Archive for the ‘creativity’ Category

Ramblings for the Month……..

Evening Moon

Evening Moon

Lots of thoughts kind of rambling through the head these days, main one is that my novel IS DONE!!! (Insert happy dance!) I’ve set up a page through webnode.com to talk about various items related to the politics within the novel, as well as things I’ve discovered in writing fiction. I’ll post it when I’m ready to reveal it for comments. In the meantime I have my last round of editing to do, and then it’s query letter to literary agents. I rethought the ending at least five times, and then I said start writing and see what happens – let the characters talk to me, like they have been doing the whole time.

Another activity has been planning and packing for our move back east. I need me my four seasons! Since I’m retired, I don’t have to go out in the bad weather! We will need to revise how we shop for food, as in the winter months we need to be prepared for days inside. This has all led me to thinking about places to travel in the winter. We may just hop Amtrak to come west during a cold January. I’ve started surfing, and I stumbled on this site on Costa Rica– a place on my bucket list! One look at this place and I’m ready to pack now! Give me the ocean, water I can admire, some unique things to do, and a great place to hang and I’m there!! Las Ventanas del Mar – the ocean view looks spectacular!

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The packing for this cross-country move has been interesting. We are downsizing even more from our previous local moves, planning on replacing some furniture when we find a new apartment. I realized my hutch wasn’t important, although I love it – it’s the mementos inside from years of being together. Today we donated tools, stationery, and other odds and ends to Live Theater Workshop, which has provided many years of enjoyable theater experiences. The best one to date has been “The Complete Works of William Shakespeare (Abridged) Revised.” Loads of laughs and great visual gags. All 39 plays in 90 minutes!

All the art stuff – books, supplies, finished pieces – that’s what is really important, and they will be packed about two weeks before the move. I don’t want to look at empty walls and not be near my sewing machine for too long. Which brings me to another thought – Malcolm Gladwell’s 10,000 hours. If you are going to be a professional and really great at something, you need to put in 10,000 hours of practice. I am so far from that! But I will say that the past year has definitely improved my free motion quilting and design skills with the amount of time I’ve been spending on my art. My days have settled in to a nice routine, and I no longer worry about keeping track of what I accomplish each year during retirement. Yoga, writing, sewing/quilting, sketching with pen and ink, walks – a very nice schedule!

 

The Hum-Purr of My Machine….

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Thank you, Cindy Needham, for talking about the hum-purr your machine makes when you are in the groove! And I have been in the groove this past month – another quilt under the presser foot, this one a  16-year-old top that I am giving to my yoga instructor. I haven’t done anything with the top prior to this, because there was an area I really wanted to do feathers in, and I wasn’t willing to hand-quilt them. So now that I can do feathers in free-motion, sounds about right to finish this top…..except the area I was thinking really needed something else…..so I did a grid pattern, and I LOVE IT! It makes the traditional top look much more modern.

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Below is the quilt being basted – my safety pins have gotten quite the workout in the last few months! The quilt top originally ended with the blue wave border, but it wasn’t long enough to cover a chilly body. So I added another black and wine border – lots of ideas for quilting those – and yes, I will have feathers somewhere on this quilt!

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Before I started in on this, I continued with the BOM from our local quilt store, four months to catch up on, and I’m pleased with how they look. Based on progress I’ve made with the amount of sewing over the last couple of months, I would probably do some colors differently in the original blocks. Here’s the new ones:

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Photography really isn’t doing them justice!

DSCN0674I love the green and orange one!

Up after this quilt is a lap quilt for my great-niece who turns 13 in August, and I would like to have it done for when we see them in May. I’ve made the commitment that all 8 of my great-nieces and great-nephews will get a lap quilt from me when they turn 13. This means lap quilts for the next 11 years…….

Baby Quilt Completed!!

In November I got a package of 8-inch squares from my maid of honor of many years ago. Her daughter was now pregnant, and could I take her work at put it together? I remember Shelby starting these squares the first time we made it back to Vermont in 16 years. Anything for my friend of oh-so-many years!

