Archive for the ‘fabric marbling’ Category

Wow. Lots of new visitors to the blog – and WELCOME!!!! I said to hubby about three weeks ago “are we ever going to get past 1400 readers a month?” (according to Google Analytics), and the next thing I know, a mere three weeks later, we just passed 2100 readers this last month. Yay! I promise to make visiting worthwhile. We’re getting ready for our first newsletter this month, so please feel free to sign up (the link on the right), and be entered to win some free marbled fabric.

I have a tab on the top navigation bar that takes you to some resources. I invite you to view those. If you are interested in this marbling journey of ours, click here. Some are great art blogs that I follow regularly. I invite you to send me your URL if you have a blog. Others are resources I actually use, feel great about, and can recommend wholeheartedly. Yes, I am an affiliate of some of them, so I am attempting to make a few pennies off your clicks. But as I said on that page, nothing is there that I don’t trust implicitly. When I get time, I like to take a piece of really cool marbled fabric and work with it in Photoshop. You can see some of the journeys in Digital Marbling (TN), and we plan on adding lots more.

Tuesdays I try to include cool stuff I’ve found on the web the previous week. I go through a lot of blogs and try to include interesting, amazing, unusual – and of course weird – links for you. I try to keep Wednesdays for works-in-progress, but right now the WIP is for an entry and I can’t show details….Mondays I try to give you some marketing advice – sometimes what I’m doing that I find helpful, and sometimes links to how other people are doing it amazingly well.

Lately I’ve started my own “Brain Dump,” as a way of making my list and then checking it off to see how I’m doing with projects. Sometimes there’s just too much floating around, and the mental noise makes us nuts. This is what I’m trying to do, and I invite you on Sundays to add your own Brain Dump for the week and see how you do. Each Sunday I’ll do my own brain dump and ask you to do yours in a comment. Then the following week you can post how you did….I may set up a FB page for this……

And now a SALE…..through Sunday at midnight ONLY. Any Sampler 1 package from our website at 15% off, and 15% off anything on our Etsy site. Now if you need to see what you buy, then the Etsy offerings are for you. If you want to be pleasantly surprised, then the website deals are for you.

Here’s how each works. On Etsy, we have some small art quilts that are mostly marbled fabrics, and a lot of pieces of marbled cotton – and one exceptional piece of red silk – even better in person than in the picture. Decide what you want, and the discount is taken at checkout. This week’s coupon: WK1SPECIAL

On the website we have a page that shows patterns, but what you get is a surprise to you. The swatches are marbled depending on mood, desire for different patterns, and colors. So if you like surprises, this is a deal! Code: SAMP1 Coupon Code.

We hope you’ll take time to browse the website and look at the fiber art we’ve created using marbled fabrics. Some of these pieces have traveled to juried shows. We have a few that need to get into the galleries, and we have a line of ideas just waiting for the time to become new fiber art.

You can follow us on Facebook – I am trying to get better about posting regularly. Sometimes deadlines just govern everything else! You can follow along on Twitter.

You can visit us at the La Conner Quilt Museum in April at Stashfest. We will have marbled fabric available to sell as part of the fundraiser for the museum.

And if you visit, please leave a comment. I always write back – it’s SO COOL to hear form people! So WELCOME again! Ain’t stitchin’ grand?

  I am really fortunate to have a couple of good friends who can help me with a critique when I am working on a new piece. Sometimes the piece flows, and sometimes I’m blocked in making decisions and moving ahead. It is made more complicated by the fact that I am trying to use our marbled fabrics to create unique art pieces. In surfing the web on a regular basis, I don’t see anyone else doing what I’m attempting to do with marbled fabric in the art quilt movement.

There are a lot of things to consider in developing these pieces of fiber art. Are my sewing skills strong enough? Are my quilting skills advanced enough? Does the fabric speak to us? Can the design tell an interesting story? Can I work with the principles of design?

In looking at all these questions, there are two that I am the weakest in, and this is where my group of friends can really help. Quilting skills and design principles.

Momcat is my first voice. She is a digital artist in her own right, and a self-taught expert in Greek pottery, among all the other skills in being a Renaissance woman. Suzan is my overall digital partner and a superb, published quilter and designer in her own right. Karin is a water color artist with a very strong sense of color and overall design organization. Hubby is the marbler and can see things in the designs that the rest of us miss.

