Archive for the ‘fabric marbling’ Category
For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.
That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.
My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.
Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.
A close-up of the original weaving with the serged edges.
This piece will also have a new name: Revolution. More on that as I get further along in the quilt.
Our photography has definitely improved over the years, but we still have issues. I reconnected with a friend from 25 years ago, and he came to photograph our pieces in the library show we had this past August. OMG – they are amazing. Bill Kneen, a Richmond, Vermont photographer, does pretty amazing work. (email me for his information) We’re going to use him for our major pieces. So here goes – a really good look at a few:
Wetlands 1 – the color is so true, and the texture really shows through.
This is green cotton lame, and it’s been really hard to get the sheen that Bill achieved.
Glorious true colors! So excited that this shows so well.
This piece was really hard for us to photograph – looked washed out and not really a good sense of the desert – now it is!
Bamboo Jungle – again, very true colors – you can see the dimension in the leaves.
We have decided to do our own videos and set up a YouTube channel with them. We want to show the creation of the various marbling patterns. The first video was more an overview of creating a design…and gave me a chance to play around with iMovie. The second one looks just at the very beginning pattern – the stone. Every piece of marbling starts with this pattern. I am using royalty-free music under Creative Commons. It’s fun, labor-intensive, and when you have weeks between videos you forget all the things you figured out before…like getting the music to play. Plus, this time I cut out pauses where hubby was getting paint, so I learned to delete frames and add a connector. Now it’s learning to use titles and such for additional information.
Here we go!
I have a list………….
Don’t we all? I start one every year – but this year seems to be somehow different. I have a small composition book (like we used to use in elementary school, back in the day, and I got myself organized very differently. I have a page for yearly goals, then a page for monthly goals. I have separate pages for each of the weeks of the month. Right now the notebook is set up though March.
I can at a glance see what I’ve accomplished, and I have a way of listing items ahead in the month they’re due, and I can backtrack to begin working on them. This helps me see the bigger picture much better…..and I love crossing things off my lists.
I think the thing that is also different is that I am feeling so much better than probably the last five years. The weight is slowly rearranging itself, clothes are fitting, the knee doesn’t hurt, I’m getting stuff accomplished (more than I thought), and I feel calm, centered, and productive. A great way to start the New Year!
Lots of new pictures, revising items, getting ready to do a “retirement sale” of older items that have been around the country one or two times. We’ve lived in places where we could have better photography set-ups, but we are making do. Lots of great suggestions and tips from Rachel Biel of The Fiber and Textile List – she is amazing when it comes to set-up, marketing, and all-round general encouragement.
I am looking for a royalty-free piece of music for our second marbling video, finishing up pieces that have languished for years, taking apart a major piece from 2003 and modernizing it with my new skills, keeping up with blogging (I WILL hit 1000 blog posts this year…….) and constantly looking for new venues and ideas.
Here’s to 2017! What are you doing to start your year out right?
There were a lot of other small items completed – some UFO’s and some brand new. The small piece at the left (24 0nches square) was an OLD top from many years ago – part of a pattern kit for customers using marbled fabrics. The quilt top had some serious rolls of fabric where the iron (and the user…) had pressed wrong. So I to0k out all the stitches, fixed it, made the sandwich, and then requilted it with my practiced free motion skills. A lot of new patterns from Lori Kennedy’s The Inbox Jaunt – she has amazing tutorials.
Then there were pieces where I looked through pieces of marbled fabric we had saved and waited for one to speak to me. A lot of them did in the course of the year. “Sonoran Desert” was one of those. this was done on white denim, and it was a pattern I’ve not quilted before – but it spoke to me of the saguaros of the Sonoran Desert.
Didn’t like this binding – too sloppy to control, so did a regular fabric binding. It hung in our library show and now has a new home with a woman who lived in Tucson for a number of years. Added a few semi-precious pieces of turquoise, agates and lava.
A friend keeps us supplied with all sorts of remnants of cottons, polys and silks. We used a couple to see if they would marble – and they did – spectacularly. One of them went immediately to our son in Seattle – he loved the dark colors – said they were “sexy.” The one he received was “Sliver of Moonlight.” First pic is of the plain marbled fabric, second is seeing the stitching. Unfortunely no final pic of it mounted.
This one is same fabric – black poly-silk, and is called “Whispers in the Moonlight.”
