Archive for the ‘gallery’ Category
Our first solo show was wonderful. We were guest artist the month of August in the Essex Junction Library, a wonderful space in the community room. The fiber pieces hanging on the brick walls softened the room a great deal. Great reception for folks, hosted by our dear friends the Williamsons. Lots of good discussions, and I tried something new – a “completed” piece that I still am not happy with, and I asked for suggestions for re-doing/changing the piece- great ideas, and I will certainly do an interactive piece again for future shows.
April through June, Jericho Town Hall, “Double Exposure” – artwork and a piece of literature/quote that goes with it.
June through September, Unsworth Law Offices, a selection of fiber and digital work.
Phoenix Books with the Essex Art League, 2016, small works.
Old Red Mill Gallery with the Essex Art League, digital work, as well as ongoing fabric sales
October through April 2017, Maltex Building with Burlington City Arts – large works. These are large pieces, and many of them have not shown anywhere before, so it was exciting to visit them in their 6-month home. Third floor, so go visit!
When we were on our trip to Seattle, we didn’t have a lot of time (coming or going) to do our favorite activity – browse galleries and talk to artists. When we went to Sedona this past weekend, it was high on our list, and we were not disappointed. First up was the Native American artists at the lookout at the top of Oak Creek Canyon. These artists are all certified by the Native Americans for Community Action, and the work is wonderful. We enjoy seeing the contemporary designs in jewelry that have a rich heritage behind them.
“Overlook Program: A significant development for NACA was the establishment of a partnership with the United States Forest Service, Coconino National Forest for a project called the Oak Creek Vista Overlook project. Beginning in 1988, the Overlook Project is an economic development program that allows Native Americans artisans to sell their arts, crafts and jewelry at the prime tourist location. This program has grown in popularity and reputation each year. To date this year, 280 vendors have registered to sell their crafts. For many of the vendor, money made through the Overlook is their major source of income.“
We bought a plate by a Navaho artist that depicts a wolf, one of hubby’s protective animals. While I love all the jewelry, I really don’t wear much – but I do so enjoy looking. And it was a gorgeous day on the rim, with a light breeze and absolutely gorgeous views.
We strolled the Hyatt galleries in Sedona, especially our favorite, Visions Art Gallery. The glass chandeliers are always spectacular.
One of my favorite artists is Alexei Butirskiy. You feel like you are in his paintings.
I also like Eyvind Earle. This is Crimson Eucalyptus.
The Lou DeSerio Gallery has wonderful photographs by both father and son. You need to spend some time looking at their work, especially of amazing Sedona.
We also spent some time at a small art fair in West Sedona. Gabriel and Jennifer Ayala had some really great copper sculptures. The copper weavings are quite interesting, and all completed by hand.
All-a-Glow Jewelry has some great wire work.
This was also Open Studios weekend in Sedona. On Sunday morning we visited two fiber artists, Margaret Anderson and Mary Fisher. Margaret’s work is luminous. She uses silk and cotton as a surface for paint, rather than canvas. She’s been in Visions, Dairy Barn, and Linda Seward’s book on art quilts.
I’m saving the best for last…Mary Fisher’s studio. Check her amazing studio on tomorrow’s blog.
I’ve written that one of my goals for this first quarter of the year is to create some new artwork to enter into a few select juried shows. Joanne Mattera had a really interesting blog post on Monday about entering shows: When Do You Stop Entering Shows?
Certainly timely for me. Her checklists of questions to ask yourself are excellent. I had success about 10 years ago with a series of shows I entered, especially Expressions in Textiles, which was more an early art-quilt venue. I would consider this my first prestigious show. I have success entering a show in Alaska each year, which is an art show, and fortunately for me they like fiber entries. I stopped entering a lot of shows from about 2006 on for two reasons: I was teaching full time and had very little time for creating art, and entry fees were expensive (moderately so nbow, but I must say, being able to do online entries is a blessing). The entry fee was groceries. Then I entered an art quilt show two years ago and was rejected. Aside from being P.O.’d, when I looked at the artists selected, they were the “same ole – same ole” quilt artists whose work is very recognizable. That’s when I figured I wasn’t going to play with the “big girls” any more. I needed to make work for me.
