Archive for the ‘texture’ Category

Last week I show the beginnings of my Ice quilt, to complement the Desert Heat quilt I made. I went to Girls’ Night Out at the LQS last Saturday and got a lot of quilting done. I then decided what to select for the first interior border. THe cool thing with the Deat quilt is the inner border really is unexpected. The blue really sets things off nicely.

For the Ice quilt I decided to look for a yellow to represent the very weak winter sun, especially being from New England! You can see the yellows I pulled from the stash. I decided to go with the middle one because it was pale, and there is some very interesting texture within the fabric itself, with brighter yellows in a few places.

Here is the finished center. It is fairly “cold” and rigid, which of course is what ice is. Hopefully by next week I’ll have the flying geese borders on as the next step.

Also this week I have been having some fun with the Sketchbook Challenge. I uploaded my first pic to Flickr and got some very nice feedback. I was so pleased with the first one that I had trouble sleeping, because I kept thinking of more things that are “highly prized,” and I wanted to get to work on them. So far this week I have a zentangled book, which I love!

And then, since I am working on trying to keep balance in my life, I went for the yin-yang symbol. I kept only two patterns, one straight and one curved. I’m liking what I can accomplish with these patterns. I think  a music note and the comedy/tragedy masks might be next.

Send me some links to see your sketches if you’re doing the Challenge. You can click on the link on the right to get to information about the Sketchbook Challenge. I am also thinking of looking into 3 Creative Studios for their Journal Quilt Challenge, and potentially their color challenge. I just want to keep myself motivated and try some new ideas, but no pressures on me – if I do it, fine, and if not, fine also.

I hesitated to sign up for The Sketchbook Challenge, especially when seeing the sketchbooks of the people who are coordinating the challenge. Intimidating, to say the least….But I can’t let that stop me. I want to explore this idea of a sketchbook and break through some of my own barriers, the main one being that my sketch has to look like something “arty.” I’m sure I’m not alone in that thought….

Anyway, enough about them. This challenge is for me to break some long-standing barriers. I have to stop worrying about what the final product is going to look like. So I started thinking about items/things/ideas that are highly prized by me and came up with Peace. So I did a peace sign, complete with all the zentangles, since I’m really working on zentangles over the last month. And…since I had trouble going to sleep last night, I kept thinking about more “highly prized” items and how I could work on them through the zentangle process. So that’s how I’m starting. If I feel like sketching, then I will. Here’s my peace sign:

I might try playing around in Photoshop and add some color, but I am so taken with black and white and Pigma pens. It goes back to childhood, and I’m just going to go with it. I did buy some new colored markers, and I will play with those, but I LOVE the black and white effect.

I also prize books, and I am halfway through a book sketch. If I have time tonight I’ll finish that up. I must say it’s looking quite cool. But I don’t plan on keeping any kind of daily schedule with this. I may try some other challenges this year, just to get myself to expand my thinking and to diversify my skills. And I have an idea for Fish Follies this year that I need to mull.

All in all a good start to the new year.

I haven’t had a chance to do too much with playing around with the latest group of pictures from the Botanical Gardens, and there’s so much I need to plan out for these pictures. So today, after sorting through slides and doing some general organization, I decided to play.

We have one lone ginko tree at the Gardens, and it was nice and yellow when we were there over Thanksgiving weekend. I didn’t realize until I was looking at the photo that I had gotten some shafts of sunlight. Here’s the original, which I really like.

I didn’t realize that there were some surprises in the upper right corner as a result of the sunlight.

I love the shadows of the ground cover in the background. But you know me, I’m not content to just leave a picture alone, especially since I have plans down the road for some of these pictures. So….

I don’t remember what the filter was, but it’s even more ethereal.

Now back to the whole shot….with a bunch of filters……I’m really partial to the sponge….

…but then I went very abstract…..

…again, very Asian in its simplicity, and I can see it in fabric……

Some other Photoshop Fridays you might like:

November

October – some of my favorites

I am enjoying not feeling pressure to finish or make something under deadline. So I started another new quilt that I would like to make into a pattern. That’s one thing that’s been appealing to me…ever since I sold off the rights to several early quilt patterns. This one just seems to be happening.

