Archive for the ‘fiber’ Category
We have decided to do our own videos and set up a YouTube channel with them. We want to show the creation of the various marbling patterns. The first video was more an overview of creating a design…and gave me a chance to play around with iMovie. The second one looks just at the very beginning pattern – the stone. Every piece of marbling starts with this pattern. I am using royalty-free music under Creative Commons. It’s fun, labor-intensive, and when you have weeks between videos you forget all the things you figured out before…like getting the music to play. Plus, this time I cut out pauses where hubby was getting paint, so I learned to delete frames and add a connector. Now it’s learning to use titles and such for additional information.
Here we go!
There were a lot of other small items completed – some UFO’s and some brand new. The small piece at the left (24 0nches square) was an OLD top from many years ago – part of a pattern kit for customers using marbled fabrics. The quilt top had some serious rolls of fabric where the iron (and the user…) had pressed wrong. So I to0k out all the stitches, fixed it, made the sandwich, and then requilted it with my practiced free motion skills. A lot of new patterns from Lori Kennedy’s The Inbox Jaunt – she has amazing tutorials.
Then there were pieces where I looked through pieces of marbled fabric we had saved and waited for one to speak to me. A lot of them did in the course of the year. “Sonoran Desert” was one of those. this was done on white denim, and it was a pattern I’ve not quilted before – but it spoke to me of the saguaros of the Sonoran Desert.
Didn’t like this binding – too sloppy to control, so did a regular fabric binding. It hung in our library show and now has a new home with a woman who lived in Tucson for a number of years. Added a few semi-precious pieces of turquoise, agates and lava.
A friend keeps us supplied with all sorts of remnants of cottons, polys and silks. We used a couple to see if they would marble – and they did – spectacularly. One of them went immediately to our son in Seattle – he loved the dark colors – said they were “sexy.” The one he received was “Sliver of Moonlight.” First pic is of the plain marbled fabric, second is seeing the stitching. Unfortunely no final pic of it mounted.
This one is same fabric – black poly-silk, and is called “Whispers in the Moonlight.”
There are more pieces, but I need to move on to new projects…..more on an upcoming sale we are having – next blog post!
hitting 1000 b logposts……
So I have finished reorganizing my Bridge folders for all the digital work and storage of all things art. About 6 hours total, but it feels good to have it done – serious loose end. Now I need to go through iPhoto and get some folders made to organize photos there – hopefully won’t take as long. Slowly setting up the to-do list for all things business.
The fist item over the next 12 days is to get every piece ready for a major display for Burlington City Arts. We will have 10-12 of our medium and large pieces on display in the Maltex Building on Pine Street for six months. Quite a nice venue, and our first major exposure in a contemporary gallery in the state. Lots to do – Ocean’s Bounty needs some work with the connecting beads and Gaia 2 (Pele) will be making its debut also, and I need to get it on its new hanging system.
LOVE this piece and have since it was completed many years ago. Will post when I have the new hanging system….hopefully cholla wood and braiding to hang each of the points.
Heavy piece with all the beading and layers and stones – but it will be good for it to see the light of a gallery.
(Wow – I just took less than two minutes to get those pictures from the digital folder – nice organization, Linda!)
Hubby is marbling a lot, as we have new ways of marketing our fabrics. We are selling marbled fabrics in the Red Mill in Jericho, which is “coming home” again – his family settled this area and now he’s helping to support the non-profit mill craft and art gallery.
Four weeks today is knee surgery, with a three-six month recovery…I want to be back at the sewing machine within two weeks – too much to do!! I am finding guided meditations that will help prep for before and after surgery. My yoga practice is reviving itself as a way of strengthening the knee and thigh muscles for surgery. I found an integrative medicine doctor through the medical center, and I LOVE her. Looking forward to working with her over the coming year.
On to attaching a piece to a covered canvas with fabric glue….will post when it’s finished and dry…..
It’s been an interesting year. Two years ago this time, I looked at my blog and was 200 posts away from 1000. I thought no problem, I can do that easily. Well, I am still about 185 posts away from 1000. Life really has gotten in the way, with illness, depression, and a sense of disequilibrium. It has taken a while to determine what paths I will be following.