I am at a point in this new piece where I needed advice. Which way should the piece hang, for one – vertical or horizontal. Usually that’s one of the last questions for me, because by the time I’m done, the piece has usually told me what it wants. With this piece, I need to decide this now, as I will need to work on the shading with a light source from the “northwest,” which is how scientific illustration is done. I was leaning in one way, and my group confirmed that. They pointed out that I already had a lot of the “shadows” developing on their own from the new orientation.

The second was size and pattern. I am fine with all the quilting on half of the piece, but the other half seems naked of color and looks like it would require some serious thread work that wouldn’t necessarily add to the overall effect. I had been thinking about potentially cutting away half of the piece. We looked at that possibility, and once we folded back some of the fabric (which had never occurred to me), we knew it needed to be tall and narrow, not wide and thick.

Now, Momcat had sent me some of her photos of rocks and lichen that Dali had painted, and I LOVED the lichen. I was initially thinking of marbling some very small silk flowers and then attaching them with some thread painting. The group didn’t like that idea – felt they were not “tough” enough for the texture of lichen. Momcat disappeared, only to come back with a small vial of green stuff that she proceeded to spread on the one or two rocks that are already green. Perfect! Upon closer look – they are very fine chopped-up pieces of old money from the Denver Mint. Who knew? I guess now this is a “mixed media” piece…..We are also thinking about using some coconut Husk or actual moss from a pet store – need to think that through.

Next question: facing vs. binding vs. frame. How do I want to finish this? I don’t see a basic binding. We talked about fabric as an inner mat and as a frame. We looked at serging the edges – which I have done with pieces in the past, much to one gallery owner’s chagrin – “wasn’t finished properly” was her verdict. But I always let the piece tell me what it wants. I am thinking this piece is telling me it doesn’t want anything more to constrain it beyond a facing that wraps to the back.

The final discussion revolved around light, medium, and dark. I know if I were to take a picture of this and turn it to black and white, everything would pretty much be medium values. I know it needs more dark, so I need to think through how to do that with thread…..or moss…..or coconut husk…..or…….actual small stones…….

I left energized, ready to complete the piece. Amazing how being with a great group of like-minded visual people can  make a difference!

Wow, I’ve written 60o blog posts! This from someone who could never keep a diary. I guess I just didn’t have the technology waaaayyyy back when. I have new work for this Photoshop Friday, but I thought it would be fun to view some of the first posts.

My first entry:

I finally did it! I set up a blog so I can write about our marbling and related art thoughts. I’ll be posting photos of the new Photoshop class I am starting. Be kind – I am learning how to take criticism!! This has been something I have been meaning to do as a way of recording process and product, and at the same time motivate me to do more fiber work. And…I can tell my students I am finally “almost” as technologically savvy as they are! (January 26, 2007…..)

I probably wasn’t convinced this would go beyond the Photoshop classes I was starting at the time. You can see my very first Photoshop drawing here. I have since changed blogging platforms, and I don’t have my backup close at hand, so the link will have to do.

Today my work is based either on photographic images I have taken or some of the marbled fabrics we have created. The piece I’m working on today is from fabric. Hubby was downloading pictures for ebay this week, and I saw this picture of fabric from a distance, and I said, hmmmm……

So here’s the original fabric.

Then I started working with some shapes from each section of the fabric.

Then I felt I needed to change the background for more ocntrast.

I’m not sure this background color is going to stay…I have also been playing around with gradients, and I think one of those might work.

Yup, definitely like this one the best.

Comments? What do you think? What else does it need?

  I chose my “Explosion” piece for today because that’s the kind of excitement I feel starting this new season three. Seasons one and two of Cocreating Our Reality were eye-opening and exciting, and for the last few days I have been building up to starting a new journey today. First, I am so blessed to be retired and able to work on art when and where I want to, for as long as I want to. I get to spend every day with my hubby, and life is pretty much wonderful. Health problems – of course, who doesn’t have them at our age. But – that’s not stopping me from living a great life.

I discovered over the last two seasons when it was time to evaluate my goals, that I hadn’t really stretched myself – or thought big enough. So I have been pondering that for the last week or so. What is it I actually want to do?

First and foremost, kind of came to me last night in the moments before sleep, is probably the one most on my mind. I need to take this season and concentrate on me. It sounds selfish, but it isn’t. I have health issues that really need to be addressed, and for so many years they went to the side as other things – students, work, hubby – took their place. If I expect to be as creative for as long as I want, and get out and be politically active, and write – do all the things I want to – than I need to focus on my health. So that is goal number one for this season: take the cholesterol medicine, take my vitamins, watch what I eat, get out regularly and exercise, track my food intake, get some yoga teachings, get my blood readings where they need to be. I actually started thinking this way a few days ago, and I’m pleased to say the exercise has already increased, as well as having a bit more control over appetite.

A second goal is tied in to all this. I am getting a second opinion on my vision issues and will work to find strategies to help with the depth perception and balance issues. A new doctor’s appointment is scheduled for next week Thursday, and I have a teacher friend to talk to about some basic yoga stretches. I always knew this day was coming, and now that it’s here, I need to learn to work with the new limitations.

Overall, for the first time, these two goals seem very positive. One hundred days from now, March 10, I expect that I will have been enormously successful at these first two. That statement alone is a major change for me. It’s very positive, rather than using the word “try.”

Business-wise I have some very specific goals.

Number three in my list is to solve the newsletter/collectors’ information issue. I am, as was said to a friend of mine, “leaving money on the table.” This has to be a regular business goal. I am considering taking Alyson Stanfield’s “Cultivating Your Collectors” class in February. That will depend on a number of things, primarily finances. I am good at reading and implementing, and since I accomplished four of Alyson’s goals in I’d Rather Be in the Studio!, I should be able to accomplish at least three this new season. So: newsletter, portfolio (which we will need for a major event the end of March), and I will look through the list for at least one other. Newsletter once a month should be definitely do-able. A collectors’ newsletter once a quarter should be reasonable. I’m sure there will be others to add here.

Number four is searching out wholesale suppliers for cutting back basic costs of making marbled fabric. As of yesterday I have a new wholesale account with Kona Bay fabrics, as we use their colored cotton quite successfully. We are looking for wholesale sources for premium white cotton, silk/satin ribbon (like Offray), and probably some other materials.

Number five is ramping up our Etsy shop, our Fine Art America galleries, Cafe Press, and looking in to Red Bubble, Three Sisters, and at least one other online selling site. My overall goal in all this is to be able to update these sites once a week, as well as include items from these sites in our soon-to-happen newsletters. I’ve tried setting monetary goals for Etsy and Ebay, and they are very fickle, depending on the economy. I do tweet my Etsy and Ebay offerings once a week, which certainly drives traffic to the site, but I don’t see it converting. However, I know that it is only a matter of time, as is the case with this blog. I am about to hit 1500 viewers per month, so I know it is consistency. (Concerning the blog…when Facebook changed its latest set of operating, my blog numbers dropped. Turns out, on exploration, Networked Blogs was a casualty and needed to be reactivated. Once that happened, I saw numbers increase again…..I am amazed at how net-savvy we need to be these days!)

Art-wise I also have some very specific goals.

Number six is to enter a major show with new work. The deadline for this is mid-February, and I am already hard at work on the first of two pieces. The fabric has been created, and the ideas are flowing. Here’s just some of the fabric…..

Unpolished red satin

If I get accepted, great. If not, I will have two new lovely large art pieces for our body of work. But I am putting out to the Universe that this will be show-worthy art.

Number seven is to create the kit for Marbled Seasons. Yesterday’s blog post showed the first of the four small quilts/table runners. I used to have several patterns, all of which I sold the rights to. So I just need to make more. For this goal I want this set of kits completed, and two new ideas for pattern kits, plus a rewrite of my Polynomial Quilt pattern – which I used the quilts for that very successfully in an adult algebra class to teach multiplying, and it was highly successful.

Number eight is to be completely prepared – except for minor loose ends – by March 10, for StashFest at the La Conner Quilt Museum in La Conner, Washington. We have been invited to participate, and it means marbling about 400 fat quarters in the next three months…..another reason for looking carefully at wholesale outlets! This is an interesting goal, because after our last guild presentation, I put out to the universe that it would be fun to travel and do demos in the Southern Arizona, southern New Mexico area. Well, two days later I had this email…..as Dale Anne Potter, my muse with Law of Attraction said, I was open to the possibilities.

Number nine will build on the previous. Develop a letter/sample to go to local guilds for demos and classes. I think just the development at this stage, because we will be focused on making fabric for Washington.

Number ten, under the category of Miscellaneous, comes continuing to work on Art From the Heart, a site devoted to spreading peace and nonviolence in the aftermath of the Gabrielle Giffords shooting. We had two new entries this last month, and I am hopeful for more.

Now that I have these written, I have to chuckle in that I was concerned about trying to get my goals coherent for this season. These are more detailed than the past two seasons, and they will certainly stretch me.