It started with my Desert Heat Quilt.I really like how this came together, and everything I wanted it to do (especially radiate heat), I was able to get it to do. Once it was up on the wall, I decided I needed a companion piece, called Winter Ice. So since the move happened, and I had to rearrange and clean the studio, I pulled all the fabrics that spoke to me of “cold.”

A beginning selection to work with. The center white one is full of glitter.

Except for the bottom right, ones that didn’t make it into the selection. I try to match a light and a dark, a light with a medium, a medium with a dark. I make waaayyyy more triangles than I need, because I like to have a variety to choose from.  My center block with be eight by eight in triangles. You can work in groups of fours to keep a square: 4 by 4, 8 by 8, 12 by 12, and so on. I like the 8 by 8.

I like using the Triangles on a Roll, because you can do some mindless sewing. I cut pieces the long length of the fat quarter, about 6 inches wide. Put the right sides together. I tend to carefully pin, but if you don’t iron well first, you can get lumps in the back that may not come out with ironing, and may cause some stretching.

But the great thing about sewing these triangles is that you can just follow the lines. Use a small stitch, because you will be tearing the paper off each smaller triangle when you are done.

What’s nice about this also is that you can have several stages going at the same time…..sewing on the paper, cutting the triangles apart,  tearing off the paper, pressing, cutting off little ears. Some at different times, or all at once. I like doing the stages.

I iron to the dark piece. I tried on Desert Heat to iron all the seams open, and I ended up with major lumpy bumps, so this time through I am ironing everything to one side. I use a small container to keep my triangles, ironed and un. I just slowly work through the ironing. Once I have them all cut, I play around with a design. Below you can see how the initial triangles worked out.

First part of a layout, just playing around…..

The last is the potential final layout.

Then I strip-piece the rows together. This can be a bit tricky, as you are matching the seams on top of each other.

At this point you need to make some decisions again about ironing.

Here’s two rows pieced together, waiting for ironing. One row I press seams in one direction, the other row the seams in the other direction. Then you can “butt” each of the seams together for virtually perfect points.

And that’s where we are at this point. I now have a draft of the beginning of the pattern, and I know all the places where I want to add more hints. So we’ll see where I am this time next Wednesday.

Any pattern-writing hints you want to share? Let me know – I’m interested in any and all ideas!

Other Work-in-Progress Wednesdays:

October

September

August

Ya know, just a random thought…I think marbling patterns are like zentangles……..

That said, I think I finally get it. This week’s zentangle – that’s right, just one of them – is showing me the way. I spent all week on this one, as I finally get the idea behind the “string” and the various sections. There was a lot more deliberateness in choosing some patterns and working around the design. That’s right, I think I get the idea of truly just zoning in to a pattern or two and that little amount of space, and just draw, and Rick and Maria say, one stroke at a time.

There is so much in this one little drawing. There are a couple of patterns I really like, some patterns that I would need to practice (no doubt within the context of creating a zentangle), and some that seem beyond me – I seem to make a mess of them.

As we were packing up the studio for this new move, I found the ones I have done last November. A couple I think begin to approach actual zentangles, and some I am still very fond of. I do have  quite a lot now. Here’s the one I started yesterday and finished today:

Can you tell the patterns I am really liking? And I haven’t even shaded this one…although I could see where I would….Overall, way lots of fun!

And I met Kathy Anne, a CZT (certified zentangle teacher) who lives on the far Northwest and is putting together a zentangle party for the end of January. Should be lots of fun and I am really looking forward to getting in to it even more…now I want to go to Massachusetts for an official training…..there are so many things I want to do!

This has been an interesting week, in that while I only have four zentangles to show, I have been exploring the wealth of patterns and information available on line. I have found myself in odd moments trying out new patterns. It seems that there is way more to this than “doodling,” as I am finding out. There are identifiable patterns, and I am enjoying trying these. Some I am having more success with than others, but they’re all fun to do. I can see how using patterns enables you to enter a zen state much faster, and you relax more within the art.