There are more pieces, but I need to move on to new projects…..more on an upcoming sale we are having – next blog post!
hitting 1000 b logposts……
Our first solo show was wonderful. We were guest artist the month of August in the Essex Junction Library, a wonderful space in the community room. The fiber pieces hanging on the brick walls softened the room a great deal. Great reception for folks, hosted by our dear friends the Williamsons. Lots of good discussions, and I tried something new – a “completed” piece that I still am not happy with, and I asked for suggestions for re-doing/changing the piece- great ideas, and I will certainly do an interactive piece again for future shows.
April through June, Jericho Town Hall, “Double Exposure” – artwork and a piece of literature/quote that goes with it.
June through September, Unsworth Law Offices, a selection of fiber and digital work.
Phoenix Books with the Essex Art League, 2016, small works.
Old Red Mill Gallery with the Essex Art League, digital work, as well as ongoing fabric sales
October through April 2017, Maltex Building with Burlington City Arts – large works. These are large pieces, and many of them have not shown anywhere before, so it was exciting to visit them in their 6-month home. Third floor, so go visit!
This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)
A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.
We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!
Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:
We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!
Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.
There’s still more…..stay tuned!
A lot of smaller work was started, finished, and revised this year – part of the need to create more pieces, and part to experiment with new ideas. We also tried more framing (pretty successful) and mounting on canvas (very successful, and not that all expensive). The biggest issue seemed to be people didn’t know what to do with small wall hangings or table-toppers. By framing them we are leading our customers to see the piece on a wall, looking like artwork. This is also working well for galleries and stores with small spaces.
The “Chocolate Box” piece on the left was done some 18 years ago as part of a challenge on the QuiltArt list to create an 8 x 8 piece with the theme of “brown.” I pulled all kinds of browns from my stash, including some marbled fabrics, and then I zigzagged them together with the idea of creating a “Whitman’s Sampler.” I have always thought it looked very cute. I rediscovered it this summer, adding batting and backing, variegated thread in a more prominent zigzag, put on a binding, and mounted it on fabric. Lots of good feedback on the piece.
Another piece that saw framing was a small piece of marbled poly-satin that a friend (Suzan Drury of Saltwater Systems) added glitter to at least 10 years ago. Loved it, but it didn’t translate into something someone would want to buy – so on a whim I added batting and backing and then quilted it – thus “Pond 3” – a favorite topic. I learned to do sand dollars as part of a tutorial from Lori Kennedy (theinboxjaunt.com), so you will see clam shells, sea urchins, and sand dollars throughout the small piece. It looks quite striking. One thing I learned in the framing process was to move to lighter-colored frames to keep a piece from feeling constrained.
this year saw the debut of a new series – “Leftovers.” The idea for this came about when we would clean the marbling tray after a session. There were wonderful designs of leftover paint as we emptied the carrageenan. We started saving some small pieces to capture to designs – all of which are very organic and “earth strata.” Two pieces made their debut at Phoenix Books in Essex as part of a rotating display of work by the Essex Art League. There are LOTS more to come – all of which need me to stare at a piece for a while to determine how it wants to be stitched. They are all simply framed and look almost like photographs.
Before stitching on From Above:
Ultrasuede marbles wonderfully. Over the past couple of years we have been doing yards of this for Bead My Love to sell at the various bead and gem shows. We get to keep a few pieces for ourselves, and this year I finally attacked quilting one – with some interesting lessons….the fabric feels like suede, but it doesn’t translate to a puffiness when quilting (note to self: use extra batting for the next piece). Also, the various colors didn’t show well, which is why I went with Superior Threads New Brytes yellow – a thicker thread. this is a 12 x 12 piece of ultrasuede. Introducing “Partly Sunny, Chance of Storms.”
One more piece – we also started marbling flowers and leaves from the silk flower sections of the craft stores – another way to use up left-over paint in the marbling tray. Here’s “Autumn,” a collage of some marbled silk leaves. Covered canvas, 8 x 10 inches.
More next time as I continue to review the year. Comments welcome!
It has been a banner year for art – especially in the making of art. When I stopped to reflect, I realized we created more this year than any other year – some big, many small, and all taught us something! I’m doing several blog posts, since I don’t have pics for a bunch of gifts – awaiting the jpgs in the email….
Yesterday was the presentation of a commission for dear friends of ours. It was supposed to be for their anniversary in September, but just didn’t happen….Once knee surgery was over and I could move around fairly easily, I set to work. The marbled fabric had been done since April, and I had been mulling designs since then. It was time….
I started working with the Chinese symbol for “family,” and after just this first littyle bit, I have even more appreciation for the art quilts of Kathy Nida. This involved tracing the symbol, determining which side would be “up” when ironing onto the front of the fabric, adding WonderUnder, and then making sure it actually worked – especially since I had a limited amount of the fabric choice for the symbol. First success.
Next was creating the pattern for the side panels, loosely based on a table runner by Lonnie Rossi and definitely made my own. Same issues with being sure of right and wrong side, since there would be two panels, and the designs would mirror each other. Much angst – especially on the choice of the background – I had a peach silk that worked with the overall colors, but looked terrible with the small pieces actually on it. The fabrics were extra marbled fat quarters that didn’t make the cut in terms of main color, but they were all complementary.
I put off for the longest time doing the zigzag satin stitch and then discovered that the fabric frayed very easily. A lot of adjustment, sharp pointy scissors, and FrayCheck got me through this section.
I had one panel completed and then started on the second panel. It probably would have been easier doing them both at the same time, but I wanted to be sure the idea could be executed before I was completely committer.
The request was for some apple blossoms quilted into the design – originally to be on the border….but it worked out differently. I Googled images of apple blossoms and determined a free motion pattern, and then began. As long as the petals had ragged edges, the pattern worked.
Lots of flowers over both panels – really liked how subtle the patterns are.
Checking to see if the three panels really do work together….
Time to square off and do the binding – the side panels had a LOT of ironing as they were becoming distorted. Note to self – allow more edging next time around…..
Preparing the canvas for mounting the panels. We have started mounting much of our work on canvas frames covered with a complementary fabric. Much sturdier, easier to hang, and people seem to view them more as “art.”
Thinking it’s going to work…….each side panel is three 8 x 8-inch canvases, mounted together and covered.
So I have finished reorganizing my Bridge folders for all the digital work and storage of all things art. About 6 hours total, but it feels good to have it done – serious loose end. Now I need to go through iPhoto and get some folders made to organize photos there – hopefully won’t take as long. Slowly setting up the to-do list for all things business.
The fist item over the next 12 days is to get every piece ready for a major display for Burlington City Arts. We will have 10-12 of our medium and large pieces on display in the Maltex Building on Pine Street for six months. Quite a nice venue, and our first major exposure in a contemporary gallery in the state. Lots to do – Ocean’s Bounty needs some work with the connecting beads and Gaia 2 (Pele) will be making its debut also, and I need to get it on its new hanging system.
LOVE this piece and have since it was completed many years ago. Will post when I have the new hanging system….hopefully cholla wood and braiding to hang each of the points.
Heavy piece with all the beading and layers and stones – but it will be good for it to see the light of a gallery.
(Wow – I just took less than two minutes to get those pictures from the digital folder – nice organization, Linda!)
Hubby is marbling a lot, as we have new ways of marketing our fabrics. We are selling marbled fabrics in the Red Mill in Jericho, which is “coming home” again – his family settled this area and now he’s helping to support the non-profit mill craft and art gallery.
Four weeks today is knee surgery, with a three-six month recovery…I want to be back at the sewing machine within two weeks – too much to do!! I am finding guided meditations that will help prep for before and after surgery. My yoga practice is reviving itself as a way of strengthening the knee and thigh muscles for surgery. I found an integrative medicine doctor through the medical center, and I LOVE her. Looking forward to working with her over the coming year.
On to attaching a piece to a covered canvas with fabric glue….will post when it’s finished and dry…..
A piece I started about 15 years ago and finally finished this summer – will be adding loops to the back to hang on our door for Halloween. I still have plenty more to work on, and slowly,over the winter during knee recovery I plan to work on them – plus lots of new ones.
Speaking of new ones, in organizing Bridge yesterday (some 7000 photos and a lot of saved duplicates, I think I can make sense of some of the new process pictures. This first piece, Chocolate Box, was done YEARS ago, as part of an 8 x 8 challenge from the old QuiltArt list. I think the theme was “brown,” but who knows? Originally I just sewed pieces with a zigzag stitch – and then I realized I needed stabilizer on the back – like I said, a long time ago. This summer I came across it, added backing, re-quilted it in a variegated thread, and added a border. Still love the piece!
This piece was done for us years ago as part of a challenge to use marbled fabric in a traditional pattern. I made a sandwich, added waves to the bottom of each boat, and quilted semi-circles around the sails to represent the sun. If you made this for us, please let me know so I can credit you.
This next was also part of a challenge, and I use it as a sampler for using free motion quilting on a traditional block. One of the sections is plain, the others have a variety of patterns, some following the the pattern, and some walking around. I love how the marbled fabric quilts up.
