilting a day or so, but next week looks pretty darn clear for work…..

With that in mind, it has been a productive week. I finished my commission for my yoga instructor. Did some minor beading to represent the little bits of water we have in the desert, hence the name “Desert Stream.” This is a smaller version, with a number of changes, from “The Shallows” piece. I’m quite partial to how the lichen looks in this piece….a lot of use of the reverse button on the sewing machine! My yoga lady LOVES it.

Along with this has been my auction piece for SAQA. It’s along the lines of the depression piece, but a whole lot more positive. It’s called “Hotwired.” It’s simple in execution, but I think pretty effective.

"Hotwired" 12 x 12 inches for the SAQA auction

Because there’s not enough deadline sin my life right now, I decided to take apart one of my first quilts to requilt for the May Free motion challenge. I love the pattern, and I think it would look good on this pretty masculine quilt for hubby. Boy, you can tell how old it is (15 years?) by the really lousy batting I used – what was CHEAP at the time. I’ll post pictures as it get finished. This is it with the binding already gone, and I am starting to take out the really awful straight-line quilting in the ditch…with invisible thread, no less, back when I didn’t really have a clue. Should look considerably better when finished.

NOw fort he other piece in progress, my piece on depression. I spent some time today actually trying a pattern from some old white fabric, pinning it up on the wall. It was an interesting process, as I usually just try things as I go along. This time I just wasn’t sure that was going to work, as there were a lot of issues I wanted addressed in this piece. Here’s the finished pattern – and now I have pattern pieces to use – a bonus I never considered.

 If I’d thought about it, it would have been in different colors……but I really like the shape – very organic, very like a brain. Here’s a reject piece of fabric, now available for another piece.

 It just wasn’t playing nicely with the other fabrics. Here’s one of the reds with the thread to remind you of the colors of a PET scan. The problem with this piece is going to be the photography – the red is showing pink, the black is showing red….not quite sure what I’m going to do, so I need to get it finished with time to spare for the final shots.

THis is a little better, but you can’t really make out the sheen of the thread.

So it’s been a busy week, and hopefully it will continue!

A couple of days off to visit friends in Sedona, so I’m playing catch-up on blogs. I have some great sites and info to share from this trip, so stay posted for some new artists.  For this week so far, an amazing video by a “destination photographer,” Shawn Reeder, on Yosemite. Go check this out!

A very cool look at old/out-of-date art supplies: The Museum of Forgotten Art Supplies.…..I still have a bunch of these…..

This next is a panorama view of Paris from a bird’s-eye view on the Eiffel Tower. Pretty amazing…I watched for about 10 minutes before I started to get dizzy. I SO want to get to Paris. Be sure to try all the buttons on the bottom.

Ever had one of “those” weeks, especially as a female? The Bst Article Every Day has it captured perfectly….and this is just the beginning………

An arts advocacy organization – the Western States Arts Advocacy. From their website:

“Celebrating the Western Imagination through the Arts
The Western States Arts Federation (WESTAF) is a regional non-profit arts service organization dedicated to the creative advancement and preservation of the arts.
WESTAF encourages the creative development and preservation of the arts regionally and through a national network of clients and alliances. WESTAF fulfills its mission to strengthen the financial, organizational, and cultural policy infrastructure of the arts in the West by developing and providing innovative programs and services, technology solutions, funding opportunities, advocacy and cultural policy work, and other services.
Founded in 1974, WESTAF is located in Denver and is governed by a 22-member board of trustees that comprises arts leaders in the West. WESTAF serves the largest constituent territory of the six U.S. regional arts organizations that includes the state arts agencies, artists, and arts organizations of Alaska, Arizona, California, Colorado, Hawaii, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming.”

R.I.P. Maurice Sendak, whose influence shows in some surprising areas…..one student was diagnosed as color-blind because he could always see where the wild things were. His books will live on. It’s a good video, worth the time.

“In this unexpectedly candid 2004 interview, Sendak reveals some of the early childhood memories and surprisingly dark influences behind his work. Shaped by immigrant parents and the tragedy of the Holocaust, Sendak provides frank insight into his complicated psyche and a rare window into the soul of an acclaimed artist. He also discusses how he shaped the character of Max, the mischievous lead in his blockbuster book, and what he might have been like as an adult.”

From Joetta Maue comes an interesting post on a fiber artist, Ernesto Neto, an artist I’m unfamiliar with, and one with some very interesting fiber work. See the person inside?

Belated, yes, but some amazing photos from JPG Magazine on Earth Day.

Carbon Footprint by Debbie Hartley

Eye candy from Joen Wolfrom, as she tours a quilt show in  Brooking, South Dakota.

And finally, if you’re a fan of Monty Python, then you will appreciate this exchange between John Cleese and a newspaper who misquoted him, from Letters of Note. Love the sarcasm!

Enjoy your week – let me know what you find on line that’s unique and different!

Oh my goodness, life is busy! We returned on Monday from StashFest, a benefit for the La Conner Quilt and Textile Museum, with lots of new momentum and ideas for the business. I’ll be addressing some of the marketing issues and challenges in a later post. For right now, there are lots of new things in the works, as well as some current projects to finish.

We have two commissioned orders awaiting us. One has gone in the mail today to England, and the other is awaiting fabric and paint to arrive. On my walk this morning, I set myself the task to come up with what my “spring” and “summer” designs would look like for my seasons quilts. The marbled fabric is all ready to go, and I now have two specific designs in mind. This was a little trickier than fall and winter, because I still wanted to keep the log cabin basis for the new quilts. I’m hoping by the end of May to have the two new quilts finished and the pattern pretty much ready to go. Then I can consider the marketing for the kits.

I have a commissioned piece – a three-part triptych – that will pay for my yoga lessons, so I want to get that completed by this weekend. I have several small quilts that I am going to take apart and requilt, based on what I am learning with this year’s free motion quilting challenge. April’s lesson, about creating your own stencil, will solve my problem about wanting to do snowflakes for an old holiday quilt. I’m looking forward to trying this. The three quilts that I have requilted were all big hits at StashFest, as they were god examples of how marbled fabric can be used in traditional blocks. And I had LOADS of great feedback on how wonderful my quilting was. Yay me!

Now that I have installed Quilt Album software, I need to start putting in my quilts, especially since as I am traveling more, I can create an album to show at any time. This ties in to the portfolio we took with us to StashFest. We were able to show the article about us and the actual process through pictures, examples of Bernina garments that used our fabric, and other interesting patterns we had. The portfolio needs some updating….need to get that on the to-do list.

I really want to get to the DVD on quilting various marbling patterns. I need to perhaps start with just a couple of tutorials, and then let that determine where I go from there. As my quilting skills increase and improve, it will be interesting to see how that transfers to the marbled fabric.

Mainly I want to do a lot of sewing, designing, and quilting. So many ideas in my head! Hopefully next week there will be actual pictures to show……

I finished the quilt remake in time to get the suitcase packed full of quilts to take to StashFest. Of course, it couldn’t be quite that easy to pack the suitcase….ended up packing it three times, as I went to photograph the quilts for a new book, and the first set wasn’t high enough resolution. So we set up again, and this time there was too much light. So third time was the charm….setting up the room again, and unpacking/repacking the suitcase. But the photos are on there way now….and my new little quilt looks great!

When I left off, I was working around the various quilting motifs. The larger triangles had a zentangle-like stippling, and the area around the stars was much smaller stippling. I will definitely need to practice that so the stitches are really consistent. But I really like how the rosettes worked out.

I wanted to do feathers on the border and ran into tension problems…the background thread (Bottom Line) kept peeking through, and I finally decided I didn’t want o keep taking the feather out. So I changed the thread in the bottom to be the same as on the top – problem solved for the time being. The feathers go up half of each side. They’re pretty subtle, but I like them.

You can also see the corner squares. I actually marked those lines for consistency. I must say it was the first time I marked anything, and I will probably do it again. I liked the effect, but I need to consider what I’m going to use for marking, so it’s easy to get out.

I absolutely love the back! Yeah, there are some tension problems, but I am making SO MUCH progress.

I can certainly see the appeal of white whole cloth quilts. I feel the same about the backing quilting on my whole cloth marbled quilts.

And finally, hanging briefly on the wall before being packed:

Tomorrow I will be so ready to leave, and no doubt all the loose ends will be done by noon, so I am going to start taking apart another older quilt in preparation for some brand new quilting!

