Archive for the ‘marbled fabrics’ Category

Deconstructing and Redesigning

Photograph by Stephen DeVol, Sedona, AZ

For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.

That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.

My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.

Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.

A close-up of the original weaving with the serged edges.

A close-up of the back with all the hand-stitching to hold all the pieces tight and together (oy, did that take a while….)

Before and after – original stitching, and after the frog stitch….

More before and after….

The beginning of new free motion quilting….

A look at the new binding and how it will work with the weavings.

This piece will also have a new name: Revolution. More on that as I get further along in the quilt.

A New Video!!

We have decided to do our own videos and set up a YouTube channel with them. We want to show the creation of the various marbling patterns. The first video was more an overview of creating a design…and gave me a chance to play around with iMovie. The second one looks just at the very beginning pattern – the stone. Every piece of marbling starts with this pattern. I am using royalty-free music under Creative Commons. It’s fun, labor-intensive, and when you have weeks between videos you forget all the things you figured out before…like getting the music to play. Plus, this time I cut out pauses where hubby was getting paint, so I learned to delete frames and add a connector. Now it’s learning to use titles and such for additional information.

Here we go!

 

Samples of Marbled Fabrics

Cleaning out as part of getting into new ventures for the new year – resizing, sharpening, rephotographing fabrics – here are some sample fat quarters we have created over the years. We get tremendous joy out of creating – some look similar, but it seems like endless opportunities available to us to play with fabric and paint. Remember, we can customize for you! Let us know what you think….THESE ARE NOT FOR SALE – just pieces we have photos of from the past!

So many iterations of traditional patterns! All from toothpicks, Popsicle sticks, straight pins, t-pins, small hair pics – lots of balsa and a huge amount of time to make the combs and rakes. It’s the prep that takes so long before you can have hours of fun!!

 

Art in 2016 – Part 6 in Review – More Small Works

There were a lot of other small items completed – some UFO’s and some brand new. The small piece at the left (24 0nches square) was an OLD top from many years ago – part of a pattern kit for customers using marbled fabrics. The quilt top had some serious rolls of fabric where the iron (and the user…) had pressed wrong. So I to0k out all the stitches, fixed it, made the sandwich, and then requilted it with my practiced free motion skills. A lot of new patterns from Lori Kennedy’s The Inbox Jaunt – she has amazing tutorials.

Then there were pieces where I looked through pieces of marbled fabric we had saved and waited for one to speak to me. A lot of them did in the course of the year. “Sonoran Desert” was one of those. this was done on white denim, and it was a pattern I’ve not quilted before – but it spoke to me of the saguaros of the Sonoran Desert.

Didn’t like this binding – too sloppy to control, so did a regular fabric binding. It hung in our library show and now has a new home with a woman who lived in Tucson for a number of years. Added a few semi-precious pieces of turquoise, agates and lava.

A friend keeps us supplied with all sorts of remnants of cottons, polys and silks. We used a couple to see if they would marble – and they did – spectacularly. One of them went immediately to our son in Seattle – he loved the dark colors – said they were “sexy.” The one he received was “Sliver of Moonlight.” First pic is of the plain marbled fabric, second is seeing the stitching. Unfortunely no final pic of it mounted.

This one is same fabric – black poly-silk, and is called “Whispers in the Moonlight.”

The finished piece is mounted on a canvas frame covered in black linen, and it “floats” about the frame.

There are more pieces, but I need to move on to new projects…..more on an upcoming sale we are having – next blog post!

 

 

 

 

 

 

hitting 1000 b logposts……

Art in 2016 – Part 4 Review – Classes and Shows…and a Book!

This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)

A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.

We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!

It was a challenge to plan for what could take Mary’s already wonderful art to the next level.

Mary Hill’s “experimenting as a result of our machine quilting class:

Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:

A snippet of the lesson plan section….

We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!

Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.

There’s still more…..stay tuned!

Art in 2016 – Part 3 Review – A Few Other Commissions

I was very involved this year in helping others create some wonderful fiber art. First up was a baby quilt for a teacher at a former school of mine. The teachers all created blocks based on children’s books, and then along with the baby quilt, gave the books to the new mom. It came out so cute!

Children’s Book Baby Quilt

You can see the machine quilting – “leaves” for the pages of books – the leave of a book……a lot of fun to quilt. Next time….stabilize the pieces before they are sewn into blocks….

How many books can you identify?

LOVE Patricia Pallaco!

Two more baby quilts scheduled for the new year….prolific bunch at Camels Hump Middle School!

A good friend made a “science fiction” quilt for her son – a gamer, doctoral student, and avid reader. It was SO MUCH fun helping in the process, from using spray basting, to zigzagging quotes, to creating the dragon (a “must-have in this quilt). It hangs from a curtain rod that is very “Lord of the Rings” in design. I was responsible for the machine quilting of dozens of galaxies within the quilt. The dragon has a lot of marbled fabric within it, and it works so well! Kathy did an amazing job. Teeth, flame, wings, and horns all crafted from marbled fabrics. Hubby Dave did the design for the pattern, Kathy did the contruction with vinyl and a few other fabrics.

The last heavy sewing/quilting happened when my friend Kathy wanted to recreate a marbled wall hanging of ours that one of her daughters loved. Sure…..to find she wanted it reversible…and a few other changes….

 

 

 

 

 

 

 

The story of the original piece is here.

I don’t have any finished pics at this point – just an in-progress. Oh, did I forget to mention she wanted one for each daughter? Different colors for reversible? Different quilting patterns? It really was a lot of fun, and it challenged me to revisit a reversible binding….but I made Kathy do all the hand-stitching……

A close-up of in-progress……

Can’t wait for pictures of both the blues and the greens!

The year started with this commission: The Arroyo –

Starting stitching

Embellinging

On the wall at Frog Hollow Gallery

…and we’re not done for the year!!

Art in 2016 – Part 2 Review – Small Works

A lot of smaller work was started, finished, and revised this year – part of the need to create more pieces, and part to experiment with new ideas. We also tried more framing (pretty successful) and mounting on canvas (very successful, and not that all expensive). The biggest issue seemed to be people didn’t know what to do with small wall hangings or table-toppers. By framing them we are leading our customers to see the piece on a wall, looking like artwork. This is also working well for galleries and stores with small spaces.

The “Chocolate Box” piece on the left was done some 18 years ago as part of a challenge on the QuiltArt list to create an 8 x 8 piece with the theme of “brown.” I pulled all kinds of browns from my stash, including some marbled fabrics, and then I zigzagged them together with the idea of creating a “Whitman’s Sampler.” I have always thought it looked very cute. I rediscovered it this summer, adding batting and backing, variegated thread in a more prominent zigzag, put on a binding, and mounted it on fabric. Lots of good feedback on the piece.

Another piece that saw framing was a small piece of marbled poly-satin that a friend (Suzan Drury of Saltwater Systems) added glitter to at least 10 years ago. Loved it, but it didn’t translate into something someone would want to buy – so on a whim I added batting and backing and then quilted it – thus “Pond 3” – a favorite topic. I learned to do sand dollars as part of a tutorial from Lori Kennedy (theinboxjaunt.com), so you will see clam shells, sea urchins, and sand dollars throughout the small piece. It looks quite striking. One thing I learned in the framing process was to move to lighter-colored frames to keep a piece from feeling constrained.

this year saw the debut of a new series – “Leftovers.” The idea for this came about when we would clean the marbling tray after a session. There were wonderful designs of leftover paint as we emptied the carrageenan. We started saving some small pieces to capture to designs – all of which are very organic and “earth strata.” Two pieces made their debut at Phoenix Books in Essex as part of a rotating display of work by the Essex Art League. There are LOTS more to come – all of which need me to stare at a piece for a while to determine how it wants to be stitched. They are all simply framed and look almost like photographs.

 

Leftovers 1: Sunrise

Before stitching on From Above:

Ultrasuede marbles wonderfully. Over the past couple of years we have been doing yards of this for Bead My Love to sell at the various bead and gem shows. We get to keep a few pieces for ourselves, and this year I finally attacked quilting one – with some interesting lessons….the fabric feels like suede, but it doesn’t translate to a puffiness when quilting (note to self: use extra batting for the next piece). Also, the various colors didn’t show well, which is why I went with Superior Threads New Brytes yellow – a thicker thread. this is a 12 x 12 piece of ultrasuede. Introducing “Partly Sunny, Chance of Storms.”

Partly Sunny, Chance of Storms

One more piece – we also started marbling flowers and leaves from the silk flower sections of the craft stores – another way to use up left-over paint in the marbling tray. Here’s “Autumn,” a collage of some marbled silk leaves. Covered canvas, 8 x 10 inches.

More next time as I continue to review the year. Comments welcome!

Art in 2016 – Part 1 Review

It has been a banner year for art – especially in the making of art. When I stopped to reflect, I realized we created more this year than any other year – some big, many small, and all taught us something! I’m doing several blog posts, since I don’t have pics for a bunch of gifts – awaiting the jpgs in the email….

Yesterday was the presentation of a commission for dear friends of ours. It was supposed to be for their anniversary in September, but just didn’t happen….Once knee surgery was over and I could move around fairly easily, I set to work. The marbled fabric had been done since April, and I had been mulling designs since then. It was time….

I started working with the Chinese symbol for “family,” and after just this first littyle bit, I have even more appreciation for the art quilts of Kathy Nida. This involved tracing the symbol, determining which side would be “up” when ironing onto the front of the fabric, adding WonderUnder, and then making sure it actually worked – especially since I had a limited amount of the fabric choice for the symbol. First success.

Next was creating the pattern for the side panels, loosely based on a table runner by Lonnie Rossi and definitely made my own. Same issues with being sure of right and wrong side, since there would be two panels, and the designs would mirror each other. Much angst – especially on the choice of the background – I had a peach silk that worked with the overall colors, but looked terrible with the small pieces actually on it. The fabrics were extra marbled fat quarters that didn’t make the cut in terms of main color, but they were all complementary.

I put off for the longest time doing the zigzag satin stitch and then discovered that the fabric frayed very easily. A lot of adjustment, sharp pointy scissors, and FrayCheck got me through this section.

The satin stitch….forever…..

I had one panel completed and then started on the second panel. It probably would have been easier doing them both at the same time, but I wanted to be sure the idea could be executed before I was completely committer.

The request was for some apple blossoms quilted into the design – originally to be on the border….but it worked out differently. I Googled images of apple blossoms and determined a free motion pattern, and then began. As long as the petals had ragged edges, the pattern worked.

Starting the apple blossoms

Lots of flowers over both panels – really liked how subtle the patterns are.

Checking to see if the three panels really do work together….

Time to square off and do the binding – the side panels had a LOT of ironing as they were becoming distorted. Note to self – allow more edging next time around…..

Preparing the canvas for mounting the panels. We have started mounting much of our work on canvas frames covered with a complementary fabric. Much sturdier, easier to hang, and people seem to view them more as “art.”

20-inch square canvas covered in poly-linen.

Thinking it’s going to work…….each side panel is three 8 x 8-inch  canvases, mounted together and covered.

The final product – “Family.”

UFOs No Longer

apache4A

Lots of finishes going on of projects that have been around for a VERY long time! I had a productive weekend of finishing three, and next blog post should be about two more, as well as a new project undertaken.

First up – a Halloween quilt I pieced probably 15 years ago, when I was using McCalls Quilting and piecing lots of quilt tops. It didn’t really need much – cats’ eyes (variegated thread) and eyes for the ghost (small pieces of lava). I examined the machine quilting, back from when all I did was stippling – I was very happy with how it looked. I added free-motion words in the sky and then added binding. Really happy –

HalloweenFinish

This small 8 x 8 was done YEARS ago in response to a challenge on the QuiltArt list. The theme was “brown,” and this was way back when I was still pretty literal and linear in putting work together. This is “Candy Box,” and I used a zigzag in variegated thread like you would see in the wrappers in a fancy candy box. Added the binding and much pleased with the finished table-topper.

CandyBox

This last piece was a remnant from about 10 years ago. I quilted the bubbles, but it still needed a focal point – so I quilted in some sea urchins…hence the name “Sea Urchins.” Another 8 x 8 stitched to canvas after quilting was finished.

SeaUrchins

For Sale: $125.00

A great weekend, more happening in the studio…..lots of upcoming opportunities!

 

 

“Storm Coming” – New Fiber Piece

Asian Fantasy

Asian Fantasy

I’m unearthing a lot of unfinished projects and pieces of fabrics that can be turned into small art quilts for Etsy, and I also came across a couple of digital pieces (like the above) that need reworking for an upcoming show. It is just amazing to me how productive I have been at getting new – and old – projects completed since we set up the new studio. Here’s pics of the new studio – taken right after we unpacked and stored, so things are cleaner than they are now after three weeks of solid work. Good north light, and lots of surface area.

Large marbling tray

Large marbling tray

Stored behind the door, along with mats and combs…..

Cutting table and storage

Cutting table and storage

This can be closed up for an air mattress on the floor for company.

Extra storage

Extra storage

Filled with fabrics and patterns and lots of other goodies….no longer used for clothes!

Bernina 1008 and sewing table

Bernina 1008 and sewing table

Sewing table for the last 15 years, lots of room to the left to support larger quilts….almost impossible to keep clean……

Additional sewing area

Additional sewing area

For the serger and decorative stitches on the Brother machine….

Storage cubbies

Storage cubbies

Happy as a clam, and now to the piece in progress….which is some leftover from another completed piece.

WIP – Storm A’Brewin’

Thread choices –

Thread choices - Storm A'Brewin '

Thread choices – Storm A’Brewin ‘

Didn’t use the blue – too much contrast, and not what I liked – ended up pulling out all the threads…one advantage of not checking the tension – easier to pull out.

Thread work

Thread work

 Finished project, available in Etsy. I needed to simplify the design – got caught up in following the patterns, so I ended up leaving the bottom corner free of stitching, so it looks like everything is approaching from the northwest.

Storm A'Brewin'

Storm A’Brewin’

Serged edges, mounted on wrapped canvas, 12 x 16 inches. Moving right along!!

Traditional Sampler Quilting Tutorial

About two years ago I asked for some volunteers to make traditional blocks using marbled fabrics, as I wanted to show what can be done with traditional quilts besides the art quilts I do. Now that I am improving my machine quilting skills, I turned one of the blocks into a new teaching sample for both quilting marbled fabrics as well as using marbled fabric in traditional quilts. First up is the back of the block – a list of all the threads and needle sizes used, as well as any (and all) tension issues, so they could be discussed (and I wouldn’t forget what I used where).

Back of traditional block

Back of traditional block

I quartered the block, and one section was left completely unquilted – because that is also an option. Here’s the front of the block:

Marbled quilting sample block

Marbled quilting sample block

Far left – unquilted. The yellow pieces have three different designs. I’m partial to the one with pebbles quilted throughout the piece. I used Bottom Line in the bottom, size 80 Superior needle, and Bottom line in the top.

Each marbled piece is done in a different free-form design. Lower center uses a Superior Thread Brytes, heavier, so I used a #90 Superior needle. Upper right used Bottom Line on the top and followed most of the curves in the pattern. Right marbled fabric used a variegated Superior Rainbows thread and only did a few of the wide curves. Different looks in all three. One of my favorite stitches is just following basic curves, and you can see that in this quilt:

Free motion quilting

Free motion quilting

For the white – BIG lesson was don’t use a distinct variegated thread unless your fmq stitches are VERY even. Spent three hours taking it all out. The white was patterned with circles and small crosses. For the bottom right I used yellow Bottom Line in the top for a hint of color and gridded the triangle,  using the fabric pattern as a guide. Upper left, also with white Bottom Line, I followed the circles in the white fabric pattern.  Right triangle I followed both patterns, also white Bottom Line, and found it too busy.

After the New Year, I want to experiment with more like this. Let me know if you have done something like this to determine different quilting ideas.

Monday Marketing – BUSY!!!

Coexist

What a beautiful Monday morning! It’s 10 AM and I’ve already accomplished photography of baskets, cutting fabric for the next project, and done all the Christmas cards. Plus – lots of great stuff accomplished over the last two weeks!

So….finally updated the Facebook business page with our gift baskets for sale – sold two, and I have another ready to go up. It’s been a lot of fun making the baskets and choosing some of the “ugly” fabric in the stash, as that turns out pretty darn cool. The Etsy store is up and running again, as well as Ebay, so check them out.

Etsy Shop

Etsy Shop

Ebay

Ebay

I’m contemplating a new online platform – just need to do the research. One of the biggies was the first newsletter in just over a year. No sales or offers, just a welcome, we’re still here, and it’s good to be making art again. I have plans for the first of the year to get back to a regular newsletter. Redid framing on a small 9 x 12 piece ready to go on Etsy, and another piece that needs new serging and mounting. Have another show set for three months with two other artists, starting in April – law firm, so will probably do some fiber, and we’ll save the digital work for the solo show in August. Had a great time at the Essex Art League holiday party this past week. We’ll be doing a  demo for them, as well as a class or two, and we’re looking at a couple of open studios within our new apartment complex. We are back to seriously looking at video, so who knows where or when….or who?

The big thing for me has been the decision to self-publish my novel, so Monday Marketing will also include my work there – need to set myself some deadlines. I’ve given agents and publishers seven months – time to move on and get this out there!

Let’s see what the rest of today brings for momentum!

Gift Baskets AVailable Now! SOLD!

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SOLD!

We’ve been almost missing the holiday season this year, but we finally have enough of our lives together again to offer gift baskets of marbled goodies. The top is a basket from a year ago; the new pics will follow. These baskets contain:

  • a hand-wrapped fabric bowl, good for all kinds of uses around the house (and perfect for regifting!);
  • a fat quarter of marbled fabric;
  • two 8 x 8  swatches of marbled fabric for piecing or applique;
  • six 6 x 9 swatches  of marbled fabric for piecing or applique;
  • five pieces of hand-marbled satin/nylon ribbon in two lengths;
  • 4 note cards with digital marbled designs;
  • a coupon for a FREE table-runner pattern for the fat quarter or other material (sent to you as a PDF);
  • a coupon for 10% off any sampler package from the website;
  • two notions of our choice; and
  • hand-marbled leaves and flowers.

For your viewing pleasure –

Contents of the gift basket

Contents of the gift basket

The Stuffed Basket!

The Stuffed Basket!

So you want one……email me. Baskets are $50.00 – a $75.oo retail value, shipping is USPS Priority, $16.00. We can custom, but our time is short…..If you want to order one beside this one (they are all one-of-a-kind)- and want it by Christmas, December 10th is the LATEST!! Domestic orders only. OR….plan now for birthdays and Mother’s Day!

Monday Marketing – 2 weeks in a row!

Detail of the back of Gracie Mae's quilt

Detail of the back of Gracie Mae’s quilt

Ya, dis ist goot….been a productive week and today started off fabulously with coffee with another artist in fiber who LOVED out work and will pass on a bunch of connections to galleries within the New England area. Joining Surface Design Association, as they seem to be making inroads in getting fiber shown in NE. Plus a new quilt shop in town, so I have already been by to show a sample of free-motion quilting to see about teaching some classes. And….lots to do this week.

Also, and probably most important, the studio is about ready…well, we’ve already started doing work, even though there are still a lot of loose ends and things to get put away. I am almost through ironing the rest of my fabric stash, which is each of our moves has always been our wrapping. But this time, after so long….I was caressing each piece and apologizing for it being in the dark for so long. NO MORE MOVES! They will carry us out of here! Now for this week I need to start a list of fiber projects, with a couple of deadlines coming up this year. Then I can prioritize and get started.

Thanks to Shutterfly I’m been getting prints of our digital work for great prices, and A.C. Moore (our Ben Franklin’s and alternative to Michaels) for frames. Plus, it occurred to us as we were sorting through artwork that we can reuse some of the frames for work we no longer hang on our walls.

Also this past week, two digital marbling pieces hanging in a local bookstore as part of Essex Art League outreach, framing photos for solo show next August, and attended Williston Craft Fair – small but extremely well-attended, and folks were buying. We’re interested in partnering with someone next year and putting in our fabric bowls filled with marbling fabrics and sewing notions. to that end, Hancock Fabrics had a dynamite sale on sewing notions, so we did an order in preparation for next season. Hubby stocked the Etsy store again, so take a look.

A good week all around. Now for this week:

list of projects for sewing, etc.;

finish organizing studio;

check deadlines for quilts for birthdays (Whip, Gavin);

review fiber art calls from Feedly;

start on quilting commissioned baby quilt; and

update the Facebook page, as well as other online sites.

Good to go this week.

Yes, We’re Teaching Classes!

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We will be in Cottonwood, Arizona the end of October at Quilter’s Quarters – a really great quilt shop! We’re teaching two marbling classes – beginning and advanced, and two free motion quilting classes, also beginning and advanced. Contact Quilter’s Quarters for more information!

