Archive for the ‘quilt art’ Category
For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.
That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.
My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.
Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.
A close-up of the original weaving with the serged edges.
This piece will also have a new name: Revolution. More on that as I get further along in the quilt.
The past couple of weeks have seen my activism rise. Phone calls, emails, petitions, talking to other folks to learn about their views, searching out reliable news outlets – and I’m walking in the Women’s March in Montpelier, VT. just three months out of knee surgery – this is too important for me to miss.
But back to art. I am a strong believer in the power of art. On January 8, 2011, there was a mass shooting in the Safeway parking lot in Tucson. Six people died, including a 9-year-old girl, and 13 were wounded, including my Congresswoman, Gabby Giffords. The following week was very difficult; being a teacher means you are a “first responder” at times – Monday morning after the shooting, Wednesday when President Obama came to town for a memorial, and Friday when the Westboro Baptist Church threatened to boycott funerals. Try explaining to teenagers whose brains emotionally are not fully developed that responding to the hate of Westboro Baptist Church was not a healthy response. No time to process my own feelings, just to be there for kids who weren’t sure what was happening – and especially since so many of them had already seen violence up close and personal in an urban city.
With that background, I had to create something, so I made a small piece of quiltart that spoke to my feelings. The piece made itself…from the choice of background (chicken-wire for fencing) to the words printed on cotton. The local newspaper did a brief story, and in Arizona (as in many places now) the trolls came out and said “If only I’d been around to give Hitler a quilt, everything would have been better.” Others reacted to my premise: that words have power; a woman from Australia said the words weren’t the cause, the man was mentally ill. Yes, no question the shooter was mentally ill, and no help from a broken system (thank you Ronald Reagan)….but words can push a person over the edge, even in the best of times.
My original post is here. I just reread it – raw writing for me. Here is the piece – 8.5 x 11 inches.
Binding looks like bullet holes, as does the stitching around the holes. People objected to the words, felt they were inflammatory for someone who was mentally ill. This was after Sarah Palin had a page on her website with a gun sight right over Arizona and Giffords’ district. I believed then that words caused this man to lash out, that words triggered his mental illness to another step.
We see just how far we have come 5 years and 11 days later. We don’t even talk about mental illness, nothing happens at the state or federal level, the body count keeps growing, and we are entering dark days. Hard to believe we are only now recognizing the words of the past months as hate speech, as power, as darkness.
I will keep speaking out through my art. Predominantly I am working with environmental statements concerning climate change. My Wetlands piece is the first attempt to look at a vanishing resource. there are so many issues and problems ahead for us. As artists we must be active.
I welcome comments.
This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)
A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.
We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!
Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:
We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!
Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.
There’s still more…..stay tuned!
I It only took me 21 years to get to the Vermont Quilt Show. When I was set to go before leaving Vermont in 1994, it was way over the 90s, and the person who was going to drive couldn’t handle the humidity. So I had to pass, but I finally went in June….to find out me camera took virtually no decent – in focus – pictures. Time for a new one, this time two or three steps up from my point and shoot – which has gotten me great pictures over the eight years I’ve used it. So here’s a few good ones:
A number of zentangles made their appearance at the show:
Loved the colors in this next one:
And finally…..I am back to my own work!
My last finished project before packing the studio for the big move to Vermont. I made a modern quilt – it didn’t start out that way. I was going to do a log cabin, but then I decided I just wanted to sew half-square triangles using the paper triangles. After about 150 triangles, I realized there was no way I wanted to sew three times as many more for the whole quilt. So I made the center panel. (Needless to say, I have lots left over for another project….)
All of the colors were chosen as to whether they would play nice with the blue fleece I’d bought in November for the backing – this color is my great-niece’s favorite – forgetting the fact that I’ve never used fleece for a backing…..