Here’s some websites to explore:

The Original Zentangle site and their blog

TanglePatterns

Open Seed Arts

Zentangle in Loveland

Plus, go to Flickr and just explore…whch I did on my new Droid, and now I believe what the sales person said about using up your battery…..

That said, here’s my work this week. I am particularly interested in the added element of shading. I definitely want to explore this more.

Anyone out there doing these? I’d love to see your work!

ALL IMAGES COPYRIGHTED 2010.

I haven’t done a lot lately with Photoshop Friday, and as I was thinking about it, I wanted to see the body of work I have completed that I call my Desert Botanicals series. I have been preparing cards for a November show and realized the images really looked good, so that prompted me to look at some of what I consider the “finished” ones.

Last spring was a gorgeous one in the desert, and the ocotillo were in full bloom. This was some “playing around” with a couple of gradients.

We had a blooming palo verde in our back yard, to which I added some background in a marbled fabric. Reminds me of a sunset.

This is some kind of orange succulent from the Desert Botanical Gardens with a grdient applied to it. I am really drawn to black and white.

This was one of my first “successful” manipulations of some succulents. I was just learning a few different tools and stumbled on this finished product. I do enjoy the “mysteries” in Photoshop.

This is my newest, and I’m not sure it’s a “done deal” yet. I love the small ginko tree at the gardens, and I played with the background with some brushes.

I love my garden bench. I have this in several iterations, this one with the fresco filter, for more of a “water color” effect.

This is also in several iterations. The blossom is from a pic hubby took about 5 years ago from some spring plants. That one bloom brings such depth to the piece.

This is another version – with a very different feel to it.

One of my favorites, of an aloe plant superimposed on the grate from one of the drainage areas in the Gardens. I added a “pattern” of marbled fabric to the grate.

Another favorite,  a composite of three different images, part of my playing around to make collages.

This is the one I actually printed – I LOVE that thistle leaf.

Another early one I really like. Even with all the filters, you still get the effect of cactus spines.

This is developing as a nice body of work. I am researching developing and printing these as a collection, even licensing them – one of the many things on my “to do” list. I interested in your comments – what do you like, what would you like to see more of, and any other suggestions.

ALL IMAGES COPYRIGHTED. LOOK AND ENJOY, BUT DON’T EVEN THINK OF TAKING……

Still lots of photos from Thursday’s trip to the Tucson Botanical Gardens. Plus some cool art the kids at school have done, and lots of great images from a bookbinder’s convention here in Tucson. All in good time…….To recap, I was looking for texture, color, interesting combinations, trying some new things for framing beyond centering items, and playing with my exposure settings. No color touch-ups.

Pineapple rooted and growing – I will need to try this.

I love the orange against all that green.

This is one of the more successful pictures of this fountain I have gotten – you can see the water dripping.

I love the variety of greens as you head up to the sky, with the first pomegranates.

Interesting lines with the stones.

My zen garden – one of my favorite spots in the whole garden.

Another shot of the zen garden.

Great leaf, lots of greens – and so big!

I really like the composition of this one – I’d like the purple to be stronger.

I love the light and shadow in this one.

Great lines…..

Spider plants

These look so velvety.

More fence throughout the garden.

I want to take the gate and work with it some more in a collage.

Let me know what you think – ideas, suggestions, improvements……….

It is so good to be back doing some photography, some Photoshop, and just generally playing around. Hubby and I went for a two-hour stroll through the Tucson Botanical Gardens, since it now is mid-80′s, and you can be out and about and not feel like you’re burning up.

Took the camera and just looked at texture and framing. Color has not been adjusted at all. I did play around a bit with exposure…discovered that on the camera, so had to try it out.

It always amazes me that no matter how many times I go to the Botanical Gardens in Tucson, I always find something new.  Yes, it’s still comparatively green here in the desert, even in mid-October. Take a look, and let me know your favorites. What would you change, which ones do you like, what suggestions do you have for framing?

So what do you think?

