Posts Tagged ‘quilt art’
Our photography has definitely improved over the years, but we still have issues. I reconnected with a friend from 25 years ago, and he came to photograph our pieces in the library show we had this past August. OMG – they are amazing. Bill Kneen, a Richmond, Vermont photographer, does pretty amazing work. (email me for his information) We’re going to use him for our major pieces. So here goes – a really good look at a few:
Wetlands 1 – the color is so true, and the texture really shows through.
This is green cotton lame, and it’s been really hard to get the sheen that Bill achieved.
Glorious true colors! So excited that this shows so well.
This piece was really hard for us to photograph – looked washed out and not really a good sense of the desert – now it is!
Bamboo Jungle – again, very true colors – you can see the dimension in the leaves.
Had dinner last night with a really good friend to discover she had a rough week, nearly turned upside-down. And her former boss has medical problems (like being the 179th case of an artery problem since 1745). All of a sudden my depression didn’t seem that all important. And I left dinner feeling hugely better and came home to hit the machine for an hour, making good progress on a new small piece.
This was the culmination of about a week of wondering if my art quilt had made it into a fairly prestigious show. Antsy for the whole week, as I knew all the decisions had been made, and I was wondering why we hadn’t heard anything. I was trying to stay positive, as I believe if we send negative thoughts out into the universe, we will be repaid with negativity. Hard to do when I already was 0 for 2 in submitting work this year. I kept thinking “third time’s the charm.”
At 4 PM I had the email. Not good news. Very nice rejection letter – I’ve had loads of those over the years, especially in writing. The very first fiber show I entered I was accepted in, and I think had I been able to keep up creating work without having to worry about a teaching load, I would be in better shape as an artist, with many more shows on the resume. But that was not to be. I looked at the accepted list, and it seemed like it wasn’t the same-ole same-ole list of people who always make it into shows. That was encouraging, at least. Out of 128 entries, 20 were accepted.
Once I heard that, instead of feeling better, I think I got a little angry. Had I known that so few pieces were going to be accepted, I really don’t think I would have entered and saved the 40 bucks. The odds are definitely against you with those numbers.
The thing is, I do think this piece is exceptional. It’s unlike anything I’ve done so far, and it certainly met the theme – I felt it did. Your reaction to the stigma of mental illness. Have suffered from depression and needing drugs to help me through the last years of teaching, I know how the brain can react in stress situations. It’s nothing we can see, but it’s there. So I chose to look at mental illness from a single brain cell that is misfiring. I thought in the overall collection of pieces this would be one very organic “don’t forget the brain’s role in all this” statement.
And let’s face it, no one is working with marbled fabrics like I am. I think I was able to show with this piece that you can a textile that isn’t often used and manipulate it into a statement. It seems like “different” is what art quilt shows are looking for, and this piece was quilted to emphasize the message, not quilted just for the sake of showing off quilting skills (which is what one quilt show seemed like that I attended – and this January show wasn’t an “art quilt” show).
So now it’s a case of really thinking through what I want to focus on for the next couple of years, while I still have the vision (literally) to create pieces. While working toward a specific show and deadline works for me, especially when I have to really think through the creation of a piece from idea to finished product, maybe it isn’t where I need to be. Bottom line, I want our business to make some money. That means more online product and outlets. Smaller quilt pieces are selling in my Etsy store, so I need to create more of those (and three are right now in the works). And I want to continue to learn and take classes, which isn’t possible when I’m trying to meet a lot of deadlines. I want my work in galleries, and I want to be able to travel and do some teaching of marbling. I need to take the time and think through new possibilities.
Which means that karma and the universe may be showing me why the piece was rejected (and maybe not……).
Without further ado, here’s the quilt in its online debut. “Misfiring Synapses,” 17 x 21 inches, unpolished red satin, black satin, Superior Threads, batting, cotton backing.
PS – may just have lined up my first gallery……
Two weeks ago I showed the start of a commission here, and I am almost to the end of it. Lots of interesting decisions to make along the way – I am really enjoying the decisions in the design process, especially as they relate to using marbled fabrics. My biggest problem is trying to photograph the colors so they are true.
The quilting of the marbled fabric went really well – I emphasized the white area with bubbles, as though it were a stream working its way through the rocks. Went through two different colors of threads before I decided which one I liked. That’s different for me…in the past I would just let it go.
The first border is a very soft corduroy, and I left it a little “puffed,” rather than pulled straight. I liked that it played off the roundness of the pebbles. I love the batik for the outer border, and I also used it for the backing. I realized again why I’m not fond of mitered corners (but that’s what this piece needed), as I took two of them out several times. I still need to trim the outer border by an inch so that it seems better balanced, but I decided to quilt the outside first. Again, a struggle with what I wanted to use for thread, as well as how I quilted it. I wasn’t happy with following the pattern of the batik, as it looked too crooked. So I opted to play off the idea of the frame, and I’m quite pleased. What faces me tomorrow is making sure the piece is completely square, which I need to worry about, as it is a commission. Thank heavens I know about the diagonal to check for a square.
I’m going to use the Alzheimer Quilt hanging system – the little triangles in the corners, as I think this will help the quilt lay flat on the wall. I also plan a label for the back with all the information about the quilt, including care. I found a “certificate” on line to use for the new owner of the artwork with all the official details.
Here’s the large shot, still untrimmed: