Archive for the ‘machine quilting’ Category
For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.
That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.
My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.
Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.
A close-up of the original weaving with the serged edges.
This piece will also have a new name: Revolution. More on that as I get further along in the quilt.
Our first solo show was wonderful. We were guest artist the month of August in the Essex Junction Library, a wonderful space in the community room. The fiber pieces hanging on the brick walls softened the room a great deal. Great reception for folks, hosted by our dear friends the Williamsons. Lots of good discussions, and I tried something new – a “completed” piece that I still am not happy with, and I asked for suggestions for re-doing/changing the piece- great ideas, and I will certainly do an interactive piece again for future shows.
April through June, Jericho Town Hall, “Double Exposure” – artwork and a piece of literature/quote that goes with it.
June through September, Unsworth Law Offices, a selection of fiber and digital work.
Phoenix Books with the Essex Art League, 2016, small works.
Old Red Mill Gallery with the Essex Art League, digital work, as well as ongoing fabric sales
October through April 2017, Maltex Building with Burlington City Arts – large works. These are large pieces, and many of them have not shown anywhere before, so it was exciting to visit them in their 6-month home. Third floor, so go visit!
This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)
A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.
We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!
Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:
We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!
Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.
There’s still more…..stay tuned!
This last quilt commission (which Susan is no doubt getting plenty of use in chilly Tucson, and we have our quilt off the bed, as it’s too warm here in Vermont….) was a challenge for me to fill space with quilting design. I LOVED how it came out, and as usual I learned a few things on it. So when I started this new table runner for a friend for Christmas (left-over pieces from a Judy Niemeyer pattern) I wanted to do an overall quilting pattern that was very organic and would unite all the blocks.
Big lesson – just because you can quilt it, doesn’t mean you should….which harkens back to Road to California in 2012. First time at a big quilt show, and hubby and I kept commenting on the amount of free motion quilting showing up. Some quilts didn’t seem to need that much quilting, and on some the quilting really enhanced the work. This was also when I began taking free motion seriously, and in the last three years I am now teaching basic machine quilting.
But with this table runner, I realized to late (to rip out half the runner) that I had too much quilting. Here’s my table runner that was on the table when our friends came to dinner.
The block pattern is obvious, and at this point I was stumped as to how to quilt it – I ended up using invisible thread with wide circles. Ehh. So I wanted to do something different with this one.
You can see the meandering quilting – I really just played with curved line to offset the sharpness of the design.
You can see here that the quilting design when up close takes over and dominates the pattern. This is where hubby quoted Tim Gunn (yes, too much Project Runway in our house,……): Edit, edit, edit. Yup – bigger curved lines and no leaves or stones.
Like I said before, way too late to take all those stitches out. However……when looked at from certain angles, all you see is the pattern. At other angles the quilting is predominant. And, ultimately I like them both.
Before I actually started the quilting, I was subbing one day and had time on my hands, so I was watching one of my Craftsy classes on machine quilting big projects on a small machine (and my Bernina 108 doesn’t get much smaller….). Spray-basting the WHOLE quilt. Nothing will move. I’m trying this, and lo and behold it worked WONDERFULLY.
The spacing could be better, but NO TUCKS! Well, three little ones that actually ironed out. That’s the way I’m going from now on. My fingers will appreciate no more safety pins – this time a year ago it took hubby and me four hours to pin-baste a queen quilt…..
So more lessons learned, and another commission in the works for March. I am having SO MUCH FUN!!!
It is SO GOOD to be back at the sewing machine! In order to get the groove back, I have been working on this really adorable baby quilt that my friend always coordinates for pregnant teachers at her former middle school. In this one, people completed blocks to represent a piece of children’s literature, and then for the baby shower, the folks bring the actual books to start the child’s library. Great idea!!
Here’s some pics of the finished quilt……learned a lot, as I always seem to do. Next time I am doing squares, I will back them with a stabilizer. The last quilt I did like this I was able to quilt in each of the squares to get them to lay flatter. Next time….but look at the textures in these squares!