Archive for the ‘quilting’ Category
I spent a lot of time just coming up with an idea I felt would work, and then some of the time spent rehabbing my knee by walking the halls helped it come more into focus. Then once I started, ideas kept coming – what was a month’s project stretched out into two months, with a lot of time writing what would become the messages on the piece. Women’s Work s Never Done – the topic lef me in so many directions, starting with Susan B. Anthony and the Declaration of Sentiments in 1848 as a result of the women’s congress. The complete document can be found in the right-hand pocket of the jeans. Using a Sharpie, I started to painstakingly write in the GRIEVANCES woman had against men at that time…and as I was writing, I realized not a lot had changed. The best part of this piece was traveling back in time to read in full this document and realize how far we still have to march.
Here are the jeans about two-thirds complete with the writing – each letter gone over two-three times to ensure legibility.
I worried about fading and having to re-do the writing – but isn’t that what we women have had to do through the ages? Prove ourselves again and again? Rewrite or own accomplishments so they aren’t forgotten? If the piece fades – any part of it – that’s the story of us as women.
Next came a woman’s required piece of clothing – the apron. I made it reversible – the front is traditional quilt design and somewhat traditional fabrics, and in each of the squares are messages to women – either from my own family or from society. I put a ruffled border on, and written on it is the litany of what women were expected to do: cooking, cleaning, babysitting, housework, laundry, cooking, etc. sex, birthday parties, planning dinners, sex, cooking…..you get the idea.
Click on the next picture – for some reason it isn’t clear….
Then came the apron strings. Not completely happy with how they worked out…but I love the message (original copy is in the left pocket of the jeans: a manifesto by Joyce Stevens from International Women’s Day in 1975.
Now the reverse of the apron is more a modern design, with fabrics of the same hue but considerably brighter. On that is written positive messages I have given myself as a daughter of Women’s Liberation.
Next step was the background – actually background and backing – same fabric. I initially thought I would only quilt what would actually show before I began my writing on the front, but I realized why not continue on the back with more “hidden” women from history. So I ended up quilting the whole background. Then came the burying threads – which I don’t normally do, but since the back suddenly became important, I went and did it…..there were a lot…….
I spent a lot of time online looking for missing/unknown/hidden women and I found amazing stories – most I didn’t know – even as a history major. I started out writing every other line, from the middle to top and bottom so everything would remain even.
Comments? I’m taking names to continue the back of the quilt with other “hidden” women – send ’em along!
So it’s a crazy time in the studio right now – 7 projects, five of which are big ones. Two deadlines coming up this next Monday for photography…see, Kathy Nida – I’m calling the photographer ahead of time to get myself to the deadline!
Here are the first two of the seven….I’ve been quilting baby quilts for a friend who works at the middle school we both did, me back in the mid-seventies. You can see the last baby quilt (before all the deadlines hit) here. I enjoy doing them, we usually get a free lunch together, and it gives me a chance to practice my free-motion skills – kind of like practicing free throws before you need them for the big game. You can see the children’s literature theme – the books usually stay the same, and the colors change to the new mom’s preference. ALL pictures copyright 2017, Linda A. Moran. PS – thank you, Superior Threads!
Now for the next project – I decided to make quilts for my great-nieces and great-nephews when they turned 13. You can see Gracie Mae’s quilt from two years ago here. Now it’s Gavin’s turn, and I did another “modern” quilt with the colors he wanted. Again, a great chance to practice design and free motion quilting. In looking at the one two years ago, I can see the improvement in my skills. In two years I owe two new birthday quilts.
I really wanna learn to use rulers like Judy Madsen…..
On to “Eruption” and the “Threads of Resistance” quilts…….
Been a while – SO many things going on, especially politically…and LOTS of sewing/quilting for deadlines and new artwork for an August solo show.
My friend Kathy gets the teachers to create squares for a faculty baby quilt, and then she puts the top together. After the last quilt, we decided the squares needed to be stabilized before the overall quilting – and I show Kathy the joys of spray-basting….this new quilt was a dream to work with. Big and little baby bubbles throughout the border strips and then following the pattern in the outside border fabric for a cross-hatching – which I love, but I will NEVER do it with a regular sewing foot – free motion all the way, otherwise I would still be working on it….Used a New Bryte in orange from Superior Quilts – love the effect and the color is perfect.