I like to use my backs to show errors- and then in the blank area I added details about threads and needles.
So I continue with cleaning and organizing, and hubby is busy marbling every fabric we seem to have in the house. He’s having a ball!
Yowza – we had such a great time hanging this show – first one in Vermont, and first we’ve hung on our own. Lots of great decisions – hubby and I are so in sync with our thoughts. In and out in an hour so as not to disturb the folks working there. A lot of moving around of items to balance the show. We’re discovering that wainscotting is common in New England, so many of our really long pieces don’t work as well. But – the whole office looks much softer with the fiber on the wall. We’ll adapt!
I was glad to see the Four Seasons played well together, since I was worried one was a different size. Not to worry, so I’m hoping I can go ahead and finish the pattern for the website. Ah, so many things to do!! Open studio is now the next item, end of May, so planning lots of marbling sessions for goodies. A couple new gift baskets if my wrist allows it – too much at Christmas and the ligament is still repairing itself.
Without further ado – some pics of “on the wall” at Unsworth Law Firm, Essex Junction, Vermont.
This is my blog post for the “carnival” theme for Art Quilts Around the World.
I spent a lot of time thinking about this piece. I made the fabric the beginning of January, and so it sat until two weeks ago. I had an idea of what I wanted to do – free motion along the design. Here’s the initial fabric.
In the past when I have quilted through the design on the marbled fabric, I always have been really pleased with the results. This time not so much. I evidently have learned a huge amount about focal points and movement within a piece. I did two quilting motifs; the first one was a basic outline to enhance the flow of the marbled pattern.
I liked this, bit I realized it needed more definition. It seemed boring. So I tried increasing the quilting around the nonpareil portion of the pattern.
Once that was completed, I was even more dissatisfied, so I tried a bit of a free motion “feather” along side each part of the pattern. DID. NOT. LIKE. IT.
So it sat for a week while I pondered, talked it over with hubby, and tried to think it through. I guess that’s why it’s called a challenge, which I definitely need to push me further. So I decided I would need to cut it up…………..which I’ve never done before…………………….
It automatically started looking a lot more interesting. I finished the pattern pieces and liked the finished result.
I then had to think about how it was going to go together. I had all these separate pieces and had to think how to best connect them and make it an element of the overall design. At this point it seems kind of like a stained glass window, so I auditioned thin fabric strips for the leading. I figured I could use fusible on the back of the strips. Not a single color worked. Every strip looked like it had just been stuck there and wasn’t an integrated part of the design.
I have always liked the effect of satin stitch, so I tried a bit on a piece of left-over quilting. Dark green Superior Brites gave it just what I needed. Fitting the pieces together was a bit of a challenge, but…..all those years of watching This Old House made me realize I could scribe the pieces to get the circle measurement for the center. I outlined all the sating stitch and border with some Superior Razzle Dazzle, trying out some bobbin work for the first time. It definitely sparkles in the sun.
And – best part – the piece now had a story to it. I have always imagined that Mardi Gras was one long assault on color, looking out a hotel window at all the revelers. I thought of my Cousin Barbara Jean, who as a first responder was taking care of others during Katrina and had to start over herself. Two of my cyber friends, Victoria and Anne, have very fond memories of New Orleans, and I thought of them as I finished this off. From these three folks, I hope I have some idea of the carnival aspect of Mardi Gras. Cousin Barb, this is for you.
Thoughts of NOLA – for Cousin Barb, Victoria, and Anne
WHAT’S ON SALE TODAY
Here’s what’s on sale at Marble-T Design TODAY only. Sale ends at 11:59 PM Mountain time. Add some marbled fabrics to your stash, to your new projects, or give to a friend.
EVERYTHING on our website, including art work, on sale at 20% off. Spend $40.00 and receive our Table Runner Pattern FREE! After your order clears, we will email you the PDF of the pattern. Our website page is here. Orders placed will take two weeks to complete. If you would prefer not using our shopping cart, just send us an email with what you would like, and we will invoice you via Paypal.
So for the first time in MANY years, we are actually ready for the holiday shopping season. Newsletter went out Sunday, sales are planned, website has had a significant makeover, and the Etsy store is stocked. So here’s what’s coming…….
Black Friday Special
Small Business Saturday Special
Free shipping in the continental United States on everything on our website, including art work. Support Small Business Saturday! Our website page is here. Orders placed will take two weeks to complete.