Hence my decision to try for Visions and a SAQA show this year….there, I’ve said it. Big time. If I am selected, these will be two huge pieces for my resume. Which brings me back to Joanne’s article. “But at a certain point—a tipping point, let’s think of it—you want to see your exhibition experience evolve into opportunities in which you are invited to participate.”
Yup, that pretty much says what I am aiming for. Joanne goes on to say: “Indeed, most dealers looking at an artist’s resumé want to see that evolution. ‘When I see a string of juried shows on a mid-career artists’s resume, I have to ask, ‘Where’s the progression?’ says a dealer I know.”
I know I’m making progress in creating art, and I want to be mindful of shows that would add value to my resume and future opportunities. Quilt shows aren’t going to do it for me. Some art quilt shows? Visions, SAQA, Tactile Architecture…..probably. I’m not interested in dealing with the “quilt police.” My work is not mainstream quilting, although that’s a skill I use. A number of years ago we had our work in a now-defunct fiber gallery in Scottsdale. At the time I was doing different things with my “bindings.” I was serging or facing the edges of my art quilts because the technique helped enhance the message of the piece. The gallery owner – a fairly traditional quilter who worked with bright fabrics and called them art quilts – was appalled that I didn’t have regular bindings on my quilts, and she wouldn’t take a couple of pieces without regular bindings. Well, to my way of thinking, a binding would have constricted the design in a way I didn’t want.
Those pieces are now all in private collections, and I’m still spreading my wings as an artist, trying all different kinds of techniques.
Some shows I do enter – nonjuried, no-fee art shows, where fiber will be accepted. The Tikkun Olam show was an easy show, a twelve-by-twelve piece dealing with the theme, and it could be any media. I did receive a lot of feedback about the piece and some interesting opportunities – and a lot of interesting lessons (just because you say you’re a curator doesn’t mean you’re especially good at it….). There is another show like that coming up that I plan to create work for.
In retrospect, I am on the right track. My decisions seem based in reality and forward movement for me. We’ll see how everything plays out. I am behind on my piece for the Visions show, but I have a month…..less, when I think about photography, but I’m almost there…..a solid week of sewing (which will have to be next week…) should finish it for me. And then on to the rest of the first quarter list.
Some interesting thoughts going through the mind over the last few days, primarily thinking about future directions for the business. We really enjoyed our guild demo and would like to do more, so moving up the to-do list is a plan for making that happen. We also spent a good chunk of time yesterday planning out two now major art pieces, something we haven’t done in a long time. Hubby has some great designs from a number of years ago that we want to bring to fruition. So it’s been really fun to look at the artistic side of planning.
Thanks again to Laura Bray and her e-course on Multiple Streams of Income (also available in an ebook – Click here to visit katydid designs.). For the first time I understand marketing and art-planning. I was too focused on marketing and not enough on actually creating art to increase income. My second season on 100 days ends on November 18, and I am already thinking about new sets of goals and increasing the range of goals. It’s turning out to be another good month for us, and I so want it to continue. My linking you to Laura Bray’s work is an example of a passive income strand, another area I am focused on building; you visit sites I recommend, purchase something, and I receive a commission. If you visit the Resources tab for the blog (at the top), you will see people and businesses I recommend – some of which pay me a commission, and some who don’t. Either way, I am only sending people to you that I use/have used and have confidence in.
That said, I keep reading and processing more information about building success as artists. Here’s a couple of articles I’ve found in the last few days that may be timely for you.
Thinking about giving up the art business? From Fine Art Views blog comes “Boiling Point.” A good read if you are discouraged by success as an artist.
