Archive for the ‘machine quilting’ Category

Contemplative – Personal, so skip if you wish……

free motion quilting practice

This has been an interesting two months of contemplation, not just on politics, which will certainly govern how I live the rest of my life, but also in terms of how to lead the best possible life in the years I have left. Note to self – aiming for three digits. The work on the resistance quilt brought up a lot of unresolved issues concerning emotional abuse by my mother ever since I can remember. The work I’m doing in attempting to lose weight talks about getting to the root of whatever is unconsciously holding you back. It’s my relationship with my mother.

So between energy work, meditation, reading, and hypnosis, I am coming to terms with issues. I feel mentally healthier. I am slowly letting go of some of the dramatic episodes – I no longer hyperventilate when that issue rears its head. It has been an extremely productive 6 months for art, although not for writing. My mantra needs to be “writing, creating, marketing every day.” I

know I need to get a therapist to help me bring closure as a result of the work I have done so far. Especially after Saturday – I was scheduled to teach a free motion quilting class, and I called on Friday at 11:30 AM to see if it was still canceled, as she had called about it the week prior. No, it was a go. So I hurry around getting ready, and when I show up Saturday morning, there are only two paid students. When I asked her since she knew one canceled the night before, why she didn’t cancel, she verbally attacked me, saying that I owed a class to those who had paid, it was my responsibility, I owed it to those who had paid. I was so stunned at her attack I wasn’t able to respond.

Gaslighting, just like my mother always did to me. I realized that was what had shut me down – I was being attacked in the same way by someone else. Yes, I need to definitely figure out how to bring closure to my family issues, but I also need to do what’s right for me when I’m teaching. After time to think about it, I emailed and asked her to send the check – she didn’t even have it ready for me because I was in the way of the printer during class. I told her to cancel the August class, as we had already talked about that, and she knows from experience that classes don’t go in the summer. If she decides to call me to schedule new classes, there will be a contract for her to sign. She also didn’t want to make copies for me (a total of 12) since she is leasing a printer and it costs her money. Keep in mind she is getting 30% of the class fee and I told her I was holding strong at a class of at least 3 in order for it to be a go.

The contract will indicate a whole bunch of things: she gets 25% if she doesn’t want to raise the class fee, she will make copies as needed, and anything less than three students the morning of the class, she will cancel it. If someone doesn’t show and doesn’t call, I receive half the class amount to compensate me for my time. (Yes, one of the two for the class didn’t show….that’s $7.00 an hour for my work…positive me, I may have a lead to teach in another shop.) Usually I have been able to work very simply with people in the field, but her personality is not right for me or her long-time customers and business. Lesson learned….

Thoughts are welcome….

Threads of Resistance Entry Finished

I spent a lot of time just coming up with an idea I felt would work, and then some of the time spent rehabbing my knee by walking the halls helped it come more into focus. Then once I started, ideas kept coming – what was a month’s project stretched out into two months, with a lot of time writing what would become the messages on the piece. Women’s Work s Never Done – the topic lef me in so many directions, starting with Susan B. Anthony and the Declaration of Sentiments in 1848 as a result of the women’s congress. The complete document can be found in the right-hand pocket of the jeans. Using a Sharpie, I started to painstakingly write in the GRIEVANCES woman had against men at that time…and as I was writing, I realized not a lot had changed. The best part of this piece was traveling back in time to read in full this document and realize how far we still have to march.

Here are the jeans about two-thirds complete with the writing – each letter gone over two-three times to ensure legibility.

I worried about fading and having to re-do the writing – but isn’t that what we women have had to do through the ages? Prove ourselves again and again? Rewrite or own accomplishments so they aren’t forgotten? If the piece fades – any part of it – that’s the story of us as women.

Next came a woman’s required piece of clothing – the apron. I made it reversible – the front is traditional quilt design and somewhat traditional fabrics, and in each of the squares are messages to women – either from my own family or from society. I put a ruffled border on, and written on it is the litany of what women were expected to do: cooking, cleaning, babysitting, housework, laundry, cooking, etc. sex, birthday parties, planning dinners, sex, cooking…..you get the idea.

Click on the next picture – for some reason it isn’t clear….

Then came the apron strings. Not completely happy with how they worked out…but I love the message (original copy is in the left pocket of the jeans: a manifesto by Joyce Stevens from International Women’s Day in 1975.

 

Now the reverse of the apron is more a modern design, with fabrics of the same hue but considerably brighter. On that is written positive messages I have given myself as a daughter of Women’s Liberation.

Next step was the background – actually background and backing – same fabric. I initially thought I would only quilt what would actually show before I began my writing on the front, but I realized why not continue on the back with more “hidden” women from history. So I ended up quilting the whole background. Then came the burying threads – which I don’t normally do, but since the back suddenly became important, I went and did it…..there were a lot…….

I spent a lot of time online looking for missing/unknown/hidden women and I found amazing stories – most I didn’t know – even as a history major. I started out writing every other line, from the middle to top and bottom so everything would remain even.

Then I filled in everything and started on the back.

  I am very pleased that it came together as I had envisioned – learned a lot (I usually do…), but very pleased.