It is also ironic that while I haven’t written many blog posts, I have written 110,000 words in a novel. This has been ongoing since August of 2013. I am nearing the end of what looks to be volume one of a trilogy. It is my way of processing political events in this country and trying to deal with how this country is changing. It has meant some interesting research (what is the saying about a true friend? One who will clean out your browser history after you die?). I’ve delved into some pretty terrible things on human trafficking, read lots of government reports, and overall tried to get up to speed on policy that I haven’t spent much time caring about in the past. It will be interesting to see if I can find a publisher….in the meantime, I have started a webpage for the book: http://the-secession-wars.webnode.com/. This is very much a work in progress, and I want to include writing tips as I finish up the novel.
I’m doing a lot of quilting. I’ve been slowly moving away from the marbling business, and I’m not sure how I feel about that. We still enjoy marbling, but the business end of it is tedious. I have lots of projects using the fabrics I have, but not the energy to do anything. I have been quilting other projects, and I have four commissions for quilts lined up: for a good friend, for a new baby,
for my yoga instructor, and for my great niece. I made the commitment to myself that when each of my eight great nieces and nephews turn 13, I will gift them a quilt. Gracie is the oldest, and she turns 13 this August. I want to have the quilt finished for when we move back east and stop to see them on the way. I found a great fleece in her favorite color for the backing, so that’s in the queue.
I’ve also taken up sketching again, through a couple of Craftsy classes. I did some sketching on the road this summer, but I want to make this a regular habit. Pen and ink has always been my medium (and charcoal, too), which is probably why I took to zentangles so quickly.
I have joined a weekly writing group to make my writing more of a regular practice. We meet for two hours and just write – a brief statement of intentions from each person in the group, and then it is total silence for writing. It’s been great, and I think it will get me back to blogging on a regular basis.
So this is a quick catch-up, more so for myself, as I look back on what has happened over the last years.
Till next time…..
Last September my yoga instructor Susan asked me to do a series of chakras for her home, which is also her yoga studio. She had the idea to have the chakras around three sides of her “great room,” so she would be surrounded by their energies. I had previously done a small 10 x 10 inch thread-painted root chakra, and that one led to this new idea.
We debated about size, because the wall space is quite tall. Using the floor tiles as an estimate, we decided each would be 24 inches square – wrapped around four 12 by 12 inch canvases that we would put together.
First challenge – choosing the fabrics. I wanted to purchase them all at the same time for consistency. I had thought about the Stonehenge line of fabrics, but the LQS was out of them. Susan found some hand-dyes that were what I call true crayon colors. It was a beautiful vibrant rainbow. This was when I first realized some of the attributes of the chakras. Second challenge – creating the patterns. I wanted the thread-painted chakra to finish at 20 by 20 inches, because that would give me enough fabric for wrapping the canvas. So I worked with a set of patterns from the Net and created a master set for approval. We tweaked some changes with the edges to better increase some of the symmetry. It is now the end of October and I am ready to start – I think.
In trying to explain to the copy folks at Office Depot that I wanted my design blow up to 20 inches by 20 inches, eventually we got a 24-inch-square canvas, with a 20-inch design on it. I had copies made as patterns.
Once I had the pattern, I traced over it and then pinned the tracing paper onto the fabric sandwich. Speaking of fabric sandwiches, it too close to five hours to get seven sandwiches prepped: ironing the fabric (I cut each yard into a 30-inch square), matched it with low-loft batting, and found some unused fabrics for the backings. Then they all sat over a chair for a while.
Finally around the end of November I started the actual sewing. I pinned the tracing paper carefully to the fabric sandwich and, using washable thread, I outlined the pattern. Tearing off the tracing paper took a very long while….
For the Root chakra, I decided to do some bobbin work with a gold thread. I was so-so pleased with the results, but not enough that I was going to continue with the bobbin work. Each of the other chakras used satin stitch on the major elements and a lot of free motion patterns for fillers. The chakras got progressively better in their sewing….until the last one – same elements but a much simpler design.
I thought about redoing the Root chakra, since it didn’t seem to fit with the others. But the more Susan and I talked about how these were developing, the more I liked the first and the last. As I worked on them, I added more quilting elements that added to the design. I used colors in the same family as the background fabric, with hopefully enough contrast. Up close they were all looking gorgeous. From a distance, they faded away. That bothered me for a while, but I realized as I was working on them that everything in the design was meant to be meditative. Up close, you could lose yourself in the design. From a distance, the more you looked the more your saw.
Susan summarized it pretty well. The root chakra is our beginning, and it can be very shaky and unsure. We develop from there, with whatever impurities becoming who we truly are. The crown chakra, the seventh, is the Divine, and as such doesn’t need to be ornate. The Divine in us can be very simple and beautiful.
So here they are, in order.
(Have to find this one – will update……)
I learned a lot. There are some stitching patterns I would change. I would probably use a much lighter background fabric and have the stitching pattern show more. Yet they move in complexity, much like the chakras do. I one I am missing is the one I think is the best design, yet in viewing it, the design seems very faint. The more you look, the more you see. This is also the chakra that is my weakest, so I find that fascinating. My yoga instructor is extremely pleased. The room is surrounded by color and it just vibrates. And she says she can easily meditate on whichever one she wants or needs. A very happy conclusion.
If you caught my Facebook post yesterday, you heard the story of the horrendous borde crossing at Niagara.
Oy, one for the travel nightmares. Awoke to a beautiful morning on the Upper Peninsula, great views as we went across the Macinac Bridge, lots of green forests…..and then…..yea, verily, on the eighth day it rained…and rained…but we drove out of it. Our plan was to go to Flint and then east through Canada to avoid going through Detroit….same mileage essentially…..but then the border crossing south of Niagra Falls…..three and one-half hours from end to end…and I am NOT exaggerating…..construction on Canadian side, two to one to. two and back again to one lane that hardly moved. Finally could see booths, and that was just the Canadian side…..an absolute crawl over the bridge (and I am ot fond of bridges…freaking out, thinking how I would escape if the bridge broke)…and then more single lane to two lanes to three lanes to four lanes…NONE of which moved. Oy….probably not going too far tomorrow until we recoup…..eating dinner at 8:30 PM, which is unheard of for us…and it’s still light out. Must be karma paying us back for a great yesterday………
Here are a few shots of crossing on the Mackinac Bridge.
Crossing Lake Michigan
..and the beginning of the traffic at the border crossing….
Now back to the art museum…
A fabulous sculpture outside the museum…can just see loads of kids climbing on it!
Another outside sculpture…reminds me of one in Tucson, near the downtown public library.
There were two coral sculptures inside the exhibit. This is one of them, talking about coral being the indicators of the health of a reef. This is all crochet….. The Branched Anemone Garden, Margaret and Christine Wertheim.
Kathryn Spence uses “dirty, discarded pieces to indicate the invasion of the natural environment by human-produced garbage.”
Leonardo Drew – “Number 162 is made from raw materials (wood, metal, paint, thumbtacks, paper, ink, graphite) that are manipulated and aged to suggest the passage of time and the cyclical nature of our existence.”
I’ve been retired now for two years. Last year on the one-year anniversary I took a look at what I accomplished for the year. I was afraid of looking back on retirement and not seeing anything to show for it. So I tracked everything this year. The last four months have been pretty fallow, as I struggled with some personal issues, but I feel like I am finally reclaiming myself. All in all, I had a pretty productive year.
SAQA quilt submitted to major show
SAQA auction quilt submission
Tried out Tophatter, gave it up after some really obnoxious feedback from an a-hole, who actually burned my quilt
Newsletters for 10 out of 12 months
Wrote a dozen blogs for Handmadeology
Remade hubby’s blue quilt
Participated in the free motion quilting challenge through the end of the year
Yoga instruction throughout the year, including pretty regular daily practice
Completed Stepping Stones table runner
Completed “Clammin’,” a small art quilt up on Etsy
Completed pattern and two samples for the table runner pattern
Machine-quilted the Forest quilt
Machine-quilted two bed-stand table-toppers and one dresser scarf
Worked at stocking and marketing the Etsy store
Took a Quilt University class with Elizabeth Barton
Finished Spring Wall Hanging
Guest post on Craft Gossip
Finished makeover of small Christmas quilt
Quilted Ali’s green picture
Participated in three challenges for Art Quilts Around the World
Took two Craftsy classes
Joined Galleribba online gallery
Potentialgallery representation starting fall 2013 in Tubac
Participated in StashFest again this year for the La Conner Quilt Museum
Submissions for three books, one accepted, the other as an ebook
Green and purple whole cloth quilts completed
Started commission of 7 quilted chakras, finished Root chakra
Completed two bed-stand table toppers and one long dresses scarf
Accepted into the juried Faculty/Staff art show for The Art Institute of Tucson
There are probably a couple more, but the mind has been kind of blank. It’s nice to have this list, so I know I accomplished a lot! Now I have to start the new one for year three.