Then I started playing around with borders to the center design, trying to get it into lap-quilt size. I had plenty of triangles left, so did borders with just a few on each end – I’ve seen something like that in a lot of the modern quilts I’ve looked at. At this point things became pretty freeing – I knew I wanted lots of space for free-motion quilting, and Maria from Quilter’s Market helped me pick out another fabric – she has an amazing eye.
The worst part of the whole quilt was sewing together all those triangles, lumpy intersections, and trying to quilt over them. But I LOVED how it came out. I was having serious rippling problems because of the stretch of the fleece, and Maria suggested using 505 to spray and corral it into place for the rest of the quilting – wonderful, with only a few ripples and they are not really noticeable. I ran out of my Silk Kimono blue I was using, which I loved….and if I hadn’t had several rippit sessions, I might have had enough to finish the quilt. But I had to go to the Big Local Fabric Store and once again I realized HOW MUCH I LOVE Superior Threads – the stuff I bought kept shredding constantly. I used Magnifico in the bobbin and LOVED it.
So here are some shots of the free-motion on the front:
And finally, the completed lap quilt for my great-niece Gracie-Mae on turning 13. (Seven more lap quilts for the other great-nieces and nephews over the next 10 years as they turn 13…….)
Or if you prefer this orientation….
I can now understand the freedom of modern quilts. I have a lot more ideas on how to use the marbled fabrics in some new smaller wall hangings, but that will need to wait until I set up my new studio in Vermont – maybe by July!
Yes! One of my favorite art quilters actually does exist beyond a blog!!! Kathy NIda (long i, as I have been pronouncing it wrong all these many years) is an artist I have been following for well over a decade, and it’s not just because she uses our marbled fabrics in her art quilts. She is one seriously cool lady – and amazing teacher to boot. We finally were able to get together on our last trip to San Diego, as she was also on school break. What a fun two hours! Laughing, lamenting, giggling, telling stories, talking shop – a fabulous time was had by all. Even better, I got to see one of her works at Visions Art Museum, and by far the best in the exhibit, which I didn’t really care for, especially after having seen the exhibit of fiber at the Mingei (yes, Kathy, everyone is right – you MUST go see this show!). But it was so cool to see the actual art quilt up close and personal, as I am in awe of her technique. Here are a couple of photos shamelessly borrowed from her blog (kathynida.com).
Here’s the quilt being dried after a washing (something about pet hair….) – our fabric is the pavement. Second one is a closeup. I so loved seeing an actual quilt of hers, because her process is so intricate, and seeing in person how it all came together is fabulous.
Now, about the exhibit at the Mingei at Balboa Park in San Diego – one of my favorite museums – the emphasis is on “every day objects,” and this time the exhibit was two brothers, William and Steven Ladd, who work with beads, fabric and boxes in developing labor intensive, meticulous and abstract work that expresses their shared memories of family life in Missouri. )from the website) While some of the work I didn’t “get,” I was in awe of their use of unusual materials. This is from their website, explaining their “towers.”
If you caught my Facebook post yesterday, you heard the story of the horrendous borde crossing at Niagara.
Oy, one for the travel nightmares. Awoke to a beautiful morning on the Upper Peninsula, great views as we went across the Macinac Bridge, lots of green forests…..and then…..yea, verily, on the eighth day it rained…and rained…but we drove out of it. Our plan was to go to Flint and then east through Canada to avoid going through Detroit….same mileage essentially…..but then the border crossing south of Niagra Falls…..three and one-half hours from end to end…and I am NOT exaggerating…..construction on Canadian side, two to one to. two and back again to one lane that hardly moved. Finally could see booths, and that was just the Canadian side…..an absolute crawl over the bridge (and I am ot fond of bridges…freaking out, thinking how I would escape if the bridge broke)…and then more single lane to two lanes to three lanes to four lanes…NONE of which moved. Oy….probably not going too far tomorrow until we recoup…..eating dinner at 8:30 PM, which is unheard of for us…and it’s still light out. Must be karma paying us back for a great yesterday………
Here are a few shots of crossing on the Mackinac Bridge.