Kathy and I go way back – and I have promised many times to keep some of our more interesting escapades from her three children (which means a WHOLE LOT of interesting stories are sealed). But I think taking me in the Big Bird costume we built for our play stuffed in the front of my VW for Halloween dinner at KFC is probably pretty harmless. Oh, if only we had digital cameras then……a moment in history gone forever……(and that chicken wire frame did a lot of poking…..)

So on Tuesday I finished the quilt, took pictures, packed it, and shipped it off, where it should be arriving today, two weeks ahead of the baby shower. Here she be –

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Shelby wanted an ocean theme, so the blue is an underwater scene, left over from another quilt project. Love this fabric, and in the light it is even more gorgeous. The border is a stencil of fish, and the two empty blocks (which is the only thing I would revisit if I were to do this again) is some free-motion quilting in a blue Fantastico from Superior Threads.

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So much fun to do!! Now for the next quilt in line, for my yoga instructor…gotta get it done while it’s still cold enough to use!

Four Years Later….January 8…..

…and we have learned nothing. We still kill with guns, we don’t deal with mental health issues. Four years ago three of us set up a website to look at the Tucson shootings. Suzan Drury, Anne Lockard (who is gone, but her indomitable spirit is with us every day), and myself to showcase healing art. You can name a hiking trail, a playground, or a new courthouse for one of the victims, but that doesn’t bring them back. What happened will always hurt. I have lost customers for Marble-T Design because of my stand on gun control. I am a firm believer in the Constitution – it is a remarkable document. But I also firmly believe that the National Rifle Association has co-opted rationality concerning guns and background checks. Just because “criminals will find a way to get guns anyway” doesn’t mean we don’t have background checks. And we are so far away from any rational dialogue on this.

But this isn’t a rant about gun control, although it very easily could be. Sarah Garrecht Gassen wrote an editorial today in the Arizona Daily Star that talks about how we refer to the victims of the shootings. They are not “lost,” they are “taken.” Here’s an excerpt:

So let’s follow Patricia Maisch’s lead and be more honest with our language in how we talk about guns. She’s the person who got the second clip away from the Tucson shooter before he could reload. She’s fought for gun law reform and watched as politicians have failed to stand up to the gun lobby. She hasn’t been shy in her disgust, and she speaks for a lot of us.

We talked on Tuesday afternoon. “Time flies whether you’re having fun or not. It’s always an emotional time of the year. I just think, how unforgivable it is that this could have happened,” she said.

Maisch doesn’t sugarcoat. She’s working diligently for law reforms. But four years in, something that’s fused into the sorrow and the anger gnaws at her: how we talk about gun violence.

She’s on a mission to change the words. “The horrible takings,” is how she talks about the people who have been killed with a gun.

“These people aren’t ‘lost.’ They’re never going to be found. They’ve been taken.”

If you would like to see artwork focused on healing, you can visit Art from the Heart. Here’s my piece, again controversial. Most of the comments I had was that the shooter was mentally ill, that it wasn’t politics that caused him to kill. And thus was ended what could have been a productive dialogue about the state of mental illness and access to guns. I already know some of you will stop becoming readers and customers. Because of this wonderful Constitution of ours, I support your right to do that.

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You can read about my thoughts constructing the piece here. Ultimately the processing from the shootings has led to me pondering our lack of ability to discuss issues calmly, and now I have based the first in a series of novels on what happens when we can’t  – or won’t – talk to each other.

One of My Ongoing Projects

A Border Full of Geckos

A Border Full of Geckos

Hawaiian Block of the Month from my local quilt shop, Quilter’s Market – which I will SO miss when we move this spring…..

This program is a monthly get-together through our local quilt shop, Quilter’s Market – one of the things I will definitely miss when we move. The theme for this year is Hawaiian Getaway. I’ve been keeping up generally with the blocks, but I will confess to being four  five months behind right now – it’s those deadlines for other quilts…. Forgive the pics – I was in a hurry…..