The theme is always children’s literature, and the new mom gets a copy of the book that’s in the quilt as a shower gift. Here goes:
There’s another one in the queue – along with a Threads of Resistance quilt, a birthday quilt (actually 2), a reconstructed artquilt, and a LOT of writing….its’ good to be busy!
Can you tell I love me my unpolished red satin? This is “Mandala 1: Core,” also published in Linda Seward’s book Ultimate Guide to Art Quilting Techniques. It’s free motion quilting, but the nice thing about using marbled patterns is that you have lines to follow!
I taught beginning free motion quilting this past Saturday and had a FABULOUS time!! When I did my lesson plan for the class, and then as I was going through it with my students, a few things became very clear to me.
- Everything starts with a straight line done with the free motion foot. It helps develop rhythm and hand placement. No longer will I start with a motif when teaching beginners.
- It’s easy to go from straight line to stippling (large, medium, and micro) as well as figure out how not to get in a corner and have to stop. My students found it very easy to move quickly and easily into curved lines.
- At this point we stopped to talk about threads and tension. It seemed a good point, and there were questions cropping up. The biggest problem they (and probably most of us) have is silencing that Inner Critic and realizing we have to practice – most of us aren’t willing to approach it that way at the beginning. (Ask me how I know that…). One person had bobbin issues, and the rest were concerned with moving that upper tension dial, as well as determining if their machine like same thread top and bottom, or another combination. I need to remember for future classes that “same thread top and bottom” may be more helpful to beginners. I’m so used to the quirks of my machine and how to work with different top and bottom
- Next pattern was a basic heart-shaped leaf, first learned by me in the 2012 Free Motion Quilting Challenge by quilter Frances Moore.
- Pebbles were next – large, medium, fill-ins, different sizes. This seemed a natural progression.
- Then spirals, grid patterns, and feathers. No one really got frustrated, mainly because they could see how previous learning morphed into a new pattern pretty easily.
Lots of samples from me so students could see practical applications within actual quilts, as well as all my practice fat quarters that I now use to practice or check tension before beginning a new project.
Best part? Everyone signed up for Intermediate FMQ in March!
For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.
That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.
My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.
Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.
A close-up of the original weaving with the serged edges.
This piece will also have a new name: Revolution. More on that as I get further along in the quilt.
Beginning Free Motion Quilting – Yes, You Can!
4 hours, $40.00 (plus 1/2 hour working lunch) 10:00 – 2:30,
February 11, Saturday
Quilting With Color, Williston, Vermont 802-876-7135
Now what? Your quilt top is done…send it out or quilt it yourself? You can free-motion your own quilt top, no fancy domestic or long-arm machine needed! YOU CAN do it all yourself – it just takes practice! From thread choice, basic supplies, setting up your machine, to learning basic FMQ patterns to build other designs on, you will learn the happy sounds of your machine as you practice six basic patterns on fat-quarter sandwiches: straight lines (without a ruler or walking foot), various size stipples, pebbles, basic feather, grid work, and a leaf/vine shape.
* sewing machine in working order, ability to lower feed dogs, instruction manual (I can’t stress enough how you need familiarity with your machine and lowering the feed dogs)
* free motion (or darning) foot; NEW #80 0r #90 machine needles (#90 might be easier for you if you want to use fancy threads)
* a selection of threads, from “old and cheap” to “fancy and expensive” (cotton and poly are welcome)
* low-loft cotton (or 80/20 cotton) batting in fat quarter size for two quilt sandwiches
* 4 fat quarters (18 x 22 inches), one for the top and one for the bottom of two quilt sandwiches (not fancy fabrics, just for practice, and muslin is fine – tone-on-tone or solid color is best for getting started
* scrap paper and pen or pencil
* marking tools (fabric marker or chalk
* ruler for marking grid lines on the fat quarters
OPTIONAL: small white board and marker for practicing designs; a machine extension table (you will be happier with one…), Machingers quilting gloves.