Crossing Lake Michigan
..and the beginning of the traffic at the border crossing….
Now back to the art museum…
A fabulous sculpture outside the museum…can just see loads of kids climbing on it!
Another outside sculpture…reminds me of one in Tucson, near the downtown public library.
There were two coral sculptures inside the exhibit. This is one of them, talking about coral being the indicators of the health of a reef. This is all crochet….. The Branched Anemone Garden, Margaret and Christine Wertheim.
Kathryn Spence uses “dirty, discarded pieces to indicate the invasion of the natural environment by human-produced garbage.”
Leonardo Drew – “Number 162 is made from raw materials (wood, metal, paint, thumbtacks, paper, ink, graphite) that are manipulated and aged to suggest the passage of time and the cyclical nature of our existence.”
Had dinner last night with a really good friend to discover she had a rough week, nearly turned upside-down. And her former boss has medical problems (like being the 179th case of an artery problem since 1745). All of a sudden my depression didn’t seem that all important. And I left dinner feeling hugely better and came home to hit the machine for an hour, making good progress on a new small piece.
This was the culmination of about a week of wondering if my art quilt had made it into a fairly prestigious show. Antsy for the whole week, as I knew all the decisions had been made, and I was wondering why we hadn’t heard anything. I was trying to stay positive, as I believe if we send negative thoughts out into the universe, we will be repaid with negativity. Hard to do when I already was 0 for 2 in submitting work this year. I kept thinking “third time’s the charm.”
At 4 PM I had the email. Not good news. Very nice rejection letter – I’ve had loads of those over the years, especially in writing. The very first fiber show I entered I was accepted in, and I think had I been able to keep up creating work without having to worry about a teaching load, I would be in better shape as an artist, with many more shows on the resume. But that was not to be. I looked at the accepted list, and it seemed like it wasn’t the same-ole same-ole list of people who always make it into shows. That was encouraging, at least. Out of 128 entries, 20 were accepted.
Once I heard that, instead of feeling better, I think I got a little angry. Had I known that so few pieces were going to be accepted, I really don’t think I would have entered and saved the 40 bucks. The odds are definitely against you with those numbers.
The thing is, I do think this piece is exceptional. It’s unlike anything I’ve done so far, and it certainly met the theme – I felt it did. Your reaction to the stigma of mental illness. Have suffered from depression and needing drugs to help me through the last years of teaching, I know how the brain can react in stress situations. It’s nothing we can see, but it’s there. So I chose to look at mental illness from a single brain cell that is misfiring. I thought in the overall collection of pieces this would be one very organic “don’t forget the brain’s role in all this” statement.
And let’s face it, no one is working with marbled fabrics like I am. I think I was able to show with this piece that you can a textile that isn’t often used and manipulate it into a statement. It seems like “different” is what art quilt shows are looking for, and this piece was quilted to emphasize the message, not quilted just for the sake of showing off quilting skills (which is what one quilt show seemed like that I attended – and this January show wasn’t an “art quilt” show).
So now it’s a case of really thinking through what I want to focus on for the next couple of years, while I still have the vision (literally) to create pieces. While working toward a specific show and deadline works for me, especially when I have to really think through the creation of a piece from idea to finished product, maybe it isn’t where I need to be. Bottom line, I want our business to make some money. That means more online product and outlets. Smaller quilt pieces are selling in my Etsy store, so I need to create more of those (and three are right now in the works). And I want to continue to learn and take classes, which isn’t possible when I’m trying to meet a lot of deadlines. I want my work in galleries, and I want to be able to travel and do some teaching of marbling. I need to take the time and think through new possibilities.
Which means that karma and the universe may be showing me why the piece was rejected (and maybe not……).
Without further ado, here’s the quilt in its online debut. “Misfiring Synapses,” 17 x 21 inches, unpolished red satin, black satin, Superior Threads, batting, cotton backing.