I decided after my first block that it was just too intense in color, so I made one that was softer, with more light fabrics. that got me started making two blocks a month, one saturated, and one that was lighter. The shop has what they call an “Oops Pack,” for when you make mistakes with the pieces of fabrics you get. I picked up both the light and dark packs, because I really liked the sherbet colors. So instead of 12 blocks at the end of the program, I will have 24. I’m planing to set them on point, with plain blocks in between that I can free-motion. For those I’m planning to use some of my adopted mom’s Hawaiian designs. I also really like the work Judy Madsen does (Green Fairy Quilts) with straight-line quilting, so I’m looking forward to designing the motifs.

Amazing how it used to be enjoying making the quilt top, but now I look forward to the quilting oh so much. The goal is to have the blocks done (April is the last month) before I completely pack up the studio for our move. I know it won’t get put together until the months after we are settled.

Here goes…..

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 I confess to being very curious to see what I come up with for the whole quilt – I do know I am very much looking forward to quilting it!

Word(s) for 2015

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Usually this time of the year I have my goals all laid out and ready to go. But not this year. I have really slowed down over the past 12 months – some from health, some from depression, and some from just wanting to enjoy every day. That’s a real change for me. I am enjoying each day tremendously, so when everyone was choosing their word for the year and posted it, I thought, “Nah, not going to do it this year. I’m content with the way life is going right now.”

Last night in bed, I was thinking about “content” and realized I have my word – actually two words – right there. Content with accent on the second syllable, and content, with accent on the first. The more I thought, the more I liked it.

So first, content, with accent on the first syllable. I want content in my life. I want to contribute meaningfully to people and causes this year. I want content in what I read and watch this year. I want content in my actions. I want to create content.

Second, I am content (accent on second syllable). I realized that this past month as I saw just how much my mental and emotional health – and consequently my physical health – was improving. My days are taking on a relaxing rhythm – quilting, reading, writing, yoga, being in the moment with hubby. Appreciating that I can do what I wish in retirement, without having to worry about finances too much. I enjoyed my nap this afternoon, the brief snow in Tucson this morning, and the fact I still have 10 hours ahead of me to write and quilt.

Life is content and full of content.

The Christmas Quilt – Completed!

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I must confess, by Tuesday evening I wasn’t sure I would have the quilt for our good friend completed……We had plans for Wednesday and Thursday, so last-minute was going to be Tuesday evening…..and I still had to finish a rolled hem on a silk scarf………But I made it, hubby photographed it Wednesday morning and finished cutting off miscellaneous threads. It was a HUGE hit last night at the presentation – everyone needed to take a turn snuggling under it! Originally I was going to make another nap quilt, since the first one I made for our friend turned out to be too short to wrap herself in. This ended up queen size…..

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Making Cristmas Merry Via the Minions!

Just because I love the Minions! (forgive the commercial……)

Works in Progress…

More Geckos

More Geckos

…and there are a lot! Four quilts lined up, including the one you’ll see pictures of here.

We have a really great friend here in Tucson, and several years ago I made her a lap quilt as a birthday present. Trouble was, she can’t get completely covered under it when she wants to take a nap on the couch. So I decided for this year to make her a bigger one…..turns out I processed “66 inches” differently from 5 and a half feet. This is one big quilt! It should easily cover his double bed, which is exactly what she would like.

I am using a pattern I saw from Geta Gamma from Romania – I loved the design, especially the quilting, and am doing it in shades of purples and blues. It’s getting quilted to within an inch of its life! Needless to say, I am getting very good at free motion quilting feathers. The stencil work has been interesting – at one point I forgot about the registration marks and turned the pattern, but I am the only one who knows that.Screen Shot 2014-12-17 at 12.26.16 PM

I caused some bleeding with one of the fabrics when I attempted to use a stain remover to get out the rest of the gray chalk marks. I will need to use a little paint to cover that up. I have 8 days to finish – started about three weeks ago, and I should make the Christmas deadline. It is really looking good.

