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Lesson 2 – playing with adjustments


Lesson two starts out with some creative adjustments, using a layer adjustment – another new thing. I decided to work with my Tetons picture again to see what else I could so. So here is the original again –

The first adjustment was to use hue-saturation – and this is cool because I love the look of black and white. This also seems to preserve a lot of the texture of the original.

Then I decided to try the Photo filter and went for a sepia look, which again I love for the historical look.

Then I decided to work with the “invert” and I like that effect. Very sci fi and icy – NASA photographers would probably look at this as an example of life on another planet!

This last is a combination of hue and invert, which seems to give depth to the whole photo.

I keep learning more and more, which puts me even more in awe of what Suzan does with all her work! I was reading two Photoshop magazines this weekend – I’ve tried reading them in the past, but it’s been like Greek – this time, however, I understood most of what I was reading!

Finally – Lesson 3 Redux

So I played some more today to try to come up with something that does more with linking and gradients. I must confess gradients are still a puzzlement – I keep getting weird colors. I am pleased, however, with the sky gradient in this piece. And I am having trouble with getting the grass brushes to be the greens I want instead of a series of mottled colors.

With this piece – Ocotillo – an abstract look at the almost dead-looking cactus that doesn’t bloom until rainy season – seems to be a cross with autumn. Oh well, it’s my vision! I linked the veins with the flowers – mostly. I had each flower (mostly) on a separate layer – except for the one falling, which got connected with one of the others. I do have a better sense of how this stuff works. I am enjoying just creating little pieces to work with the tools.

Reminder to me: LABEL LAYERS!!! Here goes –


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