Archive for the ‘textiles’ Category

Wow. Wow. Aisle upon aisle of vendors. Talk about hyperventilating……..so many things, so little time……so we make a plan. One row at a time, make a note of booths to come back to, after the rush of “I want” passes, and I still really do want that gadget. I like to collect cards of interesting things, so here are some goodies.

Little Windows – photo jewelry form resin. I like this better than what I saw at the gem show a year ago, with kind of yucky backings. These are much classier, and – for me – a good way to showcase some marbled fabric snippits.

Honey Run Quilters – not a lot really to the website, but they had some absolutely gorgeous cotton-silk colored fabrics that we were itching to marble. We’ll go back and visit them.

Kai Scissors – Jim was able to give me an exact recommendation for the scissors I needed – very small pointy ones for close clipping of threads – plus a very cool suggestion of using different fingers to get even closer to the fabric.

Stitch in Time – Thai textiles. Talk about drool – this stuff was amazing!!! And the trims……

Kasuri Dyeworks – oh my goodness, I could have fondled the silks there for hours. Each more gorgeous than the one I just looked at. They are working on getting a new website up and running, which will be wonderful. This was such beauty.

Dutch Quilter – Lennie Honcoop was working on a quilt as we stopped. She works with “hot ribbon.”  “Hot Ribbon Art is an iron-on, no sew, 1/8″ wide ribbon that can be used to finish the raw edges of appliqué. Imported from Japan, Hot Ribbon is gaining in popularity with quilters who like to finish off their projects quickly and have a dramatic look. Each package of Hot Ribbon contains 2 yards (four 18 inch strands).” (from the website). Plus, she uses  Copic markers to do shading on both the b=fabric and the ribbon. It was fascinating to watch this piece come together.

Superior Threads – by far my choice for thread – they really are “no ka oi.” (Hawaiian for “the best”) Got to talk to Mother Superior, Dr. Bob, Cindy Needham, Annie – all the people who have really changed how I quilt. I picked up their thread color cards, since I want to get more King Tut, and I really need to see the thread itself beyond a catalog picture. You can get these at their cost.

More next time!! Don’t forget to sign up for our newsletter – see the button on the right – and enter to win free marbled fabric!!

  I am really fortunate to have a couple of good friends who can help me with a critique when I am working on a new piece. Sometimes the piece flows, and sometimes I’m blocked in making decisions and moving ahead. It is made more complicated by the fact that I am trying to use our marbled fabrics to create unique art pieces. In surfing the web on a regular basis, I don’t see anyone else doing what I’m attempting to do with marbled fabric in the art quilt movement.

There are a lot of things to consider in developing these pieces of fiber art. Are my sewing skills strong enough? Are my quilting skills advanced enough? Does the fabric speak to us? Can the design tell an interesting story? Can I work with the principles of design?

In looking at all these questions, there are two that I am the weakest in, and this is where my group of friends can really help. Quilting skills and design principles.

Momcat is my first voice. She is a digital artist in her own right, and a self-taught expert in Greek pottery, among all the other skills in being a Renaissance woman. Suzan is my overall digital partner and a superb, published quilter and designer in her own right. Karin is a water color artist with a very strong sense of color and overall design organization. Hubby is the marbler and can see things in the designs that the rest of us miss.

I am at a point in this new piece where I needed advice. Which way should the piece hang, for one – vertical or horizontal. Usually that’s one of the last questions for me, because by the time I’m done, the piece has usually told me what it wants. With this piece, I need to decide this now, as I will need to work on the shading with a light source from the “northwest,” which is how scientific illustration is done. I was leaning in one way, and my group confirmed that. They pointed out that I already had a lot of the “shadows” developing on their own from the new orientation.

The second was size and pattern. I am fine with all the quilting on half of the piece, but the other half seems naked of color and looks like it would require some serious thread work that wouldn’t necessarily add to the overall effect. I had been thinking about potentially cutting away half of the piece. We looked at that possibility, and once we folded back some of the fabric (which had never occurred to me), we knew it needed to be tall and narrow, not wide and thick.