The Textile and Fiber Art List is nearly 500 members! Three years as an organization this past January, thanks to our founder Rachel Biel, who is just an amazing motivator! Check out a few more profiles of very talented folks.
“I create one-of-a-kind wearable art by re-imagining gently used clothing and re-purposing them into new creations. Driven by my passion for textiles, I choose garments based on their color, texture, and quality. After cleaning and processing my finds, an organic design process occurs while exploring color and textural relationships. Gradually a new garment emerges as I cut and fit pieces together. It’s almost like playing with paints or crayons while anxiously waiting to see the finished result. My former life as a custom dressmaker and my life long love affair with arts and crafts has brought me to this new creative place of free-style sewing. I look forward to making more accessories and perhaps children’s garments.” Brenda Abdullah Designs.
“Caryl Bryer Fallert is internationally recognized for her award winning art quilts. She is best known for her organic, curved seam designs, her scintillating use of color, and her multilevel illusions of light and motion. Her attention to detail has earned her a reputation for fine craftsmanship as well as stunning designs. In 2000 Caryl was selected as one of the 30 most influential quilt makers in the world, and her quilt Corona #2: Solar Eclipse was voted one of the 100 Most Important Quilts of the Twentieth Century. She was chosen for the Bernina Leadership Award in 2003 and in 2004 the readers of American Quilter Magazine voted her “All American Quilter.” She is the 2006 recipient of the International Quilt Festival Silver Star (lifetime achievement) Award. Since 1983, Caryl’s work has been exhibited extensively throughout North America, Europe, Japan, and the Pacific Rim. She has had ninteen solo exhibitions, including a 1992 exhibition in Tokyo, Japan, and a 2000 exhibition in Burlington, Ontario, Canada. Caryl is the only three-time winner of the coveted American Quilters Society Best of Show, Purchase Award. She was the 2009 International Quilt Festival Best of Show winner, and her quilts have also been awarded Best of Show in more a dozen other national and international exhibitions. In 1986, Caryl received the Masterpiece Quilt Award from the National Quilting Association. She has received the Master Awards for both Contemporary Artistry (2002 & 2006) and Machine Artistry (1997) from the International Quilt Association and Best Machine Workmanship from the American Quilters Society (2004 & 2009) and the Quilting the Quilt national exhibition (2003). Caryl has authored two books, and numerous workshops on CD-ROM. Her quilts have appeared in hundreds of national and international publications, including the covers of the 1987 and 1991 Quilt National Catalogs. Caryl’s work can be found in public, museum, corporate, and private collections in twenty-two states and seven foreign countries. Collections include: The Museum of Art & Design (NY,NY), Illinois State Museum, National Quilt Museum, International Quilt Study Center, Wilmette (IL) Public Library, Bradley University Library, Glendale (CA) Civic Center, Fidelity Investments Inc., Sprint, and Fritz Gegauf A.G. (Switzerland). In addition to her commission work, Caryl reserves time to create a body of very personal, experimental quilts.” Bryerpatch Studio.
“I started weaving free form sculptural basketry back in the 80’s and 90’s. Along the way I learned paper making, wet felting and explored one of a kind teddy bears, dolls and rabbits.
I learned how to embroider and quilt from my Grandmother and have had the pleasure of taking quilting classes with Jane Sassaman, Carol Doak and Lyric Kinard.
I am currently dyeing fabric with fiber reactive dyes as well as using India Flint’s Eco Dyeing techniques with silk and wool.
I learned to spin art yarn 4 years ago and have studied under Jacey Boggs and Lexi Boeger and have washed, dyed, batted and spun so much yarn that I finally had to learn to knit!
Add all of this up and you have a very eclectic, diverse and multi faceted fiber artist! I hope you will check out my links and share in my current adventures as I use my hand dyed and recycled fabrics to create gorgeous playclothes that make you look and feel creative yourself!” Calamity Kim.