PS – may just have lined up my first gallery……
A great big welcome to all the folks coming here from SewCalGal’s tutorial and Fun Friday Giveaway! I enjoyed doing the tutorial on quilting marbled fabric, especially thanks to SewCalGal’s sponsoring the Free Motion challenge this year. Hopefully you’ll leave comments about what you might do with the marbled fabric. What I want to announce today is a new part of the website and blog, for those of use who use – or have used marbled fabrics – in your quilting and assorted sewing projects.
When we first started our website (back in 1997….and a few changes along the way as we learned a whole lot!), we had part of the site to show off people’s projects who used the fabric in their quilts. We’d like to start that again. If you check here, you will see some of the very early quilts I did that used marbled fabrics. When I first started using the fabrics, after we began to learn in 1992, I pretty much put everything with black. I was rather afraid of color at that point. One cyber friend who paid us a visit back in 2002 said, “Let me take a fat quarter and see what I can do with it,” and a week later she came back with a completely quilted piece of fabric. Oh my, it was gorgeous.
That’s what started me actually quilting the fabric. It took a while to get the speed and rhythm down for the free motion and the stippling, but it made such an impression on the appearance of the fabric. At the time we were just making fabric and selling it, not really paying attention to the actual quilting of it. Along the way, several artists bought some and began to incorporate it into their quilts. Kathy Nida used some in one of her first quilts that got accepted into a show, in 1999. To this day I love looking very carefully through her work to see remnants of fabrics she’s purchased from us.
We’re on a mission to have people use marbling in their artwork. Send us a picture of how you use the fabric, whether you actually quilt the fabric or just use it in a more traditional manner. We’ll get you up with credit on both a blog page, as well as the web gallery.
Good lick with the giveaway – the fabrics are really quite pretty – and I want to see what you do. Plus….I’m doing a newsletter within the next week, so be sure to sign up to receive the monthly missive, and we always give away some fabric each month. Use the box on the upper right. Check out Ebay and Etsy as other sources for marbled fabrics, and you can always order direct from us.
….well, probably not a real bump, more like a slight detour in the development of this new piece. I am trying to represent depression as something that is hidden in the brain. I have a great center piece that looks like dendrites. I want to build around it in reds for the angst that comes with depression, and I was running into some issues with how to quilt the third piece. So I looked at the rest of the fabric pieces I had to see if anything looked like it would work better. Found a piece that will be fabulous, and it’s going to take a lot of quilting to make this piece really happen.
As I’m auditioning threads, hubby comes in for his opinion, and as I’m trying to explain what I want to attempt, he brings up some legitimate questions on construction. While this is an art quilt, it still needs to hang like a quilt in a gallery setting, so I have to keep that in mind. I’ve had issues when trying to construct “unusual” fiber pieces in the hanging, so I have learned to keep that more in mind.
We’re drawing back and forth on the ideas, and it finally occurs to me that I need to do a mock-up to see if this design is really going to work. If I can get it together, it should be pretty amazing. So that’s the task ahead of me tomorrow morning after marbling. It’ll set back the actual quilting a day or so, but next week looks pretty darn clear for work…..
With that in mind, it has been a productive week. I finished my commission for my yoga instructor. Did some minor beading to represent the little bits of water we have in the desert, hence the name “Desert Stream.” This is a smaller version, with a number of changes, from “The Shallows” piece. I’m quite partial to how the lichen looks in this piece….a lot of use of the reverse button on the sewing machine! My yoga lady LOVES it.
Along with this has been my auction piece for SAQA. It’s along the lines of the depression piece, but a whole lot more positive. It’s called “Hotwired.” It’s simple in execution, but I think pretty effective.