It is a little tough on the shoulders, cramming that quilt around under my trusty Bernina 1008, but I am getting much better at that. Thankfully the remaining three quilts are all much smaller. After this one, though, I am taking a quick break to do some traditional blocks in a Hawaiian theme for a block of the month, making a queen size quilt for my own bed…..then back to the list!

Some progress pics of my version –

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Sweet hubby helped with all the pinning…..

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Wrestling it under the machine….it’s looking gorgeous!SneakPeak10

Back Again….Hopefully Longer….

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It’s been an interesting year. Two years ago this time, I looked at my blog and was 200 posts away from 1000. I thought no problem, I can do that easily. Well, I am still about 185 posts away from 1000. Life really has gotten in the way, with illness, depression, and a sense of disequilibrium. It has taken a while to determine what paths I will be following.

It is also ironic that while I haven’t written many blog posts, I have written 110,000 words in a novel. This has been ongoing since August of 2013. I am nearing the end of what looks to be volume one of a trilogy. It is my way of processing political events in this country and trying to deal with how this country is changing. It has meant some interesting research (what is the saying about a true friend? One who will clean out your browser history after you die?). I’ve delved into some pretty terrible things on human trafficking, read lots of government reports, and overall tried to get up to speed on policy that I haven’t spent much time caring about in the past. It will be interesting to see if I can find a publisher….in the meantime, I have started a webpage for the book: http://the-secession-wars.webnode.com/. This is very much a work in progress, and I want to include writing tips as I finish up the novel.

I’m doing a lot of quilting. I’ve been slowly moving away from the marbling business, and I’m not sure how I feel about that. We still enjoy marbling, but the business end of it is tedious. I have lots of projects using the fabrics I have, but not the energy to do anything. I have been quilting other projects, and I have four commissions for quilts lined up: for a good friend, for a new baby,
for my yoga instructor, and for my great niece. I made the commitment to myself that when each of my eight great nieces and nephews turn 13, I will gift them a quilt. Gracie is the oldest, and she turns 13 this August. I want to have the quilt finished for when we move back east and stop to see them on the way. I found a great fleece in her favorite color for the backing, so that’s in the queue.

I’ve also taken up sketching again, through a couple of Craftsy classes. I did some sketching on the road this summer, but I want to make this a regular habit. Pen and ink has always been my medium (and charcoal, too), which is probably why I took to zentangles so quickly.

I have joined a weekly writing group to make my writing more of a regular practice. We meet for two hours and just write – a brief statement of intentions from each person in the group, and then it is total silence for writing. It’s been great, and I think it will get me back to blogging on a regular basis.

So this is a quick catch-up, more so for myself, as I look back on what has happened over the last years.

Till next time…..

Thursday Thoughts: Coursera and Duolingo

Evening Moon

Evening Moon

I have been taking courses – MOOCs (massive open online classes) from Coursera for over a year now. Some I just read the material and watch the videos – a lot for research for my novel. I have done enough for the certificates for a couple of the classes: Art History for Animators from Cal Arts (great class), Coaching Teachers from Match.com, and A Look at Historical Fiction. I learned something from every class, and my art appreciation went up considerably. I also did Post-9/11, Counterterrorism solely for the research.

Currently I am looking at The Camera Never Lies (too much lecture, not enough photos, so I won’t work for a certificate), Beauty Form and Function in Symmetry – absolutely fascinating, love the videos, but the math is  beyond me (but I’m following it a little bit – I just don’t want to spend the time actually studying it). The last is on Human Trafficking, which is for research, but I am also working on the certificate.

The information in this latter class is staggering – and frightening, and disgusting. We all need to be aware of the labor and sex trafficking that is happening all around is, not just outside our borders.

If you are at all interested in continuing your education, this is an easy, quick, simple way to do it – and no cost, unless you actually want credits.

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Also, I’ve hated the fact that I can’t afford Rosetta Stone to relearn my French. I used it for a while at the high school and really liked the approach. Well, enter Duolingo – major languages at your pace, and entirely FREE. Already reviewing basics in French and I love it!