So Day One – I’m going to sew, work on some lists, and get ready for a small craft event on Saturday. Plus, it’s the holidays, and I want to “do more good” this year on a daily basis. May you have a really awesome day!

If you remember last week, I was about finished with my little autumn quilt/table runner. You can see the process here. I finished it this weekend, and today we marbled a piece for the winter piece. “Marbled Seasons” will shortly be available as a kit – all the seasons, or just one of them. I am writing the pattern now, and by the end of December should have all the quilts completed. They would also work as table runners. So here it is….

There are plenty of variations in this pattern. “Autumn Marbles” will have hand-marbled silk leaves in the kit, as well as directions for the “windy” free motion quilting. There is enough marbled fabric to add another set of log cabin blocks to make the quilt a little longer. The strips in this block all start out at one inch. the two different browns in this, as well as the backing, were from my stash, so you can “shop” at home for extra fabric.

I have started my next major art piece, from a piece of fabric we marbled over ten years ago. It’s time to do something with it. Here you see the marbled unpolished satin with its backing. I was auditioning threads.

The piece itself looks very flat and pretty uninteresting. It will be a challenge of my new skills to make this do what my mind wants.

This piece is a little over 18 inches by 54 inches. We did it when we still worked in the big tray. The additional years make it very difficult for us to work longer hours and do larger pieces of fabric. So I am hoarding those pieces I still have.

A closeup showing some very interesting veining within the piece. That needs to become a focus point.

I have started the basic “first level” quilting. All the stones are getting outlines. Already a lot more interest.  Those two upper right beige ovals have been taken out, requilted, and lay a whole lot flatter.  And, you won’t see more pictures until finished and entered……..

Wow, being retired has given me a whole new appreciation for preparing for the holidays. In the past, if I was lucky, I managed to get some things done during the Thanksgiving weekend, but everything else depended on just how tired I was at the end of each school day. Not this year – my cards are designed and ordered – the pic at the left is of a great piece of red silk that I took into Photoshop. Really pleased with them.

Before I go in to the latest project, an update on the deer quilt from last week. We finally got it hung in our bedroom, its designated spot for the last ten-plus years. It looked awful…..there was absolutely nothing redeeming in it at all. Even hubby, who has loved the quilt since I first saw the pic realized it was pretty bad. So Karen S is the winner of the give-away of border trees, and some lucky child is going to get a “huggy” quilt. In the bedroom now hangs our Desert Heat quilt, and it looks perfect.

Now for the new stuff…..Hubby created a really great fat quarter of cotton that reminded me of a New England autumn. We had marbled some silk leaves earlier this fall, and I had in the back of my mind to make an autumn quilt and use the leaves. Well, now I had all the fabric, pulled a couple of browns from the stash, and was ready to go.

The start of the log cabin….this is the fourth restart….for some reason I wasn’t able to follow my own directions…..

First tentative layout…..

Another tentative layout…sorry for the lousy pic….

The three finished blocks – reminds me of walking through woods carpeted in falling leaves.

Playing around with the marbled leaves….have probably decided on this layout. Love the border fabric, which was very serendipitous. That fabric would not have worked had I gone with a different layout.

I love the leaves!

Ready for batting and quilting……more next week. Suggestions on a quilting design?

Busy week in the studio! I’ve been slowly adding little goodies to the wall, as I want to feel like this is a real working studio every time I walk in to it. This wall is some samples, my color wheel, and some of the fabric cubbies. This is of the poster for the Tikkun Olam show, and other goodies, like the holiday gift list….

Some of the certificates and exhibits we’ve attended. I really enjoy looking at all of them. In the past we usually just tuck things away and never have a chance to revisit them often enough. That is definitely changing.

New shelf hubby put up to keep all the notions from getting in the way and having to be moved each time we marble – or I lay out a quilt to sandwich. Don’t know why we didn’t think of that sooner….

The three large table runners in progress. There is a HUGE amount of work in finishing these up. First, I have 17 Hawaiian motifs, all of which have had satin stitch done around them. The black and white is the predominant color, with just hints of color in the satin stitching. I am now in the process of echo-quilting each motif around the outside, like is traditional in Hawaiian quilting. This is a lot of start, stop, raise the presser foot, lift and turn, and repeat. I’m having to take a lot of breaks because it’s rough on the shoulders.

Each of the joining pieces has free motion quilting, black on black. I’m trying out some new motifs on each of those two-inch strips.

