Archive for August, 2010

Carol Taylor

I managed to finish up the two small quilts based on the work of Carol Taylor and her “arc-i-texture” style. The DVD is from Interweave, and they have some scrumptious ones to choose from. I learned a few things, particularly about couching, and I finally got my satin stitch to work. I do want to try one with printed fabrics, but I really like the pay of light on the silk pieces.

Here’s the first finished one, in greens for Shelby, one of the twin girls I have know for a long time.

The edges were finished by adding a facing all the way around. I also showed you last week the beginnings of the quilt for Brianne, the other twin.

It’s pretty darn bland at this point, and I was worried about how it would finish. I next did my satin stitch to couch down the pieces of silk.

Definitely looking better. I do like the effect of the satin stitch, with a King Tut variegated from Superior Threads. From here I started the couching. I found some fuzzy blue yarns to try, one of which I liked, and one of which I ripped out.

Once I got the hang of how to use the couching foot, I really liked adding the circles. I learned to trust the machine and the foot and not to pull.

Finally the finished product:

Still not totally pleased with it. It’s missing that certain spark, definitely in the picture. It looks better in person – you can’t see the rumpled silk. I used a regular binding on this one, because I felt the blues helped accent the main part of the design. But this is all part of The Process Pledge…writing about what I am doing and learning, and I did learn a lot. And I know the twins will love them.

This pic is a current shot of the bamboo leaves in progress. I started with those about three weeks ago, sandwiching the thread between sheets of Dissolve to create thread fabric. I started doing the free motion on the top, using a variety of different threads. Still have no idea how this is going to turn out. Hopefully I will have the completed piece next week – or at least the leaves, as I start back to school next Wednesday. We’ll have to see…

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Copyright Notice

How did it get to be August? We returned from vacation on June 21st, and I started working on the business on June 23. A lot happened, I can tell that from my sheets of lists, but part of me is thinking, Oh my, so much left to do before schools tarts again.

One of the marketing things I did over the weekend is to make a list of what has to happen with social media for each day, once school starts. I have gotten so many things in place that I was swimming with all the details. Once I took the time to think about how I could work with these pieces each day, in a 30-minute time block, I could feel the stress start to diminish. This looks to be very do-able, and I have this week to make refinements.

As you can see from the graphic on the left, I was busy getting this symbol ready to attach to artwork on line, which means going back and protecting a lot of my earlier images. I did some reading about the legalese that should be on our blogs and websites, and I know now what I need to take care of – pronto. The logo is transparent, done in Photoshop, so I can just add the layer to my images. The problem will be actually getting to the images from earlier posts.

Another thing I did was to start a master list of the “long-range” projects for the next five-six months. Anything on the list this week is a priority – like a new newsletter – before I go back next week. This list will go above the sewing table with reminders of what is coming next. I find it is very helpful to do this type of exercise, primarily because now I won’t have to spend the mental energy trying to remember everything. Items on the list:

* Affiliate information and applications

* Licensing information, pattern repeats and developing a collection

* Spoonflower.com for printing fabrics

* Zazzle.com artwork and potential items

* Cafe Press items in preparation for the holiday season

* An Etsy store

* A tutorial on quilting marbled fabrics

* Feedback pages

* Updating links (and collecting new ones, so send yours along) on the website

* Linked In

* Update the Polyquilt pattern

* Confer with an attorney to vet all the legalese (copyright notice, disclaimers, FTC guidelines for affiliates, privacy policies, just to name a few)

* And…foremost with all of this – to continue making art.

What’s on your long-range list?

DON’T FORGET – sign up for our newsletter to get entered into a drawing for a Sampler 1 package of marbled fabrics! See the sign-up at the top of the page.

Gaia 2: Beginnings. Photography Steven DeVol

I love this piece, absolutely my favorite so far of everything I’ve ever done. I really had no idea going in to this just what would emerge…everything was trial and error, but thankfully, very little error.

This piece started as a result of finishing a commission that was done on red unpolished satin. Six half-yard pieces were marbled, with my using a total of four of the finished pieces. My idea was to create a piece that would represent the volcanic origins of the earth and the goddess Pele. For the longest time this piece was known simply as “Pele.” I used a different marbling pattern on each of the half-yards, as I wanted interest within the piece.

Ever since my first teaching job on Maui, I have been fascinated with the stories of Pele, the Fire Goddess, and I was always on the lookout for the Lady in White when I drove home over the Pali at night. I didn’t realize it then, but Pele and fire have woven their ways through much of my work.

I really had no idea how these were going to weave together. I experimented and ended up with this weaving, starting with a tighter bottom and then “exploding,” much like magma does as it reaches the surface and becomes lava. The only problem with this shape came as I realized I had to figure out a way to anchor everything together. The strips are heavily hand-stitched together on the back – twice, as I discovered I had to make it much tighter to hold the weight of the piece.

A free-form pattern makes up the bottom four strips. The next four strips are the “wave” pattern, and the last four strips are what we call the ”fountain” pattern. A fourth pattern of a very small feather was ultimately not used in the weaving.

Each piece was sandwiched and serged with a variegated thread before any quilting was done. I liked the effect from the variegated thread, and I use that technique a lot now. But I have since changed how I put the individual strips together, with serging only one side or none at all, leaving another design element for later. The free-form strips were quilted using a variegated Sulky thread to accent the pattern. The four “wave” strips were quilted by following an initial curved line throughout each of the pieces and then coming back with a different metallic thread to accent the marbled pattern. The four “fountain” pieces were quilted in a distinctly different shade of thread to accent the eruption of lava.

Gaia 2: Beginnings. Photography Steven DeVol

Now, you have to understand I hadn’t done a whole lot of machine quilting to this point, beyond stitch-in-the-ditch. This was brand new territory for me! But ultimately I was hooked….I quilt most of my marbled fabrics now, and the patterns can be very zen-like to quilt. Here’s another close-up:

Close-up of Quilting

I truly love this piece, and I know I’ll never get another one just like it. It’s a little bold for any of our walls where we are living now, but one day, when I retire and the place is a little bigger, it will hang again!

For those of you who haven’t subscribed to our newsletter, we are doing a drawing again from all our subscribers for a FREE Sampler Package 1. You can visit our website to see this. Be sure to sign up – the form is at the top on the right.

And…tell me the story of one of your favorite pieces. I’ll include stories in a future “Sunday Stories” post.