So I am totally enjoying the free motion quilting challenge, with a new pattern each month for the year. I LOVE doing feathers – never EVER thought I would be able to do them on my own. Now since I have these new skills, I have all these old quilts that look pretty blah…..and I’m going to take them all apart and use them for practice of all my new patterns. I started with a BOM (with Judy Martin blocks) I did in probably 2000, when we were selling marbled fabric in kits, as it seemed like so many people loved the fabric but didn’t really know what to do with it. I had a new block every two months (I had six small quilts, but I ended up selling two of them. I redid one of them last summer, after I looked at some videos from Sharon Schamber. This was originally all stitch-in-the-ditch quilting. Here’s my Monet’s Marbled Garden:

Next one I took apart was my fish quilt, with fabric marbled probably in the late 1990s. Again, just stitch in the ditch. With this one, I realized I could use a couple of decorative stitched on my machine, along with fmq. This time I actually quilted in the marbled fabric, following the lines of the pattern.

Then I decided to get another little one ready to take to the Seattle show, so I spent a weekend taking out all the stitch-in-the-ditch. No picture of “before,” but here’s the backing fabric:

Part of what was so much fun with this quilt was looking at each of the various sections and deciding what I wanted in each place. I happened to have four different Superior Threads that would blend perfectly, as the purpose with these small quilts was to show off the marbled fabrics. I used the Superior silk thread for the first time in the green sections and loved it. You can see in the stars I did some loops (more like zentangles) in the backgrounds of the stars, and did some free motion curves in the points. Everything is very subtle.

My free motion loops need work here. I think it’s a combination of speeding up the machine, as I do move my hands and the fabric pretty quickly with these loops. I’m not happy with the stitch size – very inconsistent, so I know I need more practice.

Now while I don’t subscribe to the quilt police, I really do like to have a ice back to the quilt. While I had some tensions problems, overall I am THRILLED with the back of the quilt. The whole thing finished is going to be gorgeous!

Of course I had to include some feathers, so each of the green squares has a circle of feathers – more like a rosette. Love them!

I thought I had more pictures, but evidently not. Tomorrow is a picture-taking day, so hopefully I’ll get the rest up. I need the feather borders, the white squares, and the back.

Later – packing for the trip!

Ya, I know I’m late….if you read Monday’s post, you’ll know why…..at least the kitchen is completely moved and we are eating over in the new place….now if we only had some furniture….but a week from today we will be ALL DONE!

Don’t miss out! The quilting world’s own version of the Oscars:

Head over to SewCalGal for all the details.

Nominations are now being accepted for candidates, for the 2012 Golden Quilter Awards, that have made a difference in the world of quilting, for the following categories:

1. Best Quilt Designer
2. Best Quilt Teacher/Instructor
3. Best Quilt book Author
4. Best Quilt Store (physical)
5. Best Quilt Store (online)
6. Best Longarm Quilter
7. Most Innovative Product (physical)
8. Most Innovative Product (software)
9. Most influential person in the world of quilting to-date, aka “Lifetime Achievement”
10. Best Quilt book publisher

Joen Wolfrom on deeper shades of color. Joen’s been doing a pretty amazing series of posts on color.

Student essays – a chance to vote on the best 6-word essays. My favorite: All 30 students raised their hands.

A very cool set of paper cuts, from Quilt Rat. I first fell in love with paper cuts on my trip to China in 1978. Quite the art. I love what she has done with the music symbols.

How to Fold and Store Quilts….on the bias! Now I know how to keep the fold out of the center…..From Ann Fahl. Really great article.

So it’s only a Top Five Tuesday – not the same kind of ring to it, but great stuff, none-the-less. It’s just been too busy….I don’t anticipate posting much until after the move – there are SO MANY things to do to get ready for the Seattle trip, and I need to get stuff ordered….only four weeks!

While I love the shopping opportunities at a large quilt show, I am there for the art. I was certainly not disappointed at road 2 California. Oh my goodness (and I said that a lot…), the quitls were wonderful. So much so I went back to walk through everything three times. So I have a LOT of pictures. We’ll start slowly.