“I am an artist and a tailor. I make eclectic quilted clothing and wall hangings for office/home decor. I have been sewing and quilting for many years and hope to keep the tradition of quilting long into the future. I hope to keep heirloom quilted clothing alive into the future of wearables and hope to maintain quilting techniques for generations to come.” Calico and Old Lace
“Cameron Taylor-Brown has immersed herself in the worlds of fiber, education and commerce since the 1970s. She studied fiber art at the University of California, Berkeley with artist Ed Rossbach and textile design at the Philadelphia College of Textiles and Science. She worked in New York City as a stylist of upholstery and home furnishing fabrics, taught textile design at the Philadelphia College of Textiles and Science and worked as an exhibition curator. Since 1985, Taylor-Brown has lived in Los Angeles where she maintains a studio and is active in several arts organizations. She was a founding board member of the Textile Group of Los Angeles and a past President of California Fibers and Designing Weavers. She recently founded ARTSgarage, a new textile resource center in Los Angeles.” Cameron Taylor-Brown
Membership is open and is a DEAL for what you receive and for the future potential of this organization. Here is the link for membership.
A long, hard week, but we can always count on the internet to provide something interesting. Enjoy!
A really cool look at some Photoshop work from The Best Article Every Day:
Things maybe you never knew about cleaning and organizing….and might want to – some very clever ideas here!
From the 365 Project, once again some amazing photos:
This is a dance performed at the closing ceremonies for the 2004 Paralympics. The dance, called the Thousand-Hand Guanyin, is making the rounds across the net. Considering the tight coordination required, their accomplishment is nothing short of amazing, even if they were not all deaf. All 21 of the dancers are complete deaf-mutes. Relying only on signals from trainers at the four corners of the stage, these extraordinary dancers deliver a visual spectacle that is at once intricate and stirring. Its first major international debut was in Athens at the closing ceremonies for the 2004 Paralympics. But it had long been in the repertoire of the Chinese Disabled People’s Performing Art Troupe and had traveled to more than 40 countries. Its lead dancer is 29 year old Tai Lihua, who has a BA from the Hubei Fine Arts Institute. The video was recorded in Beijing during the Spring Festival.
From the TED Blog – 100 Websites you should know and use…..when you want to surf……
A great dance video – will make you feel good all over!
From Buzzfeed, 26 images from the year that will make you believe in humanity again:
Some color for your enjoyment….this is one continuous picture, so click and be sure to scroll…..from The Best Article Every Day.
A lace comeback? Really interesting look at a possible resurgence of interest in lace from Surface Design Association.
And for us fiber junkies….3-D fabric with laser printers.…..
Have a great week surfing – let me know what you find!
Oh, for an endless amount of money to spend on art! TAFA is like my own private store, and I WANT WANT WANT everything I see. Enjoy these new artists this week.
From Hana: “Weaving technology is the use of woolen thread on mesh canvas with the aid of a hook. The weaving in itself is accomplished in free flow on a direct path from the “picture in one’s mind” to the canvas, without a previously drawn sketch on paper or canvas. This type of work enables maximum spontaneity and allows for a free flow of mood and color within the framework of the subject on the one hand (desert landscape for example) but on the other hand, enables the carpet to evolve and “breathe” in the process of its creation. In addition to weaving wall carpets I also paint, mostly oil on canvas but I use other techniques as well. My paintings are strictly figurative and very different from my carpets. While the carpets essentially try to convey the mood of a landscape through the free and more abstract use of form and color the paintings are either portraits or still life scenes that emphasize the composition of the scene or the mood of the person in the portrait. The colors I use in the paintings are not as bright as those I use in the carpets and they have a more introvert and subdued nature.” Woolscapes
From Wil Opio Oguta :”Inspiration for the quilts I make comes from a variety of sources. It can be nature, an expression, a color or a material. For most of my quilts I use my own hand dyed fabric. My quilts can be very colorful or simply black and white. I work in a contemporary style, but have no objection at all to incorporating traditional blocks. Often I use raw edge appliqué, but don’t be surprised if I switch techniques for another quilt. I love working with fiber, but if the quilt wants/needs it, I add other materials to it. This can be bark, buttons, lutrador and paint. It all depends on what I feel is needed. For me, making art quilts is a way of expressing what I see, translating the world into fabric and fibers, emphasizing/focusing on what is important to me and to show you how I feel about it.” WilOpioOguta