Yesterday I wrote about what’s happening with the bamboo piece. Here’s a sneak piece of it in VERY rough form:

Now to today’s story – my piece for “My World in Black and White,” a show curated by Anne Copeland, like around 2003. This was a challenge issued on the QuiltArt list, and I decided to try something. Here’s the piece:

This was the first show where I realized I had to pay more attention to the theme. Mine was a more abstract look at black and white. We marbled a three-quarter-yard piece of unpolished white satin in blacks and whites. There was still a little orange left in the tray from a previous piece, so the name became “Black and White with a Hint.” I cut five strips and quilted them, following the marbled patterns. You can see the hints of orange.

At this point, I really didn’t know what form this was going to take. I decided to stagger each of the strips, but it was pretty boring with just the strips. That’s when the “hidden” architect in me took over. I marbled some ribbon, serged the edges of the ribbon to carry the serging motif through, and attached it to some strips of gray cotton. I did eight strips all together, some of them plain with just a meandering quilting line, and some with the ribbon, and then I wove them through the other strips.

I liked how it was shaping up, and now I had to deal with a hanging system, as well as finishing the bottom. I figured I wanted some beads to hang at the bottom. I went to the local bead store and found these teardrops – have NEVER seen anything like them since then.

If you look closely, you can see how each strip gets hand-stitched to the ones around and underneath it. I figured I would use a plexiglass rod for the hanging system. I marbled some thinner ribbon, and with careful measurements attached the various lengths at the top, with a bead embellishment.

I learned a lot, as I seem to do on every piece, and this is still one of my favorites – my first piece to travel (to Ontario, CA as well as the online exhibit), my first piece that was professionally appraised, my first piece that “hung” in a very different style, and my first ribbon (for entering, but none-the-less still special!).

I am really enjoying revisiting these pieces and their stories. I hope you enjoy as well.

So it’s been an interesting Saturday, with almost giving up at 1o this morning, thinking I would just submit one piece, rather than trying to show my overall style – which is certainly unique – any maybe too different…. My leaves are done, and my strips are done. I know how I’m going to make the grass and what stones I am going to use. But it’s the actual layout….

I want a stand of bamboo. My original idea, some eight years ago, was to have it free-hanging – strips of bamboo, with some type of hanging system at the very top. Well, I figured if I did the leaves all at the top, I could put a casing behind them for a rod. When I actually had it on the design wall this morning…didn’t really grab me.

Then I tried one of the jungle background fabrics, figuring I could make a background and attach the bamboo on top of it. Well…I ironed, pinned to the wall, added the strips, and then added leaves at the top….and…it was better, but certainly not a grabber. I tried shortening the strips – after all, they were at least 50 inches – nice, tall bamboo. Somewhat better.

I played around with a different leaf arrangement. Nope. Tried more strips beyond the five. Nope. While I like 8 because it’s a Fibonacci number, there was too much bamboo.

Last Sunday I went to my local quilt shop, Quilter’s Market (the BEST store, except for G Street….) with strips in hand to look at some other potential background fabric. I found one that was fairly “jungle-y” and worked with the browns and the greens. I pulled that out, ironed it, and cut it in half – top and bottom. I pinned the strips back on…this time I had them straight, but I had the top angled into the forest….five strips kind of angled downward from left to right….added the leaves in some different arrangements, and voila – I LIKE it! Now it’s more what I had in my mind. I needed to shorten the strips and angle them – while bamboo grows straight, it ain’t perfect.

I need to go buy about another third of a yard for binding. (They were almost at the end of the bolt last week…hmmm…) I’ve been going back and forth about a frame or not. I am thinking a simple binding, as I don’t want to constrain the bamboo with a frame around the jungle, especially as I plan to have leaves out and about the edging. There is a possibility I will need to make more leaves – I have most of what I need, but they are pretty time-consuming. At this point I can see myself making the deadline, especially with another whole weekend available. And I’m pleased…so we’ll see about progress tomorrow. I promise a small picture when it’s a little more together.

This whole process is extremely interesting. I find myself making more and more complex decisions as I learn new techniques and expand what my sewing workhorse (Bernina 1080) and serger (Bernette) will do – or what I will make them do. I will say my serger wasn’t totally happy with my choice of threads (some really fancy light-weight ones) for the edging…but except for re-threading the needle, I was in pretty good shape. I just need to remember to put the serger back into its original sewing condition for hubby to serge the new fabric for the Labor marbling…he’s not real thrilled with having to thread the machine….

