Been a while – SO many things going on, especially politically…and LOTS of sewing/quilting for deadlines and new artwork for an August solo show.
My friend Kathy gets the teachers to create squares for a faculty baby quilt, and then she puts the top together. After the last quilt, we decided the squares needed to be stabilized before the overall quilting – and I show Kathy the joys of spray-basting….this new quilt was a dream to work with. Big and little baby bubbles throughout the border strips and then following the pattern in the outside border fabric for a cross-hatching – which I love, but I will NEVER do it with a regular sewing foot – free motion all the way, otherwise I would still be working on it….Used a New Bryte in orange from Superior Quilts – love the effect and the color is perfect.
The theme is always children’s literature, and the new mom gets a copy of the book that’s in the quilt as a shower gift. Here goes:
There’s another one in the queue – along with a Threads of Resistance quilt, a birthday quilt (actually 2), a reconstructed artquilt, and a LOT of writing….its’ good to be busy!
Can you tell I love me my unpolished red satin? This is “Mandala 1: Core,” also published in Linda Seward’s book Ultimate Guide to Art Quilting Techniques. It’s free motion quilting, but the nice thing about using marbled patterns is that you have lines to follow!
I taught beginning free motion quilting this past Saturday and had a FABULOUS time!! When I did my lesson plan for the class, and then as I was going through it with my students, a few things became very clear to me.
- Everything starts with a straight line done with the free motion foot. It helps develop rhythm and hand placement. No longer will I start with a motif when teaching beginners.
- It’s easy to go from straight line to stippling (large, medium, and micro) as well as figure out how not to get in a corner and have to stop. My students found it very easy to move quickly and easily into curved lines.
- At this point we stopped to talk about threads and tension. It seemed a good point, and there were questions cropping up. The biggest problem they (and probably most of us) have is silencing that Inner Critic and realizing we have to practice – most of us aren’t willing to approach it that way at the beginning. (Ask me how I know that…). One person had bobbin issues, and the rest were concerned with moving that upper tension dial, as well as determining if their machine like same thread top and bottom, or another combination. I need to remember for future classes that “same thread top and bottom” may be more helpful to beginners. I’m so used to the quirks of my machine and how to work with different top and bottom
- Next pattern was a basic heart-shaped leaf, first learned by me in the 2012 Free Motion Quilting Challenge by quilter Frances Moore.
- Pebbles were next – large, medium, fill-ins, different sizes. This seemed a natural progression.
- Then spirals, grid patterns, and feathers. No one really got frustrated, mainly because they could see how previous learning morphed into a new pattern pretty easily.
Lots of samples from me so students could see practical applications within actual quilts, as well as all my practice fat quarters that I now use to practice or check tension before beginning a new project.
Best part? Everyone signed up for Intermediate FMQ in March!
For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.
That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.
My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.
Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.
A close-up of the original weaving with the serged edges.
This piece will also have a new name: Revolution. More on that as I get further along in the quilt.
Our photography has definitely improved over the years, but we still have issues. I reconnected with a friend from 25 years ago, and he came to photograph our pieces in the library show we had this past August. OMG – they are amazing. Bill Kneen, a Richmond, Vermont photographer, does pretty amazing work. (email me for his information) We’re going to use him for our major pieces. So here goes – a really good look at a few:
Wetlands 1 – the color is so true, and the texture really shows through.
This is green cotton lame, and it’s been really hard to get the sheen that Bill achieved.
Glorious true colors! So excited that this shows so well.
This piece was really hard for us to photograph – looked washed out and not really a good sense of the desert – now it is!
Bamboo Jungle – again, very true colors – you can see the dimension in the leaves.
Beginning Free Motion Quilting – Yes, You Can!
4 hours, $40.00 (plus 1/2 hour working lunch) 10:00 – 2:30,
February 11, Saturday
Quilting With Color, Williston, Vermont 802-876-7135
Now what? Your quilt top is done…send it out or quilt it yourself? You can free-motion your own quilt top, no fancy domestic or long-arm machine needed! YOU CAN do it all yourself – it just takes practice! From thread choice, basic supplies, setting up your machine, to learning basic FMQ patterns to build other designs on, you will learn the happy sounds of your machine as you practice six basic patterns on fat-quarter sandwiches: straight lines (without a ruler or walking foot), various size stipples, pebbles, basic feather, grid work, and a leaf/vine shape.