From Kim Buchheit: “Kim is a designer and artist living and working in Grand Canyon National Park. Her love of felt is rooted in an affection for its understated beauty, a fondness for the old-world craft of felt-making, and the simple earth-and animal-friendly nature of the materials used in the process.” Wildly Woolly
From Wen Redmond: “I am quite passionate about my work. I continue to explore my chosen medium, fabric, to see what it can do, to stretch its perception as art medium. When I work, I encourage a collaborative process with spirit or my higher self, that mind-boggling principle of the universe. This process can also be called ‘flow’. When you are in this state of mind, the intuitive is tapped and the work can become more than the sum of it’s parts. I work out insights, inspirations, feelings and reactions to the outer world. Allowing time for these inspirations to percolate up from my unconscious is a vital part of my process. Each piece is wrought individually and is one of a kind. These include original photographs, artistically manipulated, printed on prepared fabrics and various textile substrates. The works can include painting, dying, stamping screen-printing, mono printing and other means of surface design. Among a variety of presentations, I created an innovative technique, Holographic Images, employing photographs on silk organza to create a unique 3-D effect. Layers peeled back reveal the source, the inspiration, and my mad desire to capture thoughts, dreams and the beauty of nature. ” Wen Redmond
From Salley Mavor: ” have had a life-long fascination with little things and needlework. Toward the end of art school, I rediscovered my childhood delight in sewing and creating miniature scenes. Leaving traditional illustration mediums behind, but still interested in narrative work, I taught myself stitching and fiber art techniques. For me, manipulating materials with my hands with a needle and thread was so much more satisfying than rendering with a pencil or brush. I found that I could communicate my ideas more clearly this way and that my hands would direct me in a compelling way. My early pieces were soft sculpture, and then turned flatter, with raised figures and objects on a fabric background. I came up with the term “fabric relief” in 1982 to better describe my evolving technique. My 3-dimentional pictures resemble miniature, shallow stage sets, with scenery, props and characters telling a story. I embroider, wrap, appliqué and paint different materials and found objects to create scenes in relief, with figures imposed on an embellished fabric background. My work is decorative and detailed, full of patterns from nature, all stitched by hand. For the past 20 years, I’ve been working in the field of illustration, making artwork which is then photographed and printed in children’s books. The original fabric relief pictures have a second life when they are mounted and framed under glass in shadow boxes, ready to display as individual pieces. ” Wee Folk Studio
As we approach the holiday season, you owe it to yourself to check out the Textile and Fiber Art List – amazing, wonderful handmade items, perfect for gift giving. Most TAFA members have Etsy stores, and you can shop till you drop. You will be astonished at the collection of creativity here.
“I’m drawn to a few subjects in nature that I find perpetually intriguing by themselves and my voice is whispering a tribute to the incredible beauty in both the subtle and violent forces of nature, only touched by the hand of humans on rare occasions. I’m obsessively drawn to trees, rocks, all forms of water, and animals; I portray these subjects as if they were asking to me to reveal their messages to the world. My fiber pieces are dramatic portraits of Earth and I hope to draw the viewers into these scenes to share the exhilaration I feel and to cherish the wonders of the place we call home.” Angel Fire Designs
“I make contemporary art quilts that use color, fabric and the traditions of quiltmaking to create abstract landscapes of the prairies of the Midwest where I grew up, the hills of western Massachusetts where I now live and vistas of my imagination. Each quilt represents a different moment in time and space. Frequently I am exploring the concept of horizons–that place of the potential where the sky and the earth seem to meet. I am constantly pushing the designs of my quilts while maintaining a distinctive style and a simple technique.” Ann Brauer
“After many years of teaching and advising students on campuses including Stanford and the Universities of Wisconsin and California, budget cuts left me without a classroom. Finally, I could focus full time on my inherent artistic interests – dyeing and weaving yarn.
Today I design and weave one-of-a-kind textiles using traditional looms, respecting and preserving an ancient form of art. I have four looms in my home studio and use only natural fibers: cotton, silk, tencel (fiber made from wood), bamboo and soy.