Now, Momcat had sent me some of her photos of rocks and lichen that Dali had painted, and I LOVED the lichen. I was initially thinking of marbling some very small silk flowers and then attaching them with some thread painting. The group didn’t like that idea – felt they were not “tough” enough for the texture of lichen. Momcat disappeared, only to come back with a small vial of green stuff that she proceeded to spread on the one or two rocks that are already green. Perfect! Upon closer look – they are very fine chopped-up pieces of old money from the Denver Mint. Who knew? I guess now this is a “mixed media” piece…..We are also thinking about using some coconut Husk or actual moss from a pet store – need to think that through.

Next question: facing vs. binding vs. frame. How do I want to finish this? I don’t see a basic binding. We talked about fabric as an inner mat and as a frame. We looked at serging the edges – which I have done with pieces in the past, much to one gallery owner’s chagrin – “wasn’t finished properly” was her verdict. But I always let the piece tell me what it wants. I am thinking this piece is telling me it doesn’t want anything more to constrain it beyond a facing that wraps to the back.

The final discussion revolved around light, medium, and dark. I know if I were to take a picture of this and turn it to black and white, everything would pretty much be medium values. I know it needs more dark, so I need to think through how to do that with thread…..or moss…..or coconut husk…..or…….actual small stones…….

I left energized, ready to complete the piece. Amazing how being with a great group of like-minded visual people can  make a difference!

If you remember last week, I was about finished with my little autumn quilt/table runner. You can see the process here. I finished it this weekend, and today we marbled a piece for the winter piece. “Marbled Seasons” will shortly be available as a kit – all the seasons, or just one of them. I am writing the pattern now, and by the end of December should have all the quilts completed. They would also work as table runners. So here it is….

There are plenty of variations in this pattern. “Autumn Marbles” will have hand-marbled silk leaves in the kit, as well as directions for the “windy” free motion quilting. There is enough marbled fabric to add another set of log cabin blocks to make the quilt a little longer. The strips in this block all start out at one inch. the two different browns in this, as well as the backing, were from my stash, so you can “shop” at home for extra fabric.

I have started my next major art piece, from a piece of fabric we marbled over ten years ago. It’s time to do something with it. Here you see the marbled unpolished satin with its backing. I was auditioning threads.

The piece itself looks very flat and pretty uninteresting. It will be a challenge of my new skills to make this do what my mind wants.

This piece is a little over 18 inches by 54 inches. We did it when we still worked in the big tray. The additional years make it very difficult for us to work longer hours and do larger pieces of fabric. So I am hoarding those pieces I still have.

A closeup showing some very interesting veining within the piece. That needs to become a focus point.

I have started the basic “first level” quilting. All the stones are getting outlines. Already a lot more interest.  Those two upper right beige ovals have been taken out, requilted, and lay a whole lot flatter.  And, you won’t see more pictures until finished and entered……..

Under the category of food art comes these really interesting images, found on the Cool Hunting site. Caren Alpert goes through a lot of prep to get these amazing photos. The one below is a pineapple leaf……

From Cool Hunting is a look at an eclectic furniture collection form a hotel in San Francisco. Some pretty cool stuff – but I’m not sure I’d sit in it!

Under the category of “Remember When” comes some “pre-internet” reminders……(are we really that old?)……..from The Best article Every Day. (This is in honor of Sheldon of BBT)…..

A very cool tutorial on making initials….color, glitter, easy instructions. From Lisa Engelbrecht.

If you are not a Twilight fan (don’t even get me started on lack of correct punctuation….) you will appreciate the poster from Mad Magazine…Breaking Wind, Fart 1. I don’t want to spoil it by putting it here……

From The Best Article Every Day comes a little bonus piece at the end….

I can’t find really good attribution, (I think chromestory.com), but I SO LOVE Explorer – kind of sums up what I, as a MAC person, think of IE.

And from The Best Article Every Day comes the “origin” of Angry Birds…..since I got hooked earlier this fall, I found this really funny….it’s the bonus piece at the end of protecting your Facebook account (which is also interesting….).

A new site discovered from Kathy Nida – That is Priceless. Art – with captions….how did I miss this all this time?

Admiring Herman Cain's "Thanks for not coming forward" Bouquet

And thanks to Kathy, again, for The Bitchy Stitcher. I LOVE. LOVE. LOVE. sarcasm. I am fairly fluent in the language, and I am always practicing in order to hone my skills. I practice often with my sarcasm twin Michelle.

And…another wonderful new blog, courtesy of Kathy – great rant on IQF!

Great week behind me, another great one to come! Life is AWESOME!

Yay! Three of the eight table runners are complete and at their new home, in time for the holiday festivities for which they were made. There are five smaller ones still to be done, but they should be finished by the beginning of June. I learned a lot doing these, and I have a few ideas for keeping them straighter during quilting when I get to the smaller ones. But that’s after a few more current projects.

I put the first one on the main table, and then we arranged the other two around them. The visual appeal of the three is really stunning – I was quite amazed. Betty, my second mom, cut them all out in the winter of 1991 when she was in Vermont. They have lain dormant in a box since then. I first attacked the project last fall and completed the first sample block in January. It’s only been since May that I have really worked on the project.

Now I have a deer quilt to finish for our bedroom, and then on to my first major art piece, with a deadline in mid-February. I am taking pics of the whole process, in preparation for writing an article about the process. I have a list on the wall of the studio with all the projects – unfinished and “to be made” – I want to work on. It did feel good to cross off the first three table runners today!

Each block is a white design, some original Hawaiian patterns and some that are unique designs by Betty. Once we started thinking about layout, we decided black and white would be very dramatic. Each block is done in color for the satin stitch. I wanted to have some subtle color to the overall effect.

Each block is attached to another with a small divider, which has been free-motion quilted. It helps to set off the design even further.

To stay in the spirit of Hawaiian applique, since the family was stationed in Hawaii for a number of years, I echo-quilted each block with two rounds of stitching. This accented the design, as well as anchored the runner together so nothing would slip and slide.

Another 20 blocks await!

Someday I’ll get to the Houston Festival again, but in the meantime, I can live vicariously through blogs! Here’s some great eye candy, plus a few other goodies….and Jack Nicholson……

From Frieda Anderson comes a look at some spectacular quilts from The International Quilt Festival in Houston.

Autumn Beauty by Barbara Shapel

Refracted Lily - Gloria Hansen

From the folks at C&T Publishing comes a wrap of market with some vendors that look so wonderful!

From Susan Brubaker Knapp comes another look at Houston Market.

A cool discovery on YouTube…I’m not one for music videos, but this reminds me of something the kids on Glee would have done. From Panic At The Disco comes “Ready to Go.”

From JPG Magazine comes pics from their latest – “Smokin’”. As usual, great stuff!!

Space Flower by Greg Byer

From Mad Magazine comes a very different offering – a look at a USO tour. From someone who ALWAYS watched Bob Hope, this article gives good insight to life overseas serving our country.

And also from Mad comes a send-up of the Family Circus….great cartoons by Bill Spleen…..

From The Best Article Every Day comes great ways to maintain your learning. As someone who will probably never stop taking classes, there’s some great stuff here to explore.

And now this….is really wrong – and oh so funny……suppose The Shining had been a romantic comedy…….someone with waaayyyy too much time on their hands……

Well, it has been at least 10 years since we did any kind of demonstration of marbling on fabric.  Full-time teaching and the need for two of us really limited our ability to get out and work with guilds. Thanks to a faithful reader (hi, Kay!!), we were booked to do a presentation to the Sunflower quilters guild on the northwest of Tucson. I was especially excited because….it’s a school day and I was doing this DURING THE DAY….love it!

We’ve been planning for this for a couple of weeks. At one point we figured it was going to be at least two trips to the car, but with careful packing, it was only one for the trip across town.

The only thing not on this stack is the crate of quilts and a green grocery bag with fabric. We pack really well.

Kay had samples of fat quarters to build interest for our demo, and the ladies were wonderful. Hubby and I work really well off each other, and his humor comes out. We spent two hours, showing the marbling process, letting people marble fabrics, and showing a progression of quilts. I’ve found, since we started marbling, that too often people say, “what will you use it for?” or “what will you do with it?” To answer those questions, I always pack lots of quilts (both art quilts and more traditional ones) so that folks can see so many uses for the fabrics. Plus, it’s always fun for us to see where we’ve come as artists….and we love hearing all the “oooo’s”!

The crate of quilts, many of which are not available on the website or in the blog, because they are process quilts.

We had a great set-up in the recreation room.

What I discovered with this layout is that as Dean demonstrated some of the patterns , I held up the fat quarter with the particular pattern on it, and that way people got a much better look at a larger example.

Having eye candy is always a great idea….

Works in progress.

Some really high-tech supplies – left-over hospital pans for the rinse process.

What next? Well, we are going to start contacting local guilds in Arizona for demos, as we have all the handouts and  such prepared. At lunch we decided on a plan for a sampler so we can begin offering marbling classes at quilt shops. And…I’m going to start contacting friends around the country to see if we can “book” a couple of demos during the summer travel months. I’ll get information up on the blog and website as I get it finalized. You can always email us for more information.

A great day was had by all!

Well, actually….they’re fabric bowls, but somehow “introducing fabric bowls” doesn’t have the same ring. So this has got all the goodies of a holiday basket, but it comes in a fabric bowl that you can use throughout the year, rather than trying to figure out what to do with another straw basket. Which I must admit I thought was waaayyyy better.

Here she is! This holiday treat starts with a hand-crafted fabric bowl, in a subdued color that makes the bowl perfect for year-round use. Then it’s filled with goodies from the marbling tray: a fat quarter (18 by 22 inches) of 100% hand-marbled cotton; 4 pieces of hand-marbled Offray ribbon, in assorted sizes and width, all 18 inches in length; a 10% off coupon for our Etsy store (fabrics and small art quilts and table runners); coupons from other artists with offers for their websites; a Smapler Package of eight 6 by 9 inch hand-marbled pieces; a selection of hand-marbled silk leaves and flowers, perfect for embellishments; a set of four Digital Marbling (TN) note cards; and…a small mystery gift.

I want the fabric bowls to be in a rather subdued set of colors, as I want them to 1) fit just about any decor, and 2) be useful all year round. A “red” bowl tends to limit use. The actual bowl in this package is a nice mellow green.

The “basket” comes wrapped in plastic and fits in a priority box, surrounded by shipping peanuts. You can have it sent to yourself, o4 let us know the address and we will ship it.

This is a $50 retail value, special available for the holidays for $35.00. Want one? Head to our Etsy store and buy the one there. We’ll add additional ones as they sell, so you can see exactly what you will be getting for colors and fabrics.

These have been really fun to put together, especially choosing fabrics for the bowls. And if you haven’t tried making these fabric bowls, they are incredibly soothing….wrapping fabric while you’re watching television, or in the car, or waiting in the doctor’s office…..There are a couple of good books available if your LQS doesn’t offer a class:

We are affiliates for Amazon, so if you order through our blog, we do receive a commission (keeping the FTC happy….).

Oh my goodness. Today is the third amazing day in a row! It all started on May 1 when I began the first season of Cocreating Our Reality and practicing the Laws of Abundance and Attraction. I started with changing my thinking to always being positive. The first week was very tough, as I became aware of just how negative many of my thoughts were. Eyeopener, to say the least.

So when I retired the end of May, I knew I was going to become a full-time artist – something I have wanted to do for YEARS. Each time I wrote an abundance check with the New Moon, great things happened. So how does Monday Marketing and Top Ten come together? Well, if you’ve been following the blog, you know that on Mondays I have been looking seriously at marketing the business and our art. It’s been all about organization and learning and getting out there. At times it seemed like I was just doing more things and not having anything to show for them.

The rationale part of me knew that I was laying groundwork, and I would have to be patient. Now here’s the top ten for us since June 1 when I started the heavy work for marketing.

* I started with lynda.com and took some classes on Facebook and Twitter, making changes and setting up pages and addresses and plans.

* After getting them set up, I then started a class in Linked In, as I had an old profile from over a year ago. Again, I worked through a class on lynda.com to do all this. So the profile got set up.

* One of the things suggested in the Linked In course was to join some groups and become part of the conversations to develop our networks.

* I joined Art Business and Art Marketing, as well as a few others, and I heard about a call for work for a show in Tucson called Tikkun Olam. All work was 12 inches square and reflected on crises facing the earth.

* I offered to help and sent out information about the show throughout my various networks, plus I made a piece for the show.

* I attended the opening reception for Tikkun Olam (see the post here) and met and chatted with the organizers of the show, two artists from Tubac and Santa Fe, plus talked to a couple of people interested in the piece I created (you can see it here – it’s the yellow piece). What was so cool was to get the positive feedback from the organizers; they loved the piece and (as I found out today) the hanging system.

* I sent thank you notes with offers of additional work to the organizers the next day.

* I got an invitation as a result of the reception to join a group of artists planning a show in October in Tubac (a major arts mecca in southern Arizona) and attended the organizational meeting today.

* This show will be October 22 in Tubac, called Anza Energy. We’re putting about a dozen pieces in the show. And…..

*One of our marbled pieces, Ocean’s Bounty, may be the piece on the main poster for the show, and…..several of the pieces – if they don’t sell – will probably go into a spa resort as part of a water show in Tubac, and….one of the galleries whose owner is also participating, has a couple of our pieces now in his gallery as part of the publicity about the Anza Energy show.

So……get out there and do the work – your art and your marketing!!

   “Visions” is a major quilt art exhibit usually held in Oceanside, CA, every two years. It’s like the Holy Grail for art quilters. The Visions Art Museum has now opened in San Diego, at the old Naval Training Center, and will now host its own show. Just to be able to finally get to the museum this last trip to San Diego was a delight. The docents were wonderful and took their time showing us quilts, as well as asking us about our work. It is SO NICE to be with other artists who GET your work! One of the disadvantages to being an artist in the Southwest is unless you’re a painter or sculptor who “does” the southwest, no one is really interested in your work.

The major exhibit was Urban Landscapes and Soft City, with a special collection by Marilyn Henrion. Pictures were allowed in the outer area and in the gift Gallery. You can view a gallery of work by Marilyn here.

Here’s one of the really intriguing quilts from Urban Landscapes by K. Vellis Turan:

I purposely left this large so you could see details.

The challenge had some really interesting small quilts – 12 by 12 inches, which is a size I have just started to work with. These are all by members of the Visions Museum. Sorry I don’t have names….

Here is an example of Marilyn’s work. Her Photoshop skills are superb.

There were a couple of quilts by members in the gift Gallery – really superb work – and again, sorry for no names.

An interesting take on the “log cabin” traditional pattern, with lots of details.

Love this one. Those are definitely my colors!

We bacame members, and I am looking forward to our November trip to see the new exhibit on “Interpretations.” LOVE LOVE LOVE seeing fiber!!

Oy, sometimes ya just need to be hit with the proverbial two-by-four….For YEARS we have worked on product with our marbled fabrics, and we have also tried lots of different venues for arts and craft shows. Some product has worked, which has been good. The art and craft show circuit – not at all. We invariably lose money. We take framed work, digital work, fabrics, digital cards…..nothing sells because most people don’t have a clue what to do with the fabric.

Now we’re working on putting together our gift baskets for the holiday season. We know that we can keep these going year round by keeping the hand-crafted bowls a fairly neutral color, as well as adding in some seasonal items. It dawned on us, as we threw away the latest offer for a holiday craft show, that all we could really bring was the baskets.

Well, duh. The baskets all along could have been the seller. All in one place, items for that family member that can be hard to buy for. Shrink-wrapped. Lots of goodies. No worry or muss. No explaining how to use the fabrics.

And then….as we’re talking about maybe choosing a couple of shows for next year, it occurs to us we could offer the gift baskets in two sizes, small and large.

Duh.

All these years, staring us in the face, and we never saw it.

Sometimes we work so hard and miss the obvious. Right now I’m pretty irritated with us for this having taken so long. But on the other hand, now we have a great new product that should work long-term and give us a lot to build on for more stuff in the baskets. Who knows what else we might have missed along the way?

Suggestions?

This photo is from one of my most favorite spots in the world – a small park somewhere on the Li River in Guilin, China. I’ve done some cropping, but this is the focus of the latest class I am taking from Quilt University: Artists Revisited. Technically I should have chosen a painting by one of the masters, but I have always wanted to translate some of my own photos to fabric, so I chose this. My colors aren’t an exact match, as they should be for this exercise, but I am happy with what I have chosen. I worked on the background first and then came to the foreground, where I realized it was extremely busy. Here’s what I’ve got:

It’s obviously rough, and the trees are missing. I am going to start the thread painting, and then I’ll add the trees toward the end of that step. This is taking a much longer time for me, as I want to really think through each of the thread painting stages. The first step will be the horizon lines, and then I’m going to practice on the “crags” to see what I can do to accent and at the same time soften the mountains. I’d love suggestions for ideas to “paint” the sections.

Also, I’ve been making cloth baskets as a start for our Holiday offerings: we’re doing a “basket, which is really a fabric bowl suitable for all year round, as I’m creating them with some fairly neutral fabrics. The thinking is that a bowl might be more useful around the house than a basket.

Once the bowls are done, they will then get filled with all kinds of goodies:

* A fat quarter of hand-marbled fabric on 100% cotton

* Four pieces of hand-marbled Offray ribbon, assorted sizes and widths

* A selection of coupons and discounts from a variety of Etsy sellers, good for use in their individual stores

* A Sampler Package of 6 by 9 inches swatches of hand-marbled fabrics

* A selection of hand-marbled leaves and flowers

* A set of note cards with Digital Marbling (TN) designs

* and…some type of mystery gift.

We totaled up costs, and the retail value of this offering is $75.00. We’ll be selling the Holiday Bowl Packages for $50.00. Now each order will be different, as every piece of marbled fabric is unique in its creation. No two Bowl Packages will be the same.

Here’s the deal – for the next week, you can order these Holiday Bowl Packages for 20% off. Email us with your order, and we’ll do an invoice and arrange shipping. This offer ends on Wednesday, September 7.

Here’s the start of one of the Holiday Bowls…..

Think of all those family members who like fabric and are really hard to shop for – this will be totally unique!

Albuquerque Outdoors - http://outdoors.itsatrip.org/

This new piece has had an interesting origin…..we were in Cornville , AZ visiting friends, and our driver wanted to stop in the high desert and see about getting some yucca stalks for walking sticks. If you look at the picture, the stalks are what’s left after the gorgeous blooms are done. They are evidently extremely strong and hold a lot of weight. So we have two collected stalks in the car, and I’m thinking, hmmmmm – these could make interesting wall hanging “hangers.” Turns out we got as a gift two really strong, perfect-height-for-hiking sticks from another friend we were off to visit, so I decided to keep these two, one as a walking stick for me (I just need it for balance) and one for a potential hanger for a wall piece.

I was looking at it today, as I was kicking around another weaving piece. It would make a good “topper” for a new piece. I had in mind a set of seasons pieces, and then suddenly I got the thought to create the fabric and weave them all together for a year of seasons.

Here are two samples of some of the weavings I have done with marbled fabrics. The first is my very beginning one, Gaia 1: Interdependence. The second is  Gaia 3: Autumn.

All of a sudden the design was in my head, and I sketched it out, something I don’t normally do. Here it is:

Creating the fabric will take some time, and I know with other projects in the pipeline, I won’t get to this until mid-September. Hubby is the main marbler, so he will have his work cut out for him. I will need to also watch the proportions in this piece – ever mindful of Michael Kors and Nina Garcia from Project Runway…..

Stay tuned for progress. In the meantime, here’s a few stories for past weavings in the Gaia series.

Sunday Stories: Autumn

Sunday Stories: Gaia 2

Sunday Stories: Gaia 1

I’ve been practicing a lot of techniques with free motion quilting. With marbled fabrics, it’s almost like your pattern is decided for you – and I love being able to work with that. I discovered a few new things with this piece of green silk. I knew I wanted to see if I could accent the movement that already existed with the marbled pattern, and I wanted to accent the water effect in the piece.

Here’s the piece without anything done to it. I decided to flip the design, so the wave effect would be more prominent. Then it was a case of deciding threads. There are some very light areas in the pattern that I wanted to emphasize, so I figured a lighter thread. I pulled four threads (Superior, of course) and started with the lightest one – and I thought it was jarring – too bright.

I ended up going with a Rainbow multi-colored green thread that I think worked very well. I used that in the very light areas, and then I turned to a dark green silk for the background. The thought here was to heavily quilt the darker background to make the lighter areas come forward even more. So here’s the piece…

I do think the wave motion is more prominent. This was also a departure for me, in that normally I have quilted this pattern a great deal, but this time I didn’t do every single swirl. I think you get more drawn into the pattern that way.

I am contemplating some beads, but that’s just in the thinking stage at this point. I am open to suggestions, so please leave me a comment with what else I could do with the piece. The biggest success in this piece is a definite improvement in the machine quilting – the stitches are far more consistent, so that’s a great goal for me.

Leave me some comments – what would you do with this piece if it were yours……

Wow, it has been an amazing week! So much of what I worked on in June and July is coming to fruition. Etsy is beginning to sell, and I have a marketing plan developed for just Etsy that seems like it is going to be easy to implement. The marbling is going very well; we purchased a metal tray just for doing fat quarters, and all we needed to do was waterproof it – which worked well. We’ll use the new tray the end of the week. Along with this good vibe has been the studio remodeling – what a difference with everything in its place, and room for both of us to work at the same time and share ideas.

We’ve begun to brainstorm other products for the company, as ten years ago we had a lot more than we do now. We have started preparing the guidelines for our gift baskets. WE NEED COUPONS: if you have a business related to fiber and textiles and would like to put together a coupon that could lead to some added publicity, all we are asking is for you to make some coupons that we can include in our gift baskets. You can email us for more information. We did this about 10 years ago, and we had great participation from other businesses, so folks got a goodie basket with lots of other opportunities in it.

Ebay business is picking up, and we’ve had to raise our prices, due to the serious increase in the cost of cotton. Ebay will continue to be an outlet for smaller, cheaper pieces of marbled fabric, mostly remnants. We have a good, steady business here. Etsy looks to be the place to sell larger, more expensive pieces of fabric, which is good.

Facebook is also bringing in lots of comments, but the best thing I’ve done has been the Linked In profile and joining a few fiber and art groups: Art Business, Art Marketing, Manhattan Arts (check this one out), and a few other groups – lots of comments and interest, and all this should add to business down the road.

The biggest concern with all the work over the last two months was would I be able to actually continue making new artwork. I pleased to say the answer is a definite yes. I finished two small studies this past week, both of which will end up on Etsy in the next two weeks, and I started a large piece with my Quilt University class. I have two small pieces to do for two art shows coming up, and I should be able to take care of those within the next two weeks.

One of the classes I took from Laura Bray was on Multiple Sources of Income. She spent a lesson on getting organized and goal setting. A great part of this class was seeing how I could distinguish the actual marketing of the business with making art. As a result, yesterday I spent the day getting everything into a notebook, organized by sections, long-term goals and lists, places for business cards as I develop my contacts list – it feels SO good to have it 1) all in one place; 2) a section for everything I need; and 3) a way to see my progress in all aspects of the business.

I think one thing that will help me (and I don’t know it it will work for others) is that I am going to include within my binder other projects I am working on outside of Marble-T Design, so I can easily keep track of deadlines and goals all around.

So it’s taken me a couple of months to figure out a system that will work, and now I just have to “work it.” I start each day with the notebook and make my list for the day, being sure I handle both marketing tasks and art tasks. What have you found that works for you?