One of many samples looking at how you can add free motion quilting to your work….
COME JOIN US!!
This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)
A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.
We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!
Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:
We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!
Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.
There’s still more…..stay tuned!
I was very involved this year in helping others create some wonderful fiber art. First up was a baby quilt for a teacher at a former school of mine. The teachers all created blocks based on children’s books, and then along with the baby quilt, gave the books to the new mom. It came out so cute!
You can see the machine quilting – “leaves” for the pages of books – the leave of a book……a lot of fun to quilt. Next time….stabilize the pieces before they are sewn into blocks….
How many books can you identify?
LOVE Patricia Pallaco!
Two more baby quilts scheduled for the new year….prolific bunch at Camels Hump Middle School!
A good friend made a “science fiction” quilt for her son – a gamer, doctoral student, and avid reader. It was SO MUCH fun helping in the process, from using spray basting, to zigzagging quotes, to creating the dragon (a “must-have in this quilt). It hangs from a curtain rod that is very “Lord of the Rings” in design. I was responsible for the machine quilting of dozens of galaxies within the quilt. The dragon has a lot of marbled fabric within it, and it works so well! Kathy did an amazing job. Teeth, flame, wings, and horns all crafted from marbled fabrics. Hubby Dave did the design for the pattern, Kathy did the contruction with vinyl and a few other fabrics.
The last heavy sewing/quilting happened when my friend Kathy wanted to recreate a marbled wall hanging of ours that one of her daughters loved. Sure…..to find she wanted it reversible…and a few other changes….
The story of the original piece is here.
I don’t have any finished pics at this point – just an in-progress. Oh, did I forget to mention she wanted one for each daughter? Different colors for reversible? Different quilting patterns? It really was a lot of fun, and it challenged me to revisit a reversible binding….but I made Kathy do all the hand-stitching……
A close-up of in-progress……
The year started with this commission: The Arroyo –
…and we’re not done for the year!!
It has been a banner year for art – especially in the making of art. When I stopped to reflect, I realized we created more this year than any other year – some big, many small, and all taught us something! I’m doing several blog posts, since I don’t have pics for a bunch of gifts – awaiting the jpgs in the email….
Yesterday was the presentation of a commission for dear friends of ours. It was supposed to be for their anniversary in September, but just didn’t happen….Once knee surgery was over and I could move around fairly easily, I set to work. The marbled fabric had been done since April, and I had been mulling designs since then. It was time….
I started working with the Chinese symbol for “family,” and after just this first littyle bit, I have even more appreciation for the art quilts of Kathy Nida. This involved tracing the symbol, determining which side would be “up” when ironing onto the front of the fabric, adding WonderUnder, and then making sure it actually worked – especially since I had a limited amount of the fabric choice for the symbol. First success.
Next was creating the pattern for the side panels, loosely based on a table runner by Lonnie Rossi and definitely made my own. Same issues with being sure of right and wrong side, since there would be two panels, and the designs would mirror each other. Much angst – especially on the choice of the background – I had a peach silk that worked with the overall colors, but looked terrible with the small pieces actually on it. The fabrics were extra marbled fat quarters that didn’t make the cut in terms of main color, but they were all complementary.
I put off for the longest time doing the zigzag satin stitch and then discovered that the fabric frayed very easily. A lot of adjustment, sharp pointy scissors, and FrayCheck got me through this section.
I had one panel completed and then started on the second panel. It probably would have been easier doing them both at the same time, but I wanted to be sure the idea could be executed before I was completely committer.
The request was for some apple blossoms quilted into the design – originally to be on the border….but it worked out differently. I Googled images of apple blossoms and determined a free motion pattern, and then began. As long as the petals had ragged edges, the pattern worked.
Lots of flowers over both panels – really liked how subtle the patterns are.
Checking to see if the three panels really do work together….
Time to square off and do the binding – the side panels had a LOT of ironing as they were becoming distorted. Note to self – allow more edging next time around…..