I have been teaching weaving at Women’s Wisdom Art, a program to help women heal through art, since early 2009. But, alas! the program is closing and going the way of many art programs these days. I had to find a home for the looms and did so at Craftology (http://craftologystore.com/class/weaving-beginner-intermediate/) where I will be able to continue teaching. My goal is to teach as many people as possible the joys of weaving!” Ann Robinson Textiles
“I have been working on several series for the past couple of years and have seen my work progress through the use of more than one medium in a piece. In many ways this has broadened my outlook and led me to new paths and different views. In the ‘Fossil Series’ I have combined textiles and encaustics which has offered me a whole new variety of textures and subtle form. To get the maximum benefit from this medium I use both the wax and the acrylic resin forms of encaustics. On the other hand, in the ‘Moon Shadow Series’ I have chosen a totally different approach. Here, I have combined needle felting and acrylics. The results are very different, but no less pleasing. It is exciting to be able to express myself in these two very different, mixed media approaches to art.” Anni Hunt
“My mother’s Slovenian culture was always an inspiration for me: embroidery, folk costume, woven carpets. After living with indigenous dot paintings I began to create narratives from buttons, which I call assemblies. Button work and woven tapestry are my two modes of self expression. In both, autonomy is important; colour, texture and luminosity are emphasised. During my 30 years of textile work I have been able to express my personal development, images of my family migration to Australia post World War Two, and most recently my consciousness of living on a planet with dwindling, threatened resources.” Anton Veentra Textiles
More next week! Take your time and explore. There is so much to see and learn about!
So here’s my list of marketing tasks for today:
* update Facebook business page, reflect on how I did the past week – I did pretty well over this past week, a lot of updates posted, mostly personal and helpful (hopefully). I just need to get in the habit of doing this each day. I also commented on a number of different pages.
* NEWSLETTER finished and scheduled – written, proofed and ready for mailboxes on Wednesday! That’s six months of regular newsletters, after a long drought of not writing. Yay me!
* schedule blog posts, especially TAFA and books for Amazon – Tuesday’s Top Ten is already scheduled, and I’ve started next week’s Top Ten, on some really great new blogs I’ve found. It was easier last week to get blog posts scheduled, and I’ve come up with a few new things to try for posts.
* Promotesy – worked on this during the middle of last week. Worked on this again today, and I learned some interesting things about hashtags from Tim, the mastermind behind Handmadeology. Let’s see if it works…..
* look at holiday marketing plan and choose what needs to done this week – working on another basket this week,so I’m pretty much on track.
* “About” page for the Etsy shop – done. Pretty easy, just follow the directions on your Etsy shop. Here’s ours. It’s a nice personal piece to your Etsy shop.
This doesn’t seem like a lot, compared to last week. I think I’ll ruminate some more on what else I can do.
Here’s what’s left for next week, and I’m sure I’ll add to this.
update ebay “About Me” page
schedule for pattern release
review and comment on blogs
Look at TAFA marketing for holidays
Handmadeology post on community for this week
Southern Cal artist packet completed
We left on Thursday to visit family in Prescott and friends in Sedona. We cleaned out the garage storage room in preparation for our landlord coming by to put in a set tub so we could do some dyeing before we marbled the fabric. We arrived home today at about 1 PM to find him still in the garage, dealing with “three days of hell,” as he put it.
When we rented this town home in March, a set tub was a request by us, as we really want to expand what we are doing with the marbled fabrics, and we don’t want to use our kitchen sink for this work. Our landlord agreed to take care of it when he was in town. So he arrived at the house on Thursday, and worked nearly continuously on the plumbing….which evidently was not in great shape. He realigned the washer/dryer, fixed the major leak, changed fittings. Replaced the water heater, replumbed all the piping and connections in the walls, put in a drip pan…..as well as create all the plumbing necessary for the new set tub….which – get this – he brought with him ON THE PLANE from Philadelphia.
All his notes on what he did – including patching holes where he fixed connections – are written on the new water heater, prefaced with “this has been three days of hell.” He kept hoping we wouldn’t come home early, because he kept having to turn the water on and off, as he found new problems.
And…he left us brownies in the refrigerator to thank us for our patience.
Are we lucky or what?
We’ve already planned on a thank-you gift for him. Next weekend – bring on the fabric and the dyes!
There is a really wonderful online gathering of artists involved in fiber – worldwide. It’s The Textile and Fiber Arts List – TAFA, for short. I am trying to get to know more of our 400-plus members, and I thought I would share what I’m learning with you, on a more regularly basis. There is such an amazing wealth of talent on this list, and I’m pleased to be a member. Please enjoy these profiles, and don’t hesitate to visit their websites and immerse yourselves in wonderful textile art.