Because there’s not enough deadline sin my life right now, I decided to take apart one of my first quilts to requilt for the May Free motion challenge. I love the pattern, and I think it would look good on this pretty masculine quilt for hubby. Boy, you can tell how old it is (15 years?) by the really lousy batting I used – what was CHEAP at the time. I’ll post pictures as it get finished. This is it with the binding already gone, and I am starting to take out the really awful straight-line quilting in the ditch…with invisible thread, no less, back when I didn’t really have a clue. Should look considerably better when finished.
NOw fort he other piece in progress, my piece on depression. I spent some time today actually trying a pattern from some old white fabric, pinning it up on the wall. It was an interesting process, as I usually just try things as I go along. This time I just wasn’t sure that was going to work, as there were a lot of issues I wanted addressed in this piece. Here’s the finished pattern – and now I have pattern pieces to use – a bonus I never considered.
If I’d thought about it, it would have been in different colors……but I really like the shape – very organic, very like a brain. Here’s a reject piece of fabric, now available for another piece.
It just wasn’t playing nicely with the other fabrics. Here’s one of the reds with the thread to remind you of the colors of a PET scan. The problem with this piece is going to be the photography – the red is showing pink, the black is showing red….not quite sure what I’m going to do, so I need to get it finished with time to spare for the final shots.
THis is a little better, but you can’t really make out the sheen of the thread.
So it’s been a busy week, and hopefully it will continue!
Happy Pi Day! It’s the math nerd in me celebrating……no more having to plan special activities. Now back to regular blogging….(I started this on the iPad….)
Hmmmmm…..not sure if this is going to get any better….took me forever to log in, but I think I figured out what I was doing wrong…..now to get the pictures I want…..
That said, it has been pretty productive when it comes to fabric, even amidst the move. I finished my iPad cover with the feathers from the February free motion quilting challenge, and I’m really happy with it. In fact, at a birthday party last night, three of my friends want one and suggested I put them in my Etsy store. Something to consider idea when we return, as the Etsy store is disabled right now, as we are taking some of the product, with us to Seattle.
The front is a great big feather. I love the ideas people are posting, so I went with some Superior Rainbow and added some extra spines.
I added a small facing, and then added velcro to the inside in three different places to hold the cover closed.
Now for an update on Visions……I didn’t get in. Plain and simple. But….I’m okay with it, despite the fact that the very first show I ever got into was a fairly prestigious one. I know that the work is excellent; it’s some of the best I’ve done. And I have more ideas just ready to go. It just seems like the only way you get validation for your work is to get it in to major shows. I will keep making work, because that’s what I want to do.
If it weren’t too old (2003), this is what I would have entered: my absolute, favorite piece ever. I won’t sell this, because I’ll never be able to make another one. It is now on the wall in our new home, as we actually have wall space for it. This is part of the Gaia series, where I do weavings with strips of marbled fabric. This is Gaia 2: Beginnings, affectionately know around here as my Pele quilt.
My machine quilting skills have come along tremendously since that piece. The fabric of “The Shallows” was created about the same time, but it has just been in a drawer, waiting for the right time, which I figured was now.
Here’s the fabric at the beginning – it looks pretty bland.
It’s a pretty large piece of marbled fabric.
Making some early decisions on thread and backing. Everything was done with Superior Thread – Bottom Line in the bobbin, a mixture of King Tut and Rainbows and Art Studio for all the rocks and shading. (I never did take a pic of the back…..)
Already I could see improvement in texture, so I figured I would be okay. But I was worried about the green spots, which were originally designed to be some kind of leaf….now I was thinking lichen. I also wasn’t happy with the amount of white showing…needed to do something with that.
At this point I am becoming quite enthused with how things are shaping up…..but that’s a LOT of pebbles, and it took most of December to get the pebbles where I wanted them, without affecting the “veining” left from the marbling.
I was also starting to think about shading, which I guess is more thread painting than free motion. I consulted with my art mom to get advice on scientific shading, in which the light source always comes from the northwest. So I needed to start thinking about shading all those rocks…..at this point I became very aware that there are a LOT of rocks. YOu can see some of the beginning shading here.