Now about a year ago I asked for suggestions for changing the quilting on a “fish quilt” I had done MANY years ago. I took all the quilting out, and there it sat, along with other “needing to be finished” projects. Well, I’m at a point where I need a serious break from the table runners, plus I want to have a couple of “basic” quilts ready for the guild presentation the beginning of November. It seems that all this time I have been percolating possible quilting ideas.

The thing about this quilt that is so great is the marbled fabric that makes up each of the “fish.” This is a case of when the fabric came out of the tray, it said “fish” to me. I always knew I would like something that accented the fish. I started with the borders of fish, and I ended up using one of the decorative stitches on my workhorse Bernina. Then I used another decorative stitch for the first of the waves, and I added some “bubbles” in free motion to the center block.

Then it was change the foot, change the thread, and start in on the fish.

It’s perfect. It is exactly as I wanted and what I had envisioned before I even knew I could do it.

Oh yeah,that’s what I’m talkin’ about! And my quilting stitch is getting MUCH better!

I’m going to just think as I write for this post. After four full months of almost non-stop marketing – and a whole lot of sewing in there also – the business is very busy. We have some things coming up, some things we’ve dropped, and it’s time to evaluate where we have come and where we need to go.

We have dropped a potential art show for a variety of reasons, none of which are really positive in the long run for both us and the business. That was a hard decision to make, and I learned a couple of things. One, we don’t have to jump at everything and say yes to a possibility if it doesn’t feel right. When we were first starting out, I wanted to go after every possibility, even if it was unrealistic. Two, if we have to “push” to make it work, then chances are it isn’t for us. Three, I really like being able to take things at our speed. Even though we have limited years to build our art business, it is more important for us to enjoy each other, take opportunities to be together, and be able to actually create art when we want to. Those were some good lessons on which to ponder (for my English-language friends, no “ending with a preposition”….).

I have started working again on publicizing Art from the Heart, something I really want to do. I am behind on it, but I am slowly seeing progress. I am working on a major commission and learning lots, and I’m nearly half-way through. We are marbling a lot, which we are enjoying, and it seems like we are back to where we were before water and paint and so on became issues. And….we have a guild workshop to do the beginning of November.

Now, we used to do a lot of workshops, and we – not realizing it at the time – blew lots of opportunities to sell fabric. We would go and demonstrate, but never have fabric for folks to buy. Nothing like violating one of the basic rules of marketing – always have product because you never know when someone will want to buy. When I went to the School of Threadology  at Superior Threads a year this past April, I took some fabric and sold out in 10 minutes – I could have sold a LOT more. Lesson learned.

So for this workshop we are doing things very differently. We will go with fat quarters and a couple of gift baskets. We will have hand-out of all our contact information, supplies connections, order forms, and class sign-ups. We need to get back to dealing with all the guilds (and there are a lot more in the city since we were doing this), especially since we have more to offer than when we were originally doing this. And….since we are talking about going east again next year, I need to put the word out and see if we can book a few gigs.

We will do a demonstration in our cookie sheet, so we can create a lot of small pieces to demonstrate patterns, and everything will be easy to transport. Then I have a lot of quilts (as opposed to art pieces) to show a group of beginners. The first quilt I show is my small Attic Window, where I felt the only color I could use with the marbled fabric was black. We’ll come forward to the fish quilt, which I am in the process of re-quilting, since those skills have tremendously improved. Hopefully people will feel inspired to buy/order fabric, and we’ll be busy for the bulk of November.

I need to take pictures of those quilts and get them online to document the journey. October and November hopefully will be extremely busy making and selling fabric!!

Well, actually….they’re fabric bowls, but somehow “introducing fabric bowls” doesn’t have the same ring. So this has got all the goodies of a holiday basket, but it comes in a fabric bowl that you can use throughout the year, rather than trying to figure out what to do with another straw basket. Which I must admit I thought was waaayyyy better.

Here she is! This holiday treat starts with a hand-crafted fabric bowl, in a subdued color that makes the bowl perfect for year-round use. Then it’s filled with goodies from the marbling tray: a fat quarter (18 by 22 inches) of 100% hand-marbled cotton; 4 pieces of hand-marbled Offray ribbon, in assorted sizes and width, all 18 inches in length; a 10% off coupon for our Etsy store (fabrics and small art quilts and table runners); coupons from other artists with offers for their websites; a Smapler Package of eight 6 by 9 inch hand-marbled pieces; a selection of hand-marbled silk leaves and flowers, perfect for embellishments; a set of four Digital Marbling (TN) note cards; and…a small mystery gift.