* sewing machine in working order, ability to lower feed dogs, instruction manual (I can’t stress enough how you need familiarity with your machine and lowering the feed dogs)
* free motion (or darning) foot; NEW #80 0r #90 machine needles (#90 might be easier for you if you want to use fancy threads)
* a selection of threads, from “old and cheap” to “fancy and expensive” (cotton and poly are welcome)
* low-loft cotton (or 80/20 cotton) batting in fat quarter size for two quilt sandwiches
* 4 fat quarters (18 x 22 inches), one for the top and one for the bottom of two quilt sandwiches (not fancy fabrics, just for practice, and muslin is fine – tone-on-tone or solid color is best for getting started
* scrap paper and pen or pencil
* marking tools (fabric marker or chalk
* ruler for marking grid lines on the fat quarters
OPTIONAL: small white board and marker for practicing designs; a machine extension table (you will be happier with one…), Machingers quilting gloves.
One of many samples looking at how you can add free motion quilting to your work….
COME JOIN US!!
The past couple of weeks have seen my activism rise. Phone calls, emails, petitions, talking to other folks to learn about their views, searching out reliable news outlets – and I’m walking in the Women’s March in Montpelier, VT. just three months out of knee surgery – this is too important for me to miss.
But back to art. I am a strong believer in the power of art. On January 8, 2011, there was a mass shooting in the Safeway parking lot in Tucson. Six people died, including a 9-year-old girl, and 13 were wounded, including my Congresswoman, Gabby Giffords. The following week was very difficult; being a teacher means you are a “first responder” at times – Monday morning after the shooting, Wednesday when President Obama came to town for a memorial, and Friday when the Westboro Baptist Church threatened to boycott funerals. Try explaining to teenagers whose brains emotionally are not fully developed that responding to the hate of Westboro Baptist Church was not a healthy response. No time to process my own feelings, just to be there for kids who weren’t sure what was happening – and especially since so many of them had already seen violence up close and personal in an urban city.
With that background, I had to create something, so I made a small piece of quiltart that spoke to my feelings. The piece made itself…from the choice of background (chicken-wire for fencing) to the words printed on cotton. The local newspaper did a brief story, and in Arizona (as in many places now) the trolls came out and said “If only I’d been around to give Hitler a quilt, everything would have been better.” Others reacted to my premise: that words have power; a woman from Australia said the words weren’t the cause, the man was mentally ill. Yes, no question the shooter was mentally ill, and no help from a broken system (thank you Ronald Reagan)….but words can push a person over the edge, even in the best of times.
My original post is here. I just reread it – raw writing for me. Here is the piece – 8.5 x 11 inches.
Binding looks like bullet holes, as does the stitching around the holes. People objected to the words, felt they were inflammatory for someone who was mentally ill. This was after Sarah Palin had a page on her website with a gun sight right over Arizona and Giffords’ district. I believed then that words caused this man to lash out, that words triggered his mental illness to another step.
We see just how far we have come 5 years and 11 days later. We don’t even talk about mental illness, nothing happens at the state or federal level, the body count keeps growing, and we are entering dark days. Hard to believe we are only now recognizing the words of the past months as hate speech, as power, as darkness.
I will keep speaking out through my art. Predominantly I am working with environmental statements concerning climate change. My Wetlands piece is the first attempt to look at a vanishing resource. there are so many issues and problems ahead for us. As artists we must be active.
I welcome comments.
We have decided to do our own videos and set up a YouTube channel with them. We want to show the creation of the various marbling patterns. The first video was more an overview of creating a design…and gave me a chance to play around with iMovie. The second one looks just at the very beginning pattern – the stone. Every piece of marbling starts with this pattern. I am using royalty-free music under Creative Commons. It’s fun, labor-intensive, and when you have weeks between videos you forget all the things you figured out before…like getting the music to play. Plus, this time I cut out pauses where hubby was getting paint, so I learned to delete frames and add a connector. Now it’s learning to use titles and such for additional information.
Here we go!
Cleaning out as part of getting into new ventures for the new year – resizing, sharpening, rephotographing fabrics – here are some sample fat quarters we have created over the years. We get tremendous joy out of creating – some look similar, but it seems like endless opportunities available to us to play with fabric and paint. Remember, we can customize for you! Let us know what you think….THESE ARE NOT FOR SALE – just pieces we have photos of from the past!
So many iterations of traditional patterns! All from toothpicks, Popsicle sticks, straight pins, t-pins, small hair pics – lots of balsa and a huge amount of time to make the combs and rakes. It’s the prep that takes so long before you can have hours of fun!!