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Sunday Stories – The Chakra Commission

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Last September my yoga instructor Susan asked me to do a series of chakras for her home, which is also her yoga studio. She had the idea to have the chakras around three sides of her “great room,” so she would be surrounded by their energies. I had previously done a small 10 x 10 inch thread-painted root chakra, and that one led to this new idea.

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We debated about size, because the wall space is quite tall. Using the floor tiles as an estimate, we decided each would be 24 inches square – wrapped around four 12 by 12 inch canvases that we would put together.

First challenge – choosing the fabrics. I wanted to purchase them all at the same time for consistency. I had thought about the Stonehenge line of fabrics, but the LQS was out of them. Susan found some hand-dyes that were what I call true crayon colors. It was a beautiful vibrant rainbow. This was when I first realized some of the attributes of the chakras. Second challenge – creating the patterns. I wanted the thread-painted chakra to finish at 20 by 20 inches, because that would give me enough fabric for wrapping the canvas. So I worked with a set of patterns from the Net and created a master set for approval. We tweaked some changes with the edges to better increase some of the symmetry. It is now the end of October and I am ready to start – I think.

In trying to explain to the copy folks at Office Depot that I wanted my design blow up to 20 inches by 20 inches, eventually we got a 24-inch-square canvas, with a 20-inch design on it. I had copies made as patterns.

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Once I had the pattern, I traced over it and then pinned the tracing paper onto the fabric sandwich. Speaking of fabric sandwiches, it too close to five hours to get seven sandwiches prepped: ironing the fabric (I cut each yard into a 30-inch square), matched it with low-loft batting, and found some unused fabrics for the backings. Then they all sat over a chair for a while.

Finally around the end of November I started the actual sewing. I pinned the tracing paper carefully to the fabric sandwich and, using washable thread, I outlined the pattern. Tearing off the tracing paper took a very long while….

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For the Root chakra, I decided to do some bobbin work with a gold thread. I was so-so pleased with the results, but not enough that I was going to continue with the bobbin work. Each of the other chakras used satin stitch on the major elements and a lot of free motion patterns for fillers. The chakras got progressively better in their sewing….until the last one – same elements but a much simpler design.

I thought about redoing the Root chakra, since it didn’t seem to fit with the others. But the more Susan and I talked about how these were developing, the more I liked the first and the last. As I worked on them, I added more quilting elements that added to the design. I used colors in the same family as the background fabric, with hopefully enough contrast. Up close they were all looking gorgeous. From a distance, they faded away. That bothered me for a while, but I realized as I was working on them that everything in the design was meant to be meditative. Up close, you could lose yourself in the design. From a distance, the more you looked the more your saw.

Susan summarized it pretty well. The root chakra is our beginning, and it can be very shaky and unsure. We develop from there, with whatever impurities becoming who we truly are. The crown chakra, the seventh, is the Divine, and as such doesn’t need to be ornate. The Divine in us can be very simple and beautiful.

So here they are, in order.

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(Have to find this one – will update……)

Photo: Chakra number 6 now at its new home - one more to go!

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I learned a lot. There are some stitching patterns I would change. I would probably use a much lighter background fabric and have the stitching pattern show more. Yet they move in complexity, much like the chakras do. I one I am missing is the one I think is the best design, yet in viewing it, the design seems very faint. The more you look, the more you see. This is also the chakra that is my weakest, so I find that fascinating. My yoga instructor is extremely pleased. The room is surrounded by color and it just vibrates. And she says she can easily meditate on whichever one she wants or needs. A very happy conclusion.

A Few Great Snippits of Writings…..

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I’ve come across a few great ideas in some of the books I’ve been reading, and these books need to be returned. So I figure if I add them to a blog post, I will always have them accessible.

From David and Goliath by Malcolm Gladwell comes this about courage:

Courage is not something that you already have when the tough times start. Courage is what you earn when you’ve been through the tough times and you discover they aren’t so tough after all.