I want the fabric bowls to be in a rather subdued set of colors, as I want them to 1) fit just about any decor, and 2) be useful all year round. A “red” bowl tends to limit use. The actual bowl in this package is a nice mellow green.

The “basket” comes wrapped in plastic and fits in a priority box, surrounded by shipping peanuts. You can have it sent to yourself, o4 let us know the address and we will ship it.

This is a $50 retail value, special available for the holidays for $35.00. Want one? Head to our Etsy store and buy the one there. We’ll add additional ones as they sell, so you can see exactly what you will be getting for colors and fabrics.

These have been really fun to put together, especially choosing fabrics for the bowls. And if you haven’t tried making these fabric bowls, they are incredibly soothing….wrapping fabric while you’re watching television, or in the car, or waiting in the doctor’s office…..There are a couple of good books available if your LQS doesn’t offer a class:

We are affiliates for Amazon, so if you order through our blog, we do receive a commission (keeping the FTC happy….).

Action 4 in Alyson Stanfield’s I’d Rather Be in the Studio! talks about the artist statement. So I pulled out my really old one and held it up to the checklist for scrutiny. By golly, except for the first person narrative it still works. I am deciding to keep it third person as it applies to the both of us, and I think it sounds silly in first person – it’s like hubby is an afterthought. Kind of amazing that after four or five years it still says what we are about and what direction our work is moving.

So here it is – send me your slings and arrows – I want to know what’cha think….

Dean and Linda Moran

Marble-T Design, LLC.

6770 East Carondelet Drive #223

Tucson, Arizona 85710

520-747-3857

The Art of Marbled Fabric

 Dean and Linda Moran took an interest in a new hobby and turned it into a new passion. Linda wanted to marble fabric for quilts. After doing research, Dean created the tools they needed. With their first piece, they knew they had a vision for a new art form using traditional marbling designs. Over nearly twenty years of practice, they created a personal art form using traditional marbling designs, as well as contemporary variations, to enhance their creative spirits.

Fascinated by the whims and mysteries of nature, their art incorporates dimensional form as they continue to explore the marriage of marbling and fabric. All of their commissioned pieces have celebrated the magic of the Earth. One unique piece represents a wave cresting the shore, drawing the viewer into a vortex of energy.

Starting with basic white cotton, Dean and Linda soon developed a “no fabric is safe from marbling” attitude. Using silk, satin, corduroy, denim, velveteen and whatever else may cross their paths, they have broadened their artistic horizons. The fabric may dictate a theme; other times the magic of the marbling will dictate the focus of the finished piece.

Dean and Linda have expanded their work into a number of series. “Gaia” celebrates the abstract of Earth, using a weaving design. “Nature” takes a specific look at the little wonders around us, like a quiet pond or an unexpected rock garden. “Mandalas” pay tribute to the dynamic energy of the universe.

Each marbling session is a new experience, exploring the infinite designs and colors possible, both in the art form and in our world. Current work involves embellishment and thread painting/quilting. The work evolves with their experience and excitement.

http://www.marbledfab.com – website

http://marbledmusings.com – blog

http://facebook/com/MarbleTDesign

http://etsy.com/shop/marbledfabrics76

http://twitter.com/ArtsyLindaMoran

Oh my goodness. Today is the third amazing day in a row! It all started on May 1 when I began the first season of Cocreating Our Reality and practicing the Laws of Abundance and Attraction. I started with changing my thinking to always being positive. The first week was very tough, as I became aware of just how negative many of my thoughts were. Eyeopener, to say the least.

So when I retired the end of May, I knew I was going to become a full-time artist – something I have wanted to do for YEARS. Each time I wrote an abundance check with the New Moon, great things happened. So how does Monday Marketing and Top Ten come together? Well, if you’ve been following the blog, you know that on Mondays I have been looking seriously at marketing the business and our art. It’s been all about organization and learning and getting out there. At times it seemed like I was just doing more things and not having anything to show for them.

The rationale part of me knew that I was laying groundwork, and I would have to be patient. Now here’s the top ten for us since June 1 when I started the heavy work for marketing.

* I started with lynda.com and took some classes on Facebook and Twitter, making changes and setting up pages and addresses and plans.

* After getting them set up, I then started a class in Linked In, as I had an old profile from over a year ago. Again, I worked through a class on lynda.com to do all this. So the profile got set up.

* One of the things suggested in the Linked In course was to join some groups and become part of the conversations to develop our networks.

* I joined Art Business and Art Marketing, as well as a few others, and I heard about a call for work for a show in Tucson called Tikkun Olam. All work was 12 inches square and reflected on crises facing the earth.

* I offered to help and sent out information about the show throughout my various networks, plus I made a piece for the show.

* I attended the opening reception for Tikkun Olam (see the post here) and met and chatted with the organizers of the show, two artists from Tubac and Santa Fe, plus talked to a couple of people interested in the piece I created (you can see it here – it’s the yellow piece). What was so cool was to get the positive feedback from the organizers; they loved the piece and (as I found out today) the hanging system.

* I sent thank you notes with offers of additional work to the organizers the next day.

* I got an invitation as a result of the reception to join a group of artists planning a show in October in Tubac (a major arts mecca in southern Arizona) and attended the organizational meeting today.

* This show will be October 22 in Tubac, called Anza Energy. We’re putting about a dozen pieces in the show. And…..

*One of our marbled pieces, Ocean’s Bounty, may be the piece on the main poster for the show, and…..several of the pieces – if they don’t sell – will probably go into a spa resort as part of a water show in Tubac, and….one of the galleries whose owner is also participating, has a couple of our pieces now in his gallery as part of the publicity about the Anza Energy show.

So……get out there and do the work – your art and your marketing!!

I am making a serious effort to finish any new piece I start – and that includes backing, signature, binding, hanging system, and anything else – oh, pictures. I started three smaller pieces since retiring the end of May, and I am happy to report that as of yesterday each one is complete. Absolutely positively complete. I still have a huge cubby filled with UFOs, but I am certainly making progress. In fact, I spent last night working on the start of thread painting for the newest piece for my Quilt University class. More pics on that later – it’s looking pretty cool….but I need to buy more thread…oh the problems we have….

In the meantime, here’s the finished version of my rhythm piece. This started as a piece of hand-marbled green silk that I attempted to quilt about eight years ago. It wasn’t working. But my skills are improving tremendously, and as a result of one earlier class, I wanted to see if I could accept the movement in the piece with the wave design. Here’s “Rhythm of the Wave,” complete with a few added seed beads.

Here’s a closeup:

Overall I accomplished what I wanted to with this piece. It will go up in the Etsy shop in the next few days.

Also completed is my “Explosion” piece, based on a new marbling pattern we tried. My goal here was to accent the movement from the center of the piece outward, which I did with lots of diagonal stitching. Again, I’m pleased with the results. This wil also go up in my Etsy store.

And finally, a piece I completed for a show coming up in Tucson – there will be more details on the show once it opens. This piece is a look at the devastation of oil spills. What starts as a beautiful garden is stlowly destroyed by the effects of oil – called “Insidious Oil.”

Here’s the statement:

As a trained historian, I always see the past and the future in environmental events. As a fiber artist, I feel challenged to take an ancient medium and create a piece that speaks to the environment.

Oil is an insidious liquid. We need it for so much of our daily lives, and yet it can be so destructive. The discovery of oil in our past has enabled us to have the current future. But an oil spill destroys for decades, from wildlife to the water table. This piece of fabric has been marbled, using a centuries-old process of floating paint on water. The beauty of the design reflects the joy we find in a garden, a flower bed, a landscape, or the wildlife that calls a piece of land home. But oil can run away and destroy that which is so beautiful. In a spill the oil creeps through the cracks, crevices, the waterways, looking for a new resting place. It works into the land or water and remains for decades, fouling the life around it, destroying the very fabric or life, much as the black threads do to this marbled garden.

As always, I am interested in your comments. I’ll post more on the art show once it opens and I have pictures from the reception.

This photo is from one of my most favorite spots in the world – a small park somewhere on the Li River in Guilin, China. I’ve done some cropping, but this is the focus of the latest class I am taking from Quilt University: Artists Revisited. Technically I should have chosen a painting by one of the masters, but I have always wanted to translate some of my own photos to fabric, so I chose this. My colors aren’t an exact match, as they should be for this exercise, but I am happy with what I have chosen. I worked on the background first and then came to the foreground, where I realized it was extremely busy. Here’s what I’ve got:

It’s obviously rough, and the trees are missing. I am going to start the thread painting, and then I’ll add the trees toward the end of that step. This is taking a much longer time for me, as I want to really think through each of the thread painting stages. The first step will be the horizon lines, and then I’m going to practice on the “crags” to see what I can do to accent and at the same time soften the mountains. I’d love suggestions for ideas to “paint” the sections.