When we did Vermont Open Studios last May with artist Mary Hill, one of the great things about sharing the space was all the time we had to talk about our various art and marketing attempts. Mary had some GREAT ideas for us concerning packaging. We continue to process everything we thought about, with some definite changes in what we are doing. Thanks to Rachel of The Textile and Fiber Art List, we have also been improving photography – both how we shoot items and how we present the finished product.
First, the photography. Our pictures have a “muddy” cast to them, and we are basically rephotographing everything we have. The place we are living now doesn’t allow for much flexibility for setting up good lighting. Hubby experimented with a lot of options – including moving to a rolled fabric presentation rather than each piece in a haphazard manner. Give an overall idea as opposed to every thing about each piece. In this manner we can still send the packages flat and save customers money (on international orders – domestic shipping is free). Some “before and after” ideas –
Getting the overall set-up of the product looking good –
Lighting and color still issues….but against the white background looking better. Also, we discovered that we needed to save pictures at a larger size in order to get more detail in the pictures. Next is better with a good cropping and some adjustments in Photoshop to correct the lighting.
Definitely getting there –
Close-up shot for the Twitter picture, which I am slowly getting back to using…..
This is just for our Charm Pack 2 – ten pieces of hand-marbled pima cotton, assorted patterns and colors, 10 x 10 inches each. Slowly working on others. The pieces need to be appealing, hence all the work on presentation in the pictures. The mailing is easier than a rolled item, which costs more to ship and doesn’t give customers a good look at the fabrics.
This looks better in person when displaying for a show – but not for online sales.
I have a list………….
Don’t we all? I start one every year – but this year seems to be somehow different. I have a small composition book (like we used to use in elementary school, back in the day, and I got myself organized very differently. I have a page for yearly goals, then a page for monthly goals. I have separate pages for each of the weeks of the month. Right now the notebook is set up though March.
I can at a glance see what I’ve accomplished, and I have a way of listing items ahead in the month they’re due, and I can backtrack to begin working on them. This helps me see the bigger picture much better…..and I love crossing things off my lists.
I think the thing that is also different is that I am feeling so much better than probably the last five years. The weight is slowly rearranging itself, clothes are fitting, the knee doesn’t hurt, I’m getting stuff accomplished (more than I thought), and I feel calm, centered, and productive. A great way to start the New Year!
Lots of new pictures, revising items, getting ready to do a “retirement sale” of older items that have been around the country one or two times. We’ve lived in places where we could have better photography set-ups, but we are making do. Lots of great suggestions and tips from Rachel Biel of The Fiber and Textile List – she is amazing when it comes to set-up, marketing, and all-round general encouragement.
I am looking for a royalty-free piece of music for our second marbling video, finishing up pieces that have languished for years, taking apart a major piece from 2003 and modernizing it with my new skills, keeping up with blogging (I WILL hit 1000 blog posts this year…….) and constantly looking for new venues and ideas.
Here’s to 2017! What are you doing to start your year out right?
My dad would have been 89 today. He died at 48 years of age from a massive coronary – lifestyle issues of alcoholism. I still miss him and will every day. He missed my wedding, missed knowing my sweetie, missed seeing me get my masters, missed having the earlier video games to play, missed more traveling. Somewhere I have a picture of him in his Nehru jacket – one of my favorites. It’s time to have some pics out that I can see on a regular basis. Now I have to find the Hawaii pictures. Eugene Robert Lemke – still missed to this day – I’m about the only one left who remembers.
The next are a series of family shots at the cabin of friends from Stratford, NJ, up in the Grand Canyon of Pennsylvania.
)(&*%&@*#&$^)(@!&#)$(*& Now I’m gonna cry…….
A load of lessons this year – big, small, in-between – physical, emotional, business, art, political. It’s always interesting to me to reflect on what I’ve learned in times of turmoil.
- I will stand up against hate.
- Knee surgery is a pain, literally, but necessary. Physical therapy is necessary. I am blessed with a great doctor, fabulous physical therapist, and a hospital that helps with financial assistance.
- Losing weight over 60 (…over 40…) is tough, but thanks to The Gabriel Method I might just be able to do it this year. No chocolate in over two weeks, n0 hunger pangs, no snacking – all because of visualization.
- Vermont pushes too many pills – finally found an integrative health doctor, rather than getting a prescription for anything that ails me without even looking at symptoms.