From Joanne Materra comes a great post on potential scams we all have to be on the watch for. Called “Don’t Fall For It,” it’s a look at potential scams.
And along the same line, from Artsy Shark comes an article about applying to exhibitions, “Five Tips on Getting into More Juried Art Exhibitions.” A word about Artsy Shark – we will be a featured artist sometime in the next few weeks….stay tuned!
“Visions” is a major quilt art exhibit usually held in Oceanside, CA, every two years. It’s like the Holy Grail for art quilters. The Visions Art Museum has now opened in San Diego, at the old Naval Training Center, and will now host its own show. Just to be able to finally get to the museum this last trip to San Diego was a delight. The docents were wonderful and took their time showing us quilts, as well as asking us about our work. It is SO NICE to be with other artists who GET your work! One of the disadvantages to being an artist in the Southwest is unless you’re a painter or sculptor who “does” the southwest, no one is really interested in your work.
The major exhibit was Urban Landscapes and Soft City, with a special collection by Marilyn Henrion. Pictures were allowed in the outer area and in the gift Gallery. You can view a gallery of work by Marilyn here.
Here’s one of the really intriguing quilts from Urban Landscapes by K. Vellis Turan:
The challenge had some really interesting small quilts – 12 by 12 inches, which is a size I have just started to work with. These are all by members of the Visions Museum. Sorry I don’t have names….
We bacame members, and I am looking forward to our November trip to see the new exhibit on “Interpretations.” LOVE LOVE LOVE seeing fiber!!
So…..I did pretty well last week and then faded at the end of the week. Plus, I am taking two online classes, and I needed to leave myself time to work on activities. Pretty much I got the goals for the week done, and I’m ready to set the goals for this next week, but I know I need to make some adjustments.
Major problems with Tweetdeck, so I wasn’t able to schedule the tweets that I wanted. I can only afford to take the time to read through the Twitter feed once a day, so I should probably change the time each day that I read it. I will keep to the schedule of reading tweets each day, with Sunday the day I schedule for the week.
One of the things I found was that I was busy trying to keep up with things and I didn’t really accomplish much for my own personal business. I need to change that, especially in the light of the marketing class I am taking. I need to be sure I am accomplishing what I want for Marble-T Design. I was able to work on the weekly goals of sewing, marbling, and adding to the Etsy shop.
Weekly Goals for this coming week July 18 – 24:
* Finish the Sedona commission
* Marble fabric for Etsy and Ebay
* Finish Lessons 2 and 3 of The Artist’s Toolbox with Lyric Kinard
* Do some goal-setting per the marketing class, primarily with Facebook and Cafe Press
* Get ready for gallery visit (inventory, etc) for Saturday
* Some work to do on the blog: more pages? widgets? other affiliates? blog giveaway? update current pages?
* Read Twitter feed at a different time each day
* Google Reader – comment on at least three blogs
* AT LEAST 5 blog posts this week (only fot the three last week)
* Read newsletters from Linked in groups twice a week
* Facebook fan page each day…..
* At least one art activity each day
So I need to get back in gear, get back to being positive and feeling that anything is possible……..How many of you have found your energy levels with drop without any warning? And what do you do to get back to work? Inquiring minds…..
One of the girls asked yesterday about going to an art gallery. None of these kids have ever been, and sometimes I am amazed that they haven’t had this experience. Then I remind myself of two things – they’re 12, and I never went gallery hopping or to museums until I was an adult. And I started by going to craft shows.
So I need to conspire with a few people at school to see if I can pull off a trip downtown to a few galleries and perhaps the Philabaum glass studio. We can probably get there by public bus, but the details will be massive. We have an art museum, a children’s museum, and a good number of kids have been to the Arizona Desert Sonora Museum – which is very different from an art museum and gallery. If we plan this very carefully, we can do some really good things for the kids.
PS – I have finally figured out how to put links in the blog!!