Beginning Marbling

4 hours, $50.00 class fee, supply fee $25.00

            (minimum 5 students, maximum 10)

            Learn the ancient art of marbling by creating cotton fabrics using traditional marbling patterns. You will learn 5 basic patterns (stone, freeform, chevron, nonpareil, bouquet) and create pieces of marbled cotton suitable for a small sampler. This class is an overview of the process, using existing supplies, with fabric that is already prepared for you.

Supply Fee: $25.00

1/3 yard pima cotton, 1yard Offray ribbon, carrageenan, alum, paints, combs, brushes,  drying racks, soda ash, pins, toothpicks

Student Needs to Supply:

cookie tray or roaster pan (at least 10 inches in width, and a half-inch in depth),

sheets of newspaper (no color) for drying fabric, notebook for notes and diagrams, ruler  and pencil, rags/paper towels, small plastic tub for carrying wet fabrics,   gloves

Wear old clothes!

 

Advanced Marbling

4 hours, $40.00  class fee, supply fee $25.00         

(minimum 5 students, maximum 10)

Learn the recipes needed for the carrageenan bath and pretreatments. Make the combs and rakes you will to marble any time you wish. Learn advanced marbling patterns (wave, clamshell, wing, feathers, cable, fountain, cascade) and experiment with paint and pattern on cotton and silk.

Supply Fee: $25.00

1/2 yard pima cotton, carrageenan, alum, 1/2 yard 10 mm silk, paints, combs, brushes, drying racks, soda ash, balsa wood, popsicle sticks, box cutter, awl

Student Needs to Supply:

cookie tray or roaster pan (at least 10 inches in width, and a half-inch in depth),

sheets of newspaper (no color) for drying fabric, notebook for notes and diagrams, ruler  and pencil, rags/paper towels, small plastic tub for carrying wet fabrics, gloves, masking tape (at least 1 inch wide, wider is better), Elmer’s glue, straight pins and/or t-pins (no glass heads), rubber bands

Wear old clothes!

 

Beginning Free Motion Quilting

4 hours, $40.00

Now what? Your quilt top is done…send it out or quilt it yourself? You can free-motion your own quilt top, no fancy domestic or long-arm machine needed! You CAN do it all yourself – it just takes some practice! From thread choice, basic supplies, setting up your machine, to learning basic FMQ patterns, you will learn the happy sounds of your machine as you practice five basic patterns on a fat-quarter sandwich: straight lines (without a ruler or sewing foot), various size stipples, pebbles, and a leaf/vine shape.

You supply:

sewing machine in working order, ability to lower feed dogs, instruction manual

free-motion (or darning) foot

#80 or 90 machine needles

a selection of threads, from “old and cheap” to “fancy and expensive”

low-loft cotton batting in fat quarter size

4 fat quarters, one for the top and one for the bottom of two quilt sandwiches (not  fancy fabrics, just for practice, and muslin is fine)

scissors

scrap paper and pencil or pen

marking tools (fabric marker or chalk)

optional: finished quilt top for design ideas

optional: a machine extension table

 

Moving Ahead with Your FMQ Skills – Creating a Whole Cloth Quilt

8 hours, $80.00 (1 hour break for lunch)

The sewing machine is working, and you’ve started stippling away on your quilt top, but you’re getting bored. Now is the time for new free motion quilting patterns. Yes – you can do feathers…and spirals…and gridded patterns…and leaves and grapes…and cathedral windows. Once you’ve practiced these now patterns, you will create a small whole cloth quilt, showcasing your skills. Experiment with bobbin work, and create a stencil of your own.

You supply:

sewing machine in working order, ability to lower feed dogs

free-motion (or darning) foot

#80 or 90 machine needles

a selection of threads, from “old and cheap” to “fancy and expensive”

low-loft cotton batting in fat quarter size

4 fat quarters, one for the top and one for the bottom of two quilt sandwiches (not fancy fabrics, just for practice, and muslin is fine)

scissors, mat, rotary cutter, and ruler

scrap paper and pencil or pen

marking tools

a “top” for your whole cloth quilt, at least FQ size, but larger if you desire; choose a fabric that can add texture to your design but not overwhelm it

batting and backing for your whole quilt

optional: a machine extension table

 

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