Sherry Reynolds created “America, Let It Shine,” and what a beauty it is. From her statement: Tribute to America and its foundations and values, with the hope that they will guide us to a brighter future. 5121 Swarovski crystals represent the words of the Constitution, Star Spangled Banner, Pledge of Allegiance, and age of America. The 13 colonies are represented by using 13 points on outer blue rays and red triangles. The 50 states are represented with the ring of 50 stars. Designed on graph paper, free motion quilted on a Bernina 1001.

Sherry was there Saturday with her original graph paper, and I loved her comment. “No one told me you couldn’t do all this quilting on a big quilt ona  domestic machine.” Gives us all hope!

(It’s really hard getting a good picture with a crowd around…).  And here’s the back….also pretty amazing.

Sherry won one of the major awards – just don’t remember which one…..

There were a group of “slice” quilts, where a picture is cut into so many pieces, and a different person quilts each piece, and then the whole is recreated. These were the Klamath Basin Vistas. I really enjoyed taking a look at all the exquisite details.

Another favorite (more winners later…) is this one from Diane Steffen called “Rare Catch.” I love the piecing in each of the lobsters, as well as the pieced boards, and the addition of a net.

Lisa Sipes won for her “BeDazzleder!” I loved the vibrant colors, and the trapunto and quilting was exquisite.

“Ring Toss for Spring” by Heidi Lund – vibrant blues.

Betty Busby gave us “Welcome to the Jungle.” There is so much hidden detail in here – couldn’t get the whole lizard in at the bottom…..

Amazing bromeliads by Barbara Beatty: “Ethereum Botanica: Bromeliads.” (Way more amazing in person than this pic….)

From Suzanne Marshall comes “Deruta,” which is a town in Italy known for its hand-painted ceramics.

From Bonnie Keller comes “Creme de la Creme,” an amazing whole cloth based on the work of William Morris. She used trapunto, embroidery, beading, and inks. The detail was amazing, and I’ve just included a detail shot.

And from Molly Hamilton-McNally and Cindy Seitz-Krug comes Best of Show: “Everlasting Bouquet.” The colors are spectacular.

More to come as I get them sized, labeled, and get to a few other things on my massive list…….

Wow. Wow. Aisle upon aisle of vendors. Talk about hyperventilating……..so many things, so little time……so we make a plan. One row at a time, make a note of booths to come back to, after the rush of “I want” passes, and I still really do want that gadget. I like to collect cards of interesting things, so here are some goodies.

Little Windows – photo jewelry form resin. I like this better than what I saw at the gem show a year ago, with kind of yucky backings. These are much classier, and – for me – a good way to showcase some marbled fabric snippits.

Honey Run Quilters – not a lot really to the website, but they had some absolutely gorgeous cotton-silk colored fabrics that we were itching to marble. We’ll go back and visit them.

Kai Scissors – Jim was able to give me an exact recommendation for the scissors I needed – very small pointy ones for close clipping of threads – plus a very cool suggestion of using different fingers to get even closer to the fabric.

Stitch in Time – Thai textiles. Talk about drool – this stuff was amazing!!! And the trims……

Kasuri Dyeworks – oh my goodness, I could have fondled the silks there for hours. Each more gorgeous than the one I just looked at. They are working on getting a new website up and running, which will be wonderful. This was such beauty.

Dutch Quilter – Lennie Honcoop was working on a quilt as we stopped. She works with “hot ribbon.”  “Hot Ribbon Art is an iron-on, no sew, 1/8″ wide ribbon that can be used to finish the raw edges of appliqué. Imported from Japan, Hot Ribbon is gaining in popularity with quilters who like to finish off their projects quickly and have a dramatic look. Each package of Hot Ribbon contains 2 yards (four 18 inch strands).” (from the website). Plus, she uses  Copic markers to do shading on both the b=fabric and the ribbon. It was fascinating to watch this piece come together.

Superior Threads – by far my choice for thread – they really are “no ka oi.” (Hawaiian for “the best”) Got to talk to Mother Superior, Dr. Bob, Cindy Needham, Annie – all the people who have really changed how I quilt. I picked up their thread color cards, since I want to get more King Tut, and I really need to see the thread itself beyond a catalog picture. You can get these at their cost.

More next time!! Don’t forget to sign up for our newsletter – see the button on the right – and enter to win free marbled fabric!!