“Always looking for something new and different. Doris Florig has now discovered the plant used for Indigo dye in the Caribbean and will now add this color to her next tapestry. She uses a combination of both natural and synethic dyes to get the exact color needed for each fiber work of art. She weaves day and night, none stop. Currently she is working on a 5′ x 5′ commission piece of the Wind River Range in Wyoming. At the same time she is preparing large body of work to be exhibited by the Yellowstone to Yukon Conservation Initiative. She is accomplished creating both contemporary and traditional tapestries, fiber mobiles and sculptures. This summer she will be the guest artist at the National Wildlife Museum in Jackson Hole, Wyoming. She will be exhibiting her wildlife fiber sculptures and presenting and interactive demonstration. Doris loves to make connections through fiber art and would welcome your email comments and questions. ” 2dmagic
“We are predominently a textile, fibre, quilt, art school, plus other mediums like mixed media and altered books, etc. The aim of the school, is to not only share this beautiful region of Italy with students and tutors, but for you to participate in the unique Abruzzi culture.” Don’tcha just want to fly away? Abruzzo School of Creative Art.
“Affaires Nomades, is a textile brand that transcends cultures, stimulates dreams, and gives you a taste of the nomadic spirit. The inspiration of the “Fragments” collection comes from the nature, the space and the depth, which evokes a sense of travel in the daily life. I want a home that feels organic; it changes as the person who lives in it changes. ” Affaires Nomades
“Afghan Tribal Arts specializes in hand carved natural beads made from semi-precious stones (jade, carnelian, lapis lazuli, etc.). As stated above, we also carry textiles and other crafts, mostly vintage. We have worked hard at getting our Etsy shop stocked with samples of our inventory and will continue to grow the shop there. We also have a website which has examples of past products. As almost everything is one-of-a-kind, it’s a challenge to keep current inventory on the site. We have found that the Etsy shop is the best solution for this right now. I have a bead show route between Wisconsin and Florida and can have textiles on hand for those who are interested. But, as the travel and show costs increase, I would like to do less traveling. I am open to trunk shows and events so get in touch with me if you would like to set something up. Afghan Tribal Arts is basically a wholesale operation. We are selling our products on Etsy just above wholesale. We also have a gallery in South Carolina.” Afghan Tribal Arts
“I’ve been a textile artist for since I was 20. Quilting is my passion and I’ve taught internationally, written 2 books on landscape quilts and exhibited my quilts from Houston to Tokyo. My recent passion has been to develop a fair trade business importing textiles,beads,baskets and dolls from my homeland of South Africa. I’m focused on creating income for women in sewing and craft collectives. I love the work and being connected to Africa through this work.” African Threads
I worked with another photo last night, and I didn’t have nearly the success with adjustments and filters as I did with the first photo. Now I need to think through why that is so. Here’s the new photo – driftwood from Vashon Island in Puget Sound.
Well, crap….seems like I did it again in saving…or not saving. I need to remember to save everything as a psd file first to preserve the layers, and then save each piece individually. Okay, bottom line, nothing really spoke to me with the different adjustments, so I need to think through why that is so.
Is it because this is a fairly abstract image to begin with, mostly line and color? Perhaps that is why I am so fascinated with tree bark to begin with. The lines, shadows, differing colors to create the texture. And this picture, knowing it is driftwood, also reeks of a hidden history after being tossed in the water and then left high and dry. But how would I create some of that mystery?
What initially prompted me to take a picture of this? Probably all the smooth curved lines and the knot.
Looks like all kinds of interesting lichen within all those folds. The colors are so subtle, but at the same time I see a nice interplay of line and shadow.
I look at that knot and see a captured sea spirit. The more I look at this one, the more I am intrigued by it. The curves are so soft amidst all that hardness.
Now that I look at a couple of additional questions, I am stumped. Main idea? I like the thought of a captured sea spirit. Areas worth keeping? I can see leaving out everything else from these two crops. Other elements to add? No clue. But as I ponder, the first thought that comes to mind is to carry the lichen out into a border, and maybe the overall piece doesn’t need to be square or rectangular, maybe more oval so that the spirit seems encased and surrounded but is really still there. Don’t know if that is making sense….
How and where can more pizazz be added? Again, no clue. But…perhaps a lot of thread painting would be needed for surface texture.
I can see this going to sketches as the next step and seeing what develops from there. Comments?