Preparing the canvas for mounting the panels. We have started mounting much of our work on canvas frames covered with a complementary fabric. Much sturdier, easier to hang, and people seem to view them more as “art.”
Thinking it’s going to work…….each side panel is three 8 x 8-inch canvases, mounted together and covered.
So I have finished reorganizing my Bridge folders for all the digital work and storage of all things art. About 6 hours total, but it feels good to have it done – serious loose end. Now I need to go through iPhoto and get some folders made to organize photos there – hopefully won’t take as long. Slowly setting up the to-do list for all things business.
The fist item over the next 12 days is to get every piece ready for a major display for Burlington City Arts. We will have 10-12 of our medium and large pieces on display in the Maltex Building on Pine Street for six months. Quite a nice venue, and our first major exposure in a contemporary gallery in the state. Lots to do – Ocean’s Bounty needs some work with the connecting beads and Gaia 2 (Pele) will be making its debut also, and I need to get it on its new hanging system.
LOVE this piece and have since it was completed many years ago. Will post when I have the new hanging system….hopefully cholla wood and braiding to hang each of the points.
Heavy piece with all the beading and layers and stones – but it will be good for it to see the light of a gallery.
(Wow – I just took less than two minutes to get those pictures from the digital folder – nice organization, Linda!)
Hubby is marbling a lot, as we have new ways of marketing our fabrics. We are selling marbled fabrics in the Red Mill in Jericho, which is “coming home” again – his family settled this area and now he’s helping to support the non-profit mill craft and art gallery.
Four weeks today is knee surgery, with a three-six month recovery…I want to be back at the sewing machine within two weeks – too much to do!! I am finding guided meditations that will help prep for before and after surgery. My yoga practice is reviving itself as a way of strengthening the knee and thigh muscles for surgery. I found an integrative medicine doctor through the medical center, and I LOVE her. Looking forward to working with her over the coming year.
On to attaching a piece to a covered canvas with fabric glue….will post when it’s finished and dry…..
A piece I started about 15 years ago and finally finished this summer – will be adding loops to the back to hang on our door for Halloween. I still have plenty more to work on, and slowly,over the winter during knee recovery I plan to work on them – plus lots of new ones.
Speaking of new ones, in organizing Bridge yesterday (some 7000 photos and a lot of saved duplicates, I think I can make sense of some of the new process pictures. This first piece, Chocolate Box, was done YEARS ago, as part of an 8 x 8 challenge from the old QuiltArt list. I think the theme was “brown,” but who knows? Originally I just sewed pieces with a zigzag stitch – and then I realized I needed stabilizer on the back – like I said, a long time ago. This summer I came across it, added backing, re-quilted it in a variegated thread, and added a border. Still love the piece!
This piece was done for us years ago as part of a challenge to use marbled fabric in a traditional pattern. I made a sandwich, added waves to the bottom of each boat, and quilted semi-circles around the sails to represent the sun. If you made this for us, please let me know so I can credit you.
This next was also part of a challenge, and I use it as a sampler for using free motion quilting on a traditional block. One of the sections is plain, the others have a variety of patterns, some following the the pattern, and some walking around. I love how the marbled fabric quilts up.
I like to use my backs to show errors- and then in the blank area I added details about threads and needles.
So I continue with cleaning and organizing, and hubby is busy marbling every fabric we seem to have in the house. He’s having a ball!
Yup, two more pieces around for forever…..both needed complete revisions, as my skills have grown quite considerably. The first is a “cheater” cloth, very Southwest, which is why I bought it. Originally it had been quilted in the ditch, and while I loved the co.ors, the piece really didn’t speak to me……so I took it all apart.
And in the process I discovered a ,lot of stuff – pros and cons – about cheater cloth.
One, they are great for practicing free motion quilting. You can get right to the designs without having to worry about putting the whole thing together. I re-sandwiched the top and then studied it for quite a while for ideas.
Two, they can really tax your ability to work with fmq designs. In some of the smaller blocks, I used the same basic quilting motif and changed it up a bit in other blocks of the same design. Great way to practice!
Three, the store doesn’t always do a great job of cutting the panels. On closer examination, you can see where some borders show and some don’t. I really had to work the binding carefully so the piece would look even all around. Plus, the fraying from new usage, poor quality fabric, and age didn’t help at all.
Four, nice decisions about which type of thread to use. I stayed with Superior Art Studios and Rainbows – because I like the sparkle. I did use cotton King Tut because I wanted to experiment with thread painting for shadows, and I didn’t want it really obvious.
Five, I need to get a better photography set-up in our new place…….
Six, discovered I could cover a few binding mistakes with some markers….liking that!
View from the top – couldn’t adjust light like I wanted (really missing the garage set-up at this point). Look at the binding – see what I mean about borders?
Another view – the backgrounds of the actual pots are left unquilted….I was tempted, but I keep remembering Tim Gunn and “edit.” I didn’t want to detract from the “shading” I did on the pots…I was really happy with how that turned out.
Seven – straight-line outlining isn’t as easy with a free-motion foot…but it is great practice….
Lots of finishes going on of projects that have been around for a VERY long time! I had a productive weekend of finishing three, and next blog post should be about two more, as well as a new project undertaken.
First up – a Halloween quilt I pieced probably 15 years ago, when I was using McCalls Quilting and piecing lots of quilt tops. It didn’t really need much – cats’ eyes (variegated thread) and eyes for the ghost (small pieces of lava). I examined the machine quilting, back from when all I did was stippling – I was very happy with how it looked. I added free-motion words in the sky and then added binding. Really happy –
This small 8 x 8 was done YEARS ago in response to a challenge on the QuiltArt list. The theme was “brown,” and this was way back when I was still pretty literal and linear in putting work together. This is “Candy Box,” and I used a zigzag in variegated thread like you would see in the wrappers in a fancy candy box. Added the binding and much pleased with the finished table-topper.
This last piece was a remnant from about 10 years ago. I quilted the bubbles, but it still needed a focal point – so I quilted in some sea urchins…hence the name “Sea Urchins.” Another 8 x 8 stitched to canvas after quilting was finished.
For Sale: $125.00
A great weekend, more happening in the studio…..lots of upcoming opportunities!
I’m unearthing a lot of unfinished projects and pieces of fabrics that can be turned into small art quilts for Etsy, and I also came across a couple of digital pieces (like the above) that need reworking for an upcoming show. It is just amazing to me how productive I have been at getting new – and old – projects completed since we set up the new studio. Here’s pics of the new studio – taken right after we unpacked and stored, so things are cleaner than they are now after three weeks of solid work. Good north light, and lots of surface area.
Stored behind the door, along with mats and combs…..
This can be closed up for an air mattress on the floor for company.
Filled with fabrics and patterns and lots of other goodies….no longer used for clothes!
Sewing table for the last 15 years, lots of room to the left to support larger quilts….almost impossible to keep clean……
For the serger and decorative stitches on the Brother machine….
Happy as a clam, and now to the piece in progress….which is some leftover from another completed piece.
Thread choices –
Didn’t use the blue – too much contrast, and not what I liked – ended up pulling out all the threads…one advantage of not checking the tension – easier to pull out.
Finished project, available in Etsy. I needed to simplify the design – got caught up in following the patterns, so I ended up leaving the bottom corner free of stitching, so it looks like everything is approaching from the northwest.
Serged edges, mounted on wrapped canvas, 12 x 16 inches. Moving right along!!
So I have unearthed a bunch of UFOs in going through one of the containers in the studio. One is up on Facebook, free to a good home for the cost of postage. A couple of them, I need suggestions for what I can do for the quilting. Plus, if you recognize that you made the item, please let me know so I can credit you – it’s been a long time since they were sent to us.
Here’s the first.
This was done for us as a way to use marbled fabric in a traditional block. Now I need suggestions on the quilting. I want to use it as a sampler in my fmq classes. I was thinking of outlining the blue marbling for the waves and then doing something with partial circles around the sunrise/sunset….Ideas?
Here’s number two.
This is reverse applique, and I can treat it as a Hawaiian block with outlining, but I’m wondering if there is something else. All suggestions welcome!!