Comments? I’m taking names to continue the back of the quilt with other “hidden” women – send  ’em along!

Deconstructing and Redesigning

Photograph by Stephen DeVol, Sedona, AZ

For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.

That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.

My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.

Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.

A close-up of the original weaving with the serged edges.

A close-up of the back with all the hand-stitching to hold all the pieces tight and together (oy, did that take a while….)

Before and after – original stitching, and after the frog stitch….

More before and after….

The beginning of new free motion quilting….

A look at the new binding and how it will work with the weavings.

This piece will also have a new name: Revolution. More on that as I get further along in the quilt.

Art Year in Review – Part 5 – Other Shows in 2016

Our first solo show was wonderful. We were guest artist the month of August in the Essex Junction Library, a wonderful space in the community room. The fiber pieces hanging on the brick walls softened the room a great deal. Great reception for folks, hosted by our dear friends the Williamsons. Lots of good discussions, and I tried something new – a “completed” piece that I still am not happy with, and I asked for suggestions for re-doing/changing the piece- great ideas, and I will certainly do an interactive piece again for future shows.

April through June, Jericho Town Hall, “Double Exposure” – artwork and a piece of literature/quote that goes with it.

June through September, Unsworth Law Offices, a selection of fiber and digital work.

Phoenix Books with the Essex Art League, 2016, small works.

Old Red Mill Gallery with the Essex Art League, digital work, as well as ongoing fabric sales

October through April 2017, Maltex Building with Burlington City Arts – large works. These are large pieces, and many of them have not shown anywhere before, so it was exciting to visit them in their 6-month home. Third floor, so go visit!

Misfiring Synapses

Ocean’s Bounty

Endangered: Rainforest

Nature 1: Rock Garden

The Shallows

Black and White with a Hint

Jungle

Wetlands

Soaring

Art in 2016 – Part 4 Review – Classes and Shows…and a Book!

This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)

A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.

We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!

It was a challenge to plan for what could take Mary’s already wonderful art to the next level.

Mary Hill’s “experimenting as a result of our machine quilting class:

Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:

A snippet of the lesson plan section….

We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!

Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.

There’s still more…..stay tuned!

Another Commission Completed

Yoga Susan's Quilt

Yoga Susan’s Quilt

This last quilt commission (which Susan is no doubt getting plenty of use in chilly Tucson, and we have our quilt off the bed, as it’s too warm here in Vermont….) was a challenge for me to fill space with quilting design. I LOVED how it came out, and as usual I learned a few things on it. So when I started this new table runner for a friend for Christmas (left-over pieces from a Judy Niemeyer pattern) I wanted to do an overall quilting pattern that was very organic and would unite all the blocks.

Big lesson – just because you can quilt it, doesn’t mean you should….which harkens back to Road to California in 2012. First time at a big quilt show, and hubby and I kept commenting on the amount of free motion quilting showing up. Some quilts didn’t seem to need that much quilting, and on some the quilting really enhanced the work. This was also when I began taking free  motion seriously, and in the last three years I am now teaching basic machine quilting.

But with this table runner, I realized to late (to   rip out half the runner) that I had too much quilting. Here’s my table runner that was on the table when our friends came to dinner.

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The block pattern is obvious, and at this point I was stumped as to how to quilt it – I ended up using invisible thread with wide circles. Ehh. So I wanted to do something different with this one.

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You can see the meandering quilting – I really just played with curved line to offset the sharpness of the design.

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You can see here that the quilting design when up close takes over and dominates the pattern. This is where hubby quoted Tim Gunn (yes, too much Project Runway in our house,……): Edit, edit, edit. Yup – bigger curved lines and no leaves or stones.

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Like I said before, way too late to take all those stitches out. However……when looked at from certain angles, all you see is the pattern. At other angles the quilting is predominant. And, ultimately I like them both.

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Before I actually started the quilting, I was subbing one day and had time on my hands, so I was watching one of my Craftsy classes on machine quilting big projects on a small machine (and my Bernina 108 doesn’t get much smaller….). Spray-basting the WHOLE quilt. Nothing will move. I’m trying this, and lo and behold it worked WONDERFULLY.

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The spacing could be better, but NO TUCKS! Well, three little ones that actually ironed out. That’s the way I’m going from now on. My fingers will appreciate no more safety pins – this time a year ago it took hubby and me four hours to pin-baste a queen quilt…..

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So more lessons learned, and another commission in the works for March. I am having SO MUCH FUN!!!

Baby Quilt Commission

It is SO GOOD to be back at the sewing machine! In order to get the groove back, I have been working on this really adorable baby quilt that my friend always coordinates for pregnant teachers at her former middle school. In this one, people completed blocks to represent a piece of children’s literature, and then for the baby shower, the folks bring the actual books to start the child’s library. Great idea!!

Here’s some pics of the finished quilt……learned a lot, as I always seem to do. Next time I am doing squares, I will back them with a stabilizer. The last quilt I did like this I was able to quilt in each of the squares to get them to lay flatter. Next time….but look at the textures in these squares!

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KathyQuilt2

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