Carol Taylor

I managed to finish up the two small quilts based on the work of Carol Taylor and her “arc-i-texture” style. The DVD is from Interweave, and they have some scrumptious ones to choose from. I learned a few things, particularly about couching, and I finally got my satin stitch to work. I do want to try one with printed fabrics, but I really like the pay of light on the silk pieces.

Here’s the first finished one, in greens for Shelby, one of the twin girls I have know for a long time.

The edges were finished by adding a facing all the way around. I also showed you last week the beginnings of the quilt for Brianne, the other twin.

It’s pretty darn bland at this point, and I was worried about how it would finish. I next did my satin stitch to couch down the pieces of silk.

Definitely looking better. I do like the effect of the satin stitch, with a King Tut variegated from Superior Threads. From here I started the couching. I found some fuzzy blue yarns to try, one of which I liked, and one of which I ripped out.

Once I got the hang of how to use the couching foot, I really liked adding the circles. I learned to trust the machine and the foot and not to pull.

Finally the finished product:

Still not totally pleased with it. It’s missing that certain spark, definitely in the picture. It looks better in person – you can’t see the rumpled silk. I used a regular binding on this one, because I felt the blues helped accent the main part of the design. But this is all part of The Process Pledge…writing about what I am doing and learning, and I did learn a lot. And I know the twins will love them.

This pic is a current shot of the bamboo leaves in progress. I started with those about three weeks ago, sandwiching the thread between sheets of Dissolve to create thread fabric. I started doing the free motion on the top, using a variety of different threads. Still have no idea how this is going to turn out. Hopefully I will have the completed piece next week – or at least the leaves, as I start back to school next Wednesday. We’ll have to see…

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Gaia 2: Beginnings. Photography Steven DeVol

I love this piece, absolutely my favorite so far of everything I’ve ever done. I really had no idea going in to this just what would emerge…everything was trial and error, but thankfully, very little error.

This piece started as a result of finishing a commission that was done on red unpolished satin. Six half-yard pieces were marbled, with my using a total of four of the finished pieces. My idea was to create a piece that would represent the volcanic origins of the earth and the goddess Pele. For the longest time this piece was known simply as “Pele.” I used a different marbling pattern on each of the half-yards, as I wanted interest within the piece.

Ever since my first teaching job on Maui, I have been fascinated with the stories of Pele, the Fire Goddess, and I was always on the lookout for the Lady in White when I drove home over the Pali at night. I didn’t realize it then, but Pele and fire have woven their ways through much of my work.

I really had no idea how these were going to weave together. I experimented and ended up with this weaving, starting with a tighter bottom and then “exploding,” much like magma does as it reaches the surface and becomes lava. The only problem with this shape came as I realized I had to figure out a way to anchor everything together. The strips are heavily hand-stitched together on the back – twice, as I discovered I had to make it much tighter to hold the weight of the piece.

A free-form pattern makes up the bottom four strips. The next four strips are the “wave” pattern, and the last four strips are what we call the ”fountain” pattern. A fourth pattern of a very small feather was ultimately not used in the weaving.

Each piece was sandwiched and serged with a variegated thread before any quilting was done. I liked the effect from the variegated thread, and I use that technique a lot now. But I have since changed how I put the individual strips together, with serging only one side or none at all, leaving another design element for later. The free-form strips were quilted using a variegated Sulky thread to accent the pattern. The four “wave” strips were quilted by following an initial curved line throughout each of the pieces and then coming back with a different metallic thread to accent the marbled pattern. The four “fountain” pieces were quilted in a distinctly different shade of thread to accent the eruption of lava.

Gaia 2: Beginnings. Photography Steven DeVol

Now, you have to understand I hadn’t done a whole lot of machine quilting to this point, beyond stitch-in-the-ditch. This was brand new territory for me! But ultimately I was hooked….I quilt most of my marbled fabrics now, and the patterns can be very zen-like to quilt. Here’s another close-up:

Close-up of Quilting

I truly love this piece, and I know I’ll never get another one just like it. It’s a little bold for any of our walls where we are living now, but one day, when I retire and the place is a little bigger, it will hang again!