 Oh my goodness, oh my goodness, oh my goodness…..and I could go on! What an amazing four days of art we just had….and we did quite a bit of marketing along the way. We just returend from Road 2 California – my first large quilt show since Market in 2003, and hubby’s first large quilt show. Two days of amazing quilts (photos to follow this week, after I get myself reoriented to basic life here….), plus a day at the Getty Museum – and coping with I-405….interesting experience there……

One of the best things I did in preparation for the show was bring three really great fat quarters with me, just in case someone was “interested” in seeing marbled fabric. One fat quarter went to the “quilt royalty” that was at the show, and one went to Susan Else, the guest artist – she will definitely have something different to use in her sculptures.

It was really helpful as we were looking at some of the cool tools to pull out the actual fabric and ask questions very specific to its use. This was particularly true at the Pellon booth, as we were talking we began to realize that if we are to take our fiber work to the next level, we need to seriously consider what is used in between the layers. We looked at embroidery machines, as I really would like to include some machine embroidery in the new pieces, and we had a fascinating discussion with the Brother people that could potentially lead to some licensing opportunities.

I collected a lot of business cards, as there was either a really interesting tool or embellishment I want to share. Hardly any book dealers, which is why I may need to consider Market this year or next. Speaking of books….I got home to about 300 emails, one of which was a request for photos to be in a book. That’s definitely a follow-through for this week. Renewed my Quilt Show membership so I can keep up with what’s happening in the field.

Interesting marketing observations. One company with really interesting hand-painted fabric doesn’t have a website. They only sell at shows. They don’t want to photograph fabric so people can see exactly what they are going to buy. I understand that; that’s precisely why there are some online venues that won’t take us, because they feel the need to photograph every piece of fabric. That’s why we sell on eBay and Etsy – what you see is what you get. We have a note on our ordering page on our website about why there aren’t pictures. We don’t get many orders off the website, but that’s okay, because we have other venues. No hand-marbled fabrics at the show, but there was a booth with commercial marbled fabric; nice line of fabric, much more subtle than what has been released by major companies in the last few years. Lots of quilts made up – using a stained glass approach – using the marbled fabric. Interesting to see.

Some booths had absolutely no information, beyond a business card with only an email. I tried making notes, but I figured there’s no way I’d be sharing that information. No web presence, and no pictures allowed to let people know what was available. Hopefully they make enough doing shows to make it worth their while. We couldn’t do that; the press of making fabric for our Seattle trip is enough.

It’s probably the most fun to put names and faces to cyber contacts and to ooh and aah at the gorgeous artwork. We went through the quilts twice, making sure we didn’t miss anything, and trying to find time to just enjoy the quality workmanship. I wouldnt have been able to take this amount of time had I not been retired…..

And after all that, as I was perusing and cleaning out emails, I stumbled across this older email that I hadn’t read, from resident web guru Suzan. I know there are more applications to marketing than meets the eye, but since we artists rely on our hands to make our art, this seems interesting food for thought. A Brief Rant on the Future of Interaction Design.

Stay tuned – lots of pictures in the works!!!

I’ve written that one of my goals for this first quarter of the year is to create some new artwork to enter into a few select juried shows. Joanne Mattera had a really interesting blog post on Monday about entering shows: When Do You Stop Entering Shows?

Certainly timely for me. Her checklists of questions to ask yourself are excellent. I had success about 10 years ago with a series of shows I entered, especially Expressions in Textiles, which was more an early art-quilt venue. I would consider this my first prestigious show. I have success entering a show in Alaska each year, which is an art show, and fortunately for me they like fiber entries. I stopped entering a lot of shows from about 2006 on for two reasons: I was teaching full time and had  very little time for creating art, and entry fees were expensive (moderately so nbow, but I must say, being able to do online entries is a blessing). The entry fee was groceries. Then I entered an art quilt show two years ago and was rejected. Aside from being P.O.’d, when I looked at the artists selected, they were the “same ole – same ole” quilt artists whose work is very recognizable. That’s when I figured I wasn’t going to play with the “big girls” any more. I needed to make work for me.

Hence my decision to try for Visions and a SAQA show this year….there, I’ve said it. Big time. If I am selected, these will be two huge pieces for my resume. Which brings me back to Joanne’s article. “But at a certain point—a tipping point, let’s think of it—you want to see your exhibition experience evolve into opportunities in which you are invited to participate.”