So January hits and I’m aware of my deadline, knowing I need to leave time for photography. I’m shading, and doing pebbles, and thinking about trimming. About one-fourth of the right side is cut off, as the proportions seemed much better without it – and a lot fewer pebbles that had to be completed…. I needed to think through the lichen, and if you look closely at the detail, it’s shredded money – perfect texture!
And finally: The Shallows
It’s a far cry from the original fabric, and it is now proudly hanging in our new home.
While I love the shopping opportunities at a large quilt show, I am there for the art. I was certainly not disappointed at road 2 California. Oh my goodness (and I said that a lot…), the quitls were wonderful. So much so I went back to walk through everything three times. So I have a LOT of pictures. We’ll start slowly.
Sherry Reynolds created “America, Let It Shine,” and what a beauty it is. From her statement: Tribute to America and its foundations and values, with the hope that they will guide us to a brighter future. 5121 Swarovski crystals represent the words of the Constitution, Star Spangled Banner, Pledge of Allegiance, and age of America. The 13 colonies are represented by using 13 points on outer blue rays and red triangles. The 50 states are represented with the ring of 50 stars. Designed on graph paper, free motion quilted on a Bernina 1001.
Sherry was there Saturday with her original graph paper, and I loved her comment. “No one told me you couldn’t do all this quilting on a big quilt ona domestic machine.” Gives us all hope!
There were a group of “slice” quilts, where a picture is cut into so many pieces, and a different person quilts each piece, and then the whole is recreated. These were the Klamath Basin Vistas. I really enjoyed taking a look at all the exquisite details.
Another favorite (more winners later…) is this one from Diane Steffen called “Rare Catch.” I love the piecing in each of the lobsters, as well as the pieced boards, and the addition of a net.
Lisa Sipes won for her “BeDazzleder!” I loved the vibrant colors, and the trapunto and quilting was exquisite.
“Ring Toss for Spring” by Heidi Lund – vibrant blues.
Betty Busby gave us “Welcome to the Jungle.” There is so much hidden detail in here – couldn’t get the whole lizard in at the bottom…..
Amazing bromeliads by Barbara Beatty: “Ethereum Botanica: Bromeliads.” (Way more amazing in person than this pic….)
From Suzanne Marshall comes “Deruta,” which is a town in Italy known for its hand-painted ceramics.
From Bonnie Keller comes “Creme de la Creme,” an amazing whole cloth based on the work of William Morris. She used trapunto, embroidery, beading, and inks. The detail was amazing, and I’ve just included a detail shot.
And from Molly Hamilton-McNally and Cindy Seitz-Krug comes Best of Show: “Everlasting Bouquet.” The colors are spectacular.
More to come as I get them sized, labeled, and get to a few other things on my massive list…….
Oh my goodness, oh my goodness, oh my goodness…..and I could go on! What an amazing four days of art we just had….and we did quite a bit of marketing along the way. We just returend from Road 2 California – my first large quilt show since Market in 2003, and hubby’s first large quilt show. Two days of amazing quilts (photos to follow this week, after I get myself reoriented to basic life here….), plus a day at the Getty Museum – and coping with I-405….interesting experience there……
One of the best things I did in preparation for the show was bring three really great fat quarters with me, just in case someone was “interested” in seeing marbled fabric. One fat quarter went to the “quilt royalty” that was at the show, and one went to Susan Else, the guest artist – she will definitely have something different to use in her sculptures.
It was really helpful as we were looking at some of the cool tools to pull out the actual fabric and ask questions very specific to its use. This was particularly true at the Pellon booth, as we were talking we began to realize that if we are to take our fiber work to the next level, we need to seriously consider what is used in between the layers. We looked at embroidery machines, as I really would like to include some machine embroidery in the new pieces, and we had a fascinating discussion with the Brother people that could potentially lead to some licensing opportunities.