For those of you who haven’t subscribed to our newsletter, we are doing a drawing again from all our subscribers for a FREE Sampler Package 1. You can visit our website to see this. Be sure to sign up – the form is at the top on the right.

And…tell me the story of one of your favorite pieces. I’ll include stories in a future “Sunday Stories” post.

My thread arrived yesterday!! Lots of new greens, so I want to start in on the bamboo leaves tomorrow. Expect an update next Wednesday – and maybe even finished….

I wrote a while ago about using some dvd’s for professional instruction and how much I am enjoying this new manner of learning. One of the dvds was by Carol Taylor, about design. She called her method “arc-i-texture,” and by the time the video was done, I wanted to try it out. A long-time friend has twin girls whom we got reacquainted with in Vermont, so I am making them housewarming presents. Shelby likes greens, and Brianne likes blues. This started because Shelby gave me lots of small pieces of various silks to try and marble. For whatever reason (I think too much sizing) they didn’t marble well, so I decided to use them for this project.

While I finished Shelby’s, except for the facing, here’s Brianne’s to show you how I started out.

All I did was arrange some rectangles into a fairly pleasing design. At this point, ho hum – doesn’t look like anything. The next step will be to anchor each of the pieces, which I will do using a satin stitch on each of the edges. That will provide another layer of interest. Once that is done, I will couch down a variety of threads for a third layer of interest. What I found with this project is that as I attacked each new layer, the piece not only became more and more complex, but also more interesting. Here’s Shelby’s, so you can see what the final piece will look like:

Way more interesting! While I have a couching foot, I haven’t used it before this, and I do like how it works. I learned to give the yarns some play and let the machine and the foot do the work. Next piece shouldn’t have the drawing up of the fabric from my pulling the yarns. I will say for the blue one I tried a whole bunch of stores trying to find some interesting yarns and trims.

Carol mentions in her video that she’s made something like 400-plus of these, and I can see getting addicted. I like the sheen and play of the silk, especially since the “nap” is going in different directions and takes the light differently, but I want to play with some lights, mediums, and darks from my stash for the next couple.

I want to know what videos and dvds you’ve watched for instruction and inspiration!

I have been thinking about the leaves for the bamboo piece. As I mentioned last Wednesday, I think the silk leaves would be too plain, and I didn’t like how they marbled, and I think thread leaves would be too fragile for such a sturdy plant. Then it occurred to me to do what I do in the classroom – it’s not an either/or, so why not combine the two.

I started by cutting a piece of Dissolve from Superior Threads and taped it to an old cutting mat – that stuff is slippery. Then I started layering some of the old yucky threads I have.

Leaves in Progress 1

Leaves in Progress 2

At this point it occurred to me that I could layer the silk leaves across this base of thread, after I pulled off the wire from the backing.

Leaves in Progress 3

I turned some of them wrong side up, figuring I would be stitching on both sides of the sandwich, so I would get some additional effects front and back.

Leaves in Progress 4

I am pleased to say it occurred to me earlier not to run the overhead fan in the studio while I was working on this….At this point I am ready to layer more thread on the top of this. Keep in mind I have no idea if this is going to work….

Leaves in Progress 5

Now at this point I need to cut another piece of Dissolve to go over the top of this.

Leaves in Progress 6

Leaves in Progress 7

Now it is ready for stitching. I need to order some thread – Razzle Dazzle to use in the bobbin, and some green Lava for top and bottom. I figure I can order this week and while I’m waiting, I can finish up the bamboo strips. Once I cut everything apart, all the little slivers will become part of the base where the strips are mounted. I don’t know if I will need more leaves. I am counting on the leaves at the top to hide the hanging system. I do have plenty of silk leaves – I would need to get some more cheap thread if I need to do more thread work.

Any of you try anything like this? Suggestions? Ideas? Pitfalls? Inquiring minds and all that….

(Think Horschak) Oooh, Oooh, Oooh……I have some great tree agate I have been collecting from the gem shows….they would add some interest and weight to the bottom of the piece…I knew there was a reason I was collecting them……