Also, I’ve been making cloth baskets as a start for our Holiday offerings: we’re doing a “basket, which is really a fabric bowl suitable for all year round, as I’m creating them with some fairly neutral fabrics. The thinking is that a bowl might be more useful around the house than a basket.

Once the bowls are done, they will then get filled with all kinds of goodies:

* A fat quarter of hand-marbled fabric on 100% cotton

* Four pieces of hand-marbled Offray ribbon, assorted sizes and widths

* A selection of coupons and discounts from a variety of Etsy sellers, good for use in their individual stores

* A Sampler Package of 6 by 9 inches swatches of hand-marbled fabrics

* A selection of hand-marbled leaves and flowers

* A set of note cards with Digital Marbling (TN) designs

* and…some type of mystery gift.

We totaled up costs, and the retail value of this offering is $75.00. We’ll be selling the Holiday Bowl Packages for $50.00. Now each order will be different, as every piece of marbled fabric is unique in its creation. No two Bowl Packages will be the same.

Here’s the deal – for the next week, you can order these Holiday Bowl Packages for 20% off. Email us with your order, and we’ll do an invoice and arrange shipping. This offer ends on Wednesday, September 7.

Here’s the start of one of the Holiday Bowls…..

Think of all those family members who like fabric and are really hard to shop for – this will be totally unique!

Albuquerque Outdoors - http://outdoors.itsatrip.org/

This new piece has had an interesting origin…..we were in Cornville , AZ visiting friends, and our driver wanted to stop in the high desert and see about getting some yucca stalks for walking sticks. If you look at the picture, the stalks are what’s left after the gorgeous blooms are done. They are evidently extremely strong and hold a lot of weight. So we have two collected stalks in the car, and I’m thinking, hmmmmm – these could make interesting wall hanging “hangers.” Turns out we got as a gift two really strong, perfect-height-for-hiking sticks from another friend we were off to visit, so I decided to keep these two, one as a walking stick for me (I just need it for balance) and one for a potential hanger for a wall piece.

I was looking at it today, as I was kicking around another weaving piece. It would make a good “topper” for a new piece. I had in mind a set of seasons pieces, and then suddenly I got the thought to create the fabric and weave them all together for a year of seasons.

Here are two samples of some of the weavings I have done with marbled fabrics. The first is my very beginning one, Gaia 1: Interdependence. The second is  Gaia 3: Autumn.

All of a sudden the design was in my head, and I sketched it out, something I don’t normally do. Here it is:

Creating the fabric will take some time, and I know with other projects in the pipeline, I won’t get to this until mid-September. Hubby is the main marbler, so he will have his work cut out for him. I will need to also watch the proportions in this piece – ever mindful of Michael Kors and Nina Garcia from Project Runway…..

Stay tuned for progress. In the meantime, here’s a few stories for past weavings in the Gaia series.

Sunday Stories: Autumn

Sunday Stories: Gaia 2

Sunday Stories: Gaia 1

I’ve been practicing a lot of techniques with free motion quilting. With marbled fabrics, it’s almost like your pattern is decided for you – and I love being able to work with that. I discovered a few new things with this piece of green silk. I knew I wanted to see if I could accent the movement that already existed with the marbled pattern, and I wanted to accent the water effect in the piece.

Here’s the piece without anything done to it. I decided to flip the design, so the wave effect would be more prominent. Then it was a case of deciding threads. There are some very light areas in the pattern that I wanted to emphasize, so I figured a lighter thread. I pulled four threads (Superior, of course) and started with the lightest one – and I thought it was jarring – too bright.

I ended up going with a Rainbow multi-colored green thread that I think worked very well. I used that in the very light areas, and then I turned to a dark green silk for the background. The thought here was to heavily quilt the darker background to make the lighter areas come forward even more. So here’s the piece…

I do think the wave motion is more prominent. This was also a departure for me, in that normally I have quilted this pattern a great deal, but this time I didn’t do every single swirl. I think you get more drawn into the pattern that way.

I am contemplating some beads, but that’s just in the thinking stage at this point. I am open to suggestions, so please leave me a comment with what else I could do with the piece. The biggest success in this piece is a definite improvement in the machine quilting – the stitches are far more consistent, so that’s a great goal for me.

Leave me some comments – what would you do with this piece if it were yours……