The conquering of fear produces exhilaration. The contrast between the previous apprehension and the present relief and  feeling of security promotes a self-confidence that is the very father and mother of courage.

– You should read all of his works – a great mix of history, sociology, psychology, and economics, and highly readable.

 

 

From Robert Heinlein and Revolt in 2100: Master Peter was right: the man who buys the meat is brother to the butcher. It was squeamishness, not morals….like the man who favors capital punishment but who himself  is ‘too good” to fit the noose or swing the axe. Like the person who regards war as inevitable and in some cases moral, but who avoids military service because he doesn’t like the thought of military service. Emotional infants, ethical morons – the left hand MUST know what the right hand doeth, and the heart is responsible for both.

War is a simple matter compared with revolution. War is an applied science, with well-defined principles tested in history; analogous solutions may be found from ballista to H-bomb. But every revolution is a freak, a mutant,  a monstrosity, its conditions  never to be repeated and its operations carried out by amateurs and individualists.

– Heinlein was an acquired taste for me, but this particular book is exactly the same premise as the novel I am working on. Spooky…..

 

From Sheri S. Tepper The Gate to Women’s Country: My art is drama, and my craft is gardening. Is your work a science, a craft, or an art….”My magic? If it has no science, it fails….If it has no craft, it bores, and if it has no art, it offends.”

-Really interesting take on the role of the sexes, and quite thought-provoking. I do love the idea of our lives consisting of an art, a science, and a craft.

 

 

 

Relaxed, Renewed, Rejuvenated…….

DSCN0348Emerald Bay on Lake Tahoe – just one of many stops on our 3-week jaunt into Northern California. This was an amazing few weeks, and probably only the second vacation we’ve done where we could truly say we were relaxed. Too many years and our opinion of California was based on LA and San Diego. Little did we realize just how wonderful northern California is.

Lots of small towns, no big box stores, local restaurants, vibrant main streets. Nothing like depressed (in so many ways) Tucson.  Once we got north of Edwards Air Force Base and Mojave, we got into some magical country. I haven’t downloaded camera photos yet, but I wanted to get impressions.

Majestic, from Yosemite to the sea.  From the Redwoods to the shore in front of Monterey Aquarium. We would sit at night on our porches (when we were lucky to find hotels that had nice outside spots) and talk about how gorgeous everything was, and how could we translate what we had seen into fiber. The best example of how in sync we are is that we are both standing in front of the jellyfish exhibit of orange jellies, both of us thinking about recreating these creatures in fiber….hubby with how he would marble the colors, and me with how I could stabilize some marbled chiffon so I could do stitching and still have it supple enough to move with the air.

This has led us to developing a new series for future work: Preservation. This can encompass loads of ideas – the environment, the written word, languages we are losing – so many possibilities, all attempted with marbled fabrics.

We enjoyed five glorious days in a cabin overlooking Monterey Bay (at 1600 feet elevation) that we found on Airbnb – our first time using it, and we were thrilled with all aspects of it. Great conversation with the guys at the cabin, great meals…and lots of mosqitoes, which I discovered after the fact (bought the cortizone on Thursday). We sat, read, and looked at the views. Supermoon Saturday had the full moon sneaking behind some redwoods, and the bay was perfectly clear all night, with the lights of the fishing boats visible from our deck. So nice to be wearing jeans and a sweat shirt for a change and enjoying chilly, moist air, which made the trip back to Tucson so difficult.

Met a long-time friend in Bakersfield for an overnight. I love how years can go by, and you pick right up where you left off. We had a ball trying to figure out a stubborn sewing machine so we could machine quilt on it, and then drowned our frustrations in some amazing dinner at Moo Creamery in Bakersfield. Ya haveta go if you’re in the area.

logoMade new friends, talked art in a lot of galleries, bought new spices and teas…and took lots of pictures. I have decided I need to upgrade my camera, as it is sllloooowwwwww doing what I want it to do.