- Survived major surgery with hubby on his aneurysm repair last winter. Great doctor, learned a huge amount – he’s good to go.
- Walking still is my best form of exercise. So glad I can do more walking, much more comfortably, with the new knee.
- I like myself a lot more. Been years in the making, learning to deal with what I can’t change in the past.
- Still madly in love with hubby of 40 years. We always find something new to talk about.
- My mother was a full-blown narcissist, and I lived in fear of her most of my life. I have forgiven her and have moved on. She appears every now and then in dreams, and I find I can tell her off when she shows up – something I couldn’t do in real life. I’m moving on.
- I need to plan for art business this year. We had a great year last year, and my goal for this year is to sell a lot more art and make some good money.
- Newsletter each month for the marbling, more teaching opportunities, retirement sale of older works.
- Continue taking online classes for the pure enjoyment/learning something new. Work on color sense.
- I wrote a teaching manual – all 35,000 words – essentially in five months. It’s a template for teacher manuals, as it works with standards and ways of integrating new curriculum ideas for teachers. Thinking about a mathematics manual for algebra.
- I WILL publish my political novel this year. I am planning a Kickstarter campaign – or something similar. I have to do it in the light of current politics, and I need to get back to book 2.
- Made a lot of art last year. I want to make even more art this year, including a couple of large pieces. I’m keeping track of the process of taking my Pele piece apart and modernizing it with my new skills in free motion quilting.
- Three years ago I realized I only had 200 more b;og posts to do to hit 1000. Then I seemed to take long breaks from blogging. I’m still trying to hit 1000 – 920 and counting…I should be able to get 80 posts done this year……(PS – 921…)
- Politically it’s been a very difficult year for me. As a history/political science major I see trends before they are trends. I’ve been worried the last two years. It is time this year to write, speak out, demonstrate, listen, reach out.
- Be kind and listen, regardless of your own opinion. All of us need kindness and understanding.
- I will be out in nature more, travel more, worry less about finances.
- I will stand up against hate.
There were a lot of other small items completed – some UFO’s and some brand new. The small piece at the left (24 0nches square) was an OLD top from many years ago – part of a pattern kit for customers using marbled fabrics. The quilt top had some serious rolls of fabric where the iron (and the user…) had pressed wrong. So I to0k out all the stitches, fixed it, made the sandwich, and then requilted it with my practiced free motion skills. A lot of new patterns from Lori Kennedy’s The Inbox Jaunt – she has amazing tutorials.
Then there were pieces where I looked through pieces of marbled fabric we had saved and waited for one to speak to me. A lot of them did in the course of the year. “Sonoran Desert” was one of those. this was done on white denim, and it was a pattern I’ve not quilted before – but it spoke to me of the saguaros of the Sonoran Desert.
Didn’t like this binding – too sloppy to control, so did a regular fabric binding. It hung in our library show and now has a new home with a woman who lived in Tucson for a number of years. Added a few semi-precious pieces of turquoise, agates and lava.
A friend keeps us supplied with all sorts of remnants of cottons, polys and silks. We used a couple to see if they would marble – and they did – spectacularly. One of them went immediately to our son in Seattle – he loved the dark colors – said they were “sexy.” The one he received was “Sliver of Moonlight.” First pic is of the plain marbled fabric, second is seeing the stitching. Unfortunely no final pic of it mounted.
This one is same fabric – black poly-silk, and is called “Whispers in the Moonlight.”
There are more pieces, but I need to move on to new projects…..more on an upcoming sale we are having – next blog post!
hitting 1000 b logposts……
Our first solo show was wonderful. We were guest artist the month of August in the Essex Junction Library, a wonderful space in the community room. The fiber pieces hanging on the brick walls softened the room a great deal. Great reception for folks, hosted by our dear friends the Williamsons. Lots of good discussions, and I tried something new – a “completed” piece that I still am not happy with, and I asked for suggestions for re-doing/changing the piece- great ideas, and I will certainly do an interactive piece again for future shows.
April through June, Jericho Town Hall, “Double Exposure” – artwork and a piece of literature/quote that goes with it.
June through September, Unsworth Law Offices, a selection of fiber and digital work.
Phoenix Books with the Essex Art League, 2016, small works.
Old Red Mill Gallery with the Essex Art League, digital work, as well as ongoing fabric sales
October through April 2017, Maltex Building with Burlington City Arts – large works. These are large pieces, and many of them have not shown anywhere before, so it was exciting to visit them in their 6-month home. Third floor, so go visit!