I collected a lot of business cards, as there was either a really interesting tool or embellishment I want to share. Hardly any book dealers, which is why I may need to consider Market this year or next. Speaking of books….I got home to about 300 emails, one of which was a request for photos to be in a book. That’s definitely a follow-through for this week. Renewed my Quilt Show membership so I can keep up with what’s happening in the field.
Interesting marketing observations. One company with really interesting hand-painted fabric doesn’t have a website. They only sell at shows. They don’t want to photograph fabric so people can see exactly what they are going to buy. I understand that; that’s precisely why there are some online venues that won’t take us, because they feel the need to photograph every piece of fabric. That’s why we sell on eBay and Etsy – what you see is what you get. We have a note on our ordering page on our website about why there aren’t pictures. We don’t get many orders off the website, but that’s okay, because we have other venues. No hand-marbled fabrics at the show, but there was a booth with commercial marbled fabric; nice line of fabric, much more subtle than what has been released by major companies in the last few years. Lots of quilts made up – using a stained glass approach – using the marbled fabric. Interesting to see.
Some booths had absolutely no information, beyond a business card with only an email. I tried making notes, but I figured there’s no way I’d be sharing that information. No web presence, and no pictures allowed to let people know what was available. Hopefully they make enough doing shows to make it worth their while. We couldn’t do that; the press of making fabric for our Seattle trip is enough.
It’s probably the most fun to put names and faces to cyber contacts and to ooh and aah at the gorgeous artwork. We went through the quilts twice, making sure we didn’t miss anything, and trying to find time to just enjoy the quality workmanship. I wouldnt have been able to take this amount of time had I not been retired…..
And after all that, as I was perusing and cleaning out emails, I stumbled across this older email that I hadn’t read, from resident web guru Suzan. I know there are more applications to marketing than meets the eye, but since we artists rely on our hands to make our art, this seems interesting food for thought. A Brief Rant on the Future of Interaction Design.
Stay tuned – lots of pictures in the works!!!
I’ve written that one of my goals for this first quarter of the year is to create some new artwork to enter into a few select juried shows. Joanne Mattera had a really interesting blog post on Monday about entering shows: When Do You Stop Entering Shows?
Certainly timely for me. Her checklists of questions to ask yourself are excellent. I had success about 10 years ago with a series of shows I entered, especially Expressions in Textiles, which was more an early art-quilt venue. I would consider this my first prestigious show. I have success entering a show in Alaska each year, which is an art show, and fortunately for me they like fiber entries. I stopped entering a lot of shows from about 2006 on for two reasons: I was teaching full time and had very little time for creating art, and entry fees were expensive (moderately so nbow, but I must say, being able to do online entries is a blessing). The entry fee was groceries. Then I entered an art quilt show two years ago and was rejected. Aside from being P.O.’d, when I looked at the artists selected, they were the “same ole – same ole” quilt artists whose work is very recognizable. That’s when I figured I wasn’t going to play with the “big girls” any more. I needed to make work for me.
Hence my decision to try for Visions and a SAQA show this year….there, I’ve said it. Big time. If I am selected, these will be two huge pieces for my resume. Which brings me back to Joanne’s article. “But at a certain point—a tipping point, let’s think of it—you want to see your exhibition experience evolve into opportunities in which you are invited to participate.”
Yup, that pretty much says what I am aiming for. Joanne goes on to say: “Indeed, most dealers looking at an artist’s resumé want to see that evolution. ‘When I see a string of juried shows on a mid-career artists’s resume, I have to ask, ‘Where’s the progression?’ says a dealer I know.”
I know I’m making progress in creating art, and I want to be mindful of shows that would add value to my resume and future opportunities. Quilt shows aren’t going to do it for me. Some art quilt shows? Visions, SAQA, Tactile Architecture…..probably. I’m not interested in dealing with the “quilt police.” My work is not mainstream quilting, although that’s a skill I use. A number of years ago we had our work in a now-defunct fiber gallery in Scottsdale. At the time I was doing different things with my “bindings.” I was serging or facing the edges of my art quilts because the technique helped enhance the message of the piece. The gallery owner – a fairly traditional quilter who worked with bright fabrics and called them art quilts – was appalled that I didn’t have regular bindings on my quilts, and she wouldn’t take a couple of pieces without regular bindings. Well, to my way of thinking, a binding would have constricted the design in a way I didn’t want.
Those pieces are now all in private collections, and I’m still spreading my wings as an artist, trying all different kinds of techniques.
Some shows I do enter – nonjuried, no-fee art shows, where fiber will be accepted. The Tikkun Olam show was an easy show, a twelve-by-twelve piece dealing with the theme, and it could be any media. I did receive a lot of feedback about the piece and some interesting opportunities – and a lot of interesting lessons (just because you say you’re a curator doesn’t mean you’re especially good at it….). There is another show like that coming up that I plan to create work for.
In retrospect, I am on the right track. My decisions seem based in reality and forward movement for me. We’ll see how everything plays out. I am behind on my piece for the Visions show, but I have a month…..less, when I think about photography, but I’m almost there…..a solid week of sewing (which will have to be next week…) should finish it for me. And then on to the rest of the first quarter list.
I’m looking at this coleus, which is from a picture I took several years ago at the Tucson Botanical Gardens, and I wish I could remember how I did it…..I need to find the original psd file and see if I can backtrack on it. I am enjoying getting back into playing with Photoshop at least once a week. And I have loads more pics, as we spent yesterday morning strolling the gardens. I have a show in mind called Digital Desert, where I use all local pictures of the desert that have been manipulated in Photoshop. I think that will become a “work in Progress” for the new year. I even have the name of the person to contact about a possible show. As I think about it now, I could put a small pic of the original shot on the intro card, and then display the newly manipulated image. Hmmmm……
There’s been lots happening here. The major work in progress is a business piece – we have been invited to participate in Stash Fest, a fund raiser for the La Conner Quilt Museum in La Conner, Washington, on March 31 and April 1. We will be bring a LOT of marbled cotton and silk with us, so we have started already to make fabric…and run into a couple of road blocks. One, the BOLT of fabric we bought at a wholesale price, after trying a sample to see if it would work – doesn’t. Between getting the sample, trying it, ordering and waiting for the bolt, and then trying two marbling sessions, we’ve ended up with a lot of remnants and nothing for the northwest. So we kind of lost December for production. We have ordered our usual pima cotton and are awaiting its arrival. We will probably get one marbling session in this month to finish off a custom order and hopefully begin to create what we are going to need for La Conner. In the meantime, lists are made, labels done and ready to go, folding organized, bins for storage and traveling set up. So we are slowly getting ready.
I promised a reveal of the small log cabin winter quilt. Really enjoyed making this one, and I’m looking for what I can do for the spring quilt – need to get the fabric made, and I need to get at least one of the two big art projects completed and ready for photography. So here’s the little wall hanging:
The other big stuff I’ve been working on are two entries to a major art show. I am progressing, and I’m pleased with what’s happening. I just started a new shading on the bigger rocks yesterday, after trying some ideas. No question that the shading has really added to the depth of the piece, as well as add needed dark values. I noticed that I was being too controlled in doing the shadowing, and nature isn’t perfectly symmetrical. I need to “rough up” those shadows, as well as bring in some additional other “shadow” colors. I also realized I want to get a foot with a larger plastic opening, so it’s easier for me to see where I’m going. I went to the local Bernina dealer (there are several in town), and once again this particular store just manages to make me feel so stupid when I go in. I was told “that’s not how you thread paint.” Well, that’s how I’m doing it, and I like the effect, so spplttttt……(how do you show a raspberry emoticon?)
There is still a long way to go, and I have another piece ready to go, so I have to get busy!