Coming back to the desert only reaffirms our decision to move east. Near water and surrounded by green, friendly people, vibrant communities, and a state very friendly to artists (unlike Tucson, but that’s another whole blog post.) We both have our lists of things to do, we’re marbling next week to stock our Etsy store and try for some new fabrics, I’m writing up a storm, as I have set myself a deadline of July 31 to have the rough draft of my novel done. Life is good!

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Quality Materials and Pricing Your Materials Cost

Evening Moon

Evening Moon

This being sick for so long has really put a dent in my creativity, completion of projects, and overall well-being. I am trying to catch up on an online gallery class  by a gallery owner in Scottsdale, AZ, Jason Horejs. The assignment I am reading now talks about pricing out your cost of materials, as well as looking at the quality of materials. There are too many ideas floating around in my head to try and leave a plain comment, so I wanted to “think it all out” in a post.

We’ve priced out cost for our marbling a lot of times. Carrageenan keeps increasing, cotton fabric is increasing, and we’ve changed paints because of pigment issues. Probably doesn’t hurt to do the costing again. A half pound of carrageenan in over $30. We can get 8 marbling sessions out of that. So $3.75 per session for carrageenan. We spend $6.00 for each bottle of paint. In one session we use the equivalent of 1 full bottle. So there’s another $6.00. Cotton fabric – we buy prepared-for-dyeing fabric from Dharma (which isn’t wholesale at all but is the best we’ve found to be able to use – offshore fabrics won’t take the paint well). Cotton runs about $7.95 yard, and we attempt to do about four half-yards each session, is not more. That’s $16.00 for fabric. Alum (pretty cheap) and distilled water (also pretty cheap) are the rest of the supplies. Probably $3.00 per session. That’s $28.75 for the marbling session, not counting prep time and clean-up time.

originally we used to sell our fat quarters for $6.50, more for the half-yards. The prices of supplies have gone up, so fat quarters are now $8.00. There are 4 fat quarters to a yard of fabric. If all we do are 4 fats, each would cost out to  $7.19.  Eight fats cost to $3.59. Better, but not accounting for labor. That’s one reason why we try to do 12 fats and a lot of remnant pieces, which sell well on eBay, where people want something for virtually nothing. Twelve fats is $2.40 a piece, considerably better. We’ve found  that there is an upper limit on what people will pay for a relatively small piece of fabric (18 x 24 inches). I’m not sure we can raise our prices much more, yet we are having success selling on Etsy and charging about a dollar more per piece. We make our money on the larger art pieces.

Concerning wholesale, Dharma, where we get our fabric, does not wholesale at all. We can get a bolt of fabric from Kona Bay, but we need to dye the fabric first before it will take the marbling. More labor, a little more expense, but certainly a cheaper source of fabric, but we’re not finding much of a market yet for those fat quarters. Our carrageenan we get from a fellow marbler whose prices are about $10.00 cheaper, and  he also mixes the paints we need to a specific formula, so there is no variation in pigments. The acrylics we used to use (that we cheap) no longer work, due to pigment issues, water issues, and offshore fabrics. For the amount of labor involved in marbling, we learned early on not to use cheap fabric. The fibers rot, and it fades. We’ve not found that problem with well-produced fabrics.

As for the art pieces, Arizona is not a big market for fiber art, especially if it is not western. We have sold pieces, though. We tend to price based on earlier appraisals of our work and what we see for other fiber artists with comparable work. We need more current appraisals of our latest works, and then adjust prices accordingly.

There was a lot of discussion about framing. Most of our fiber pieces can hang directly on the wall, yet is seems that folks want them somehow framed, so we have taken to wrapping a canvas frame in black fabric and then sewing the piece to the fabric on the canvas. That way the piece hangs away from the wall, and it seems to look better. One of my goals is to do more pieces like this and see if we can develop a market for them.

So probably more than you wanted to know, but it is useful to revisit a cost analysis every few years. I’d welcome comments on what you’ve discovered in pricing your materials cost.

 

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