Yup, that pretty much says what I am aiming for. Joanne goes on to say: “Indeed, most dealers looking at an artist’s resumé want to see that evolution. ‘When I see a string of juried shows on a mid-career artists’s resume, I have to ask, ‘Where’s the progression?’ says a dealer I know.”

I know I’m making progress in creating art, and I want to be mindful of shows that would add value to my resume and future opportunities. Quilt shows aren’t going to do it for me. Some art quilt shows? Visions, SAQA, Tactile Architecture…..probably. I’m not interested in dealing with the “quilt police.” My work is not mainstream quilting, although that’s a skill I use. A number of years ago we had our work in a now-defunct fiber gallery in Scottsdale. At the time I was doing different things with my “bindings.” I was serging or facing the edges of my art quilts because the technique helped enhance the message of the piece. The gallery owner – a fairly traditional quilter who worked with bright fabrics and called them art quilts – was appalled that I didn’t have regular bindings on my quilts, and she wouldn’t take a couple of pieces without regular bindings. Well, to my way of thinking, a binding would have constricted the design in a way I didn’t want.

Those pieces are now all in private collections, and I’m still spreading my wings as an artist, trying all different kinds of techniques.

Some shows I do enter – nonjuried, no-fee art shows, where fiber will be accepted. The Tikkun Olam show was an easy show, a twelve-by-twelve piece dealing with the theme, and it could be any media. I did receive a lot of feedback about the piece and some interesting opportunities – and a lot of interesting lessons (just because you say you’re a curator doesn’t mean you’re especially good at it….). There is another show like that coming up that I plan to create work for.

In retrospect, I am on the right track. My decisions seem based in reality and forward movement for me. We’ll see how everything plays out. I am behind on my piece for the Visions show, but I have a month…..less, when I think about photography, but I’m almost there…..a solid week of sewing (which will have to be next week…) should finish it for me. And then on to the rest of the first quarter list.

Another Tuesday, and more goodies on the web – although it has been slower than normal, due to the holiday. Enjoy!

Here’s a great list from The Best Article Every Day – places to learn on line – for anything!

I found this interesting block design from Generation Q magazine, by way of Scott Hansen and Blue Nickel Studios. It celebrates Kwanzaa, and it’s a striking block. Take a good look at the setting – lots of interesting design possibilities.

I’m taking part in the Free Motion Quilting Challenge this coming year – I really want to learn to do more with my machine. I want to learn how to do feathers….take a look at this example from Ivory Spring’s Thread Talk. She gives step-by-step instructions – I can wish……

MAD Magazine rings in the New Year with its Top Ten posts…..

“The Disturbing Similarities Between New Al-Qaeda Leader Ayman Al-Zawahiri and New Today Host Ann Curry”

From SewCalGal comes insights on free motion quilting, with a year-long challenge coming up. She says in this blog post that after a year of practicing FMQ, she’s much more capable of doing cool designs – and I concur…my FMQ has increased just from the practice. If you’re interested, go ahead and sign up for the monthly challenge – should be fun!

From Generation Q magazine comes some creative pushes for 2012, if you like to spend this time before the new year making plans and setting goals.

You know I love Cool Hunting – here’s some of their year-end best, in conceptual design.

“From ICFF to Art Basel, 2011 delivered a flurry of design objects for the home that while highly creative and concept-driven, didn’t compromise their utilitarian duties. From recycled plastic chairs to roman numeral inspired book shelves, the following are five of our favorite pieces of sculptural design that could just as easily pass as pure art objects.”

Lara Knutson's Soft Chemistry

from Art Biz Blog, a collection of top posts from the year for your marketing pleasure!

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6 Limits for Donating Artwork

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You Promise Exposure, We Want to See Results

Attracting Good Karma

Artists’ Day Jobs – What’s Yours?

Is There a Downside to Teaching Your Art?

Social Media Is Only a Tool

…and lots more!

From Fine Art Views, an interesting challenge: Add an Art Challenge to your New Year’s Resolution List: for Smokers…..I’m thinking of adapting this for dieting….

I haven’t posted anything lately on zentangles, but I keep looking at blogs. Here’s one from The Rainbow Elephant that I think would translate really well into a quilting pattern, especially since I want to incorporate some snowflakes on a winter quilt.

Have a great week – send me cool stuff you find!