Archive for the ‘art’ Category

Ramblings

Sitting in the Atrium at the UVM medical center, with a good friend, after several hours of waiting in pro-op. Scary times. When he did his aneurysm surgery I sat by myself – that was a mistake, so not this time. But for the last week every time we would do something together I would wonder if it was the last time we would do this. Just can’t go there. Now I am on automatic pilot until surgery is finished around 7 PM eastern, then it’s into ICU for up to two days. Nothing is going to be easy about this. A day at a time – lots of writing time if I can stay focused.

The art fest was good – not as many sales as I wanted, but more than any shows in the past. Sold the newest piece I just made, A River Runs Through It, and one of my Leftover series. Lots of small pieces of fabrics, and a lot of ideas for what to do next year – or the next nearest show we participate in. Need to get a couple of larger pieces made for all the traveling this coming year.

Spent a morning with Betsy Fram after her presentation with the Essex Art League – what an amazing home and view- and studio. She gave me some good ideas of working with existing pieces of fabric. Ned to find us a good photographer so we can get more mileage out of some of our pieces. See Elizabeth Fram’s website and work –

Those are teeny tiny stitches by hand – I am in awe – and she knows so much about art!

Update four days later – so four-plus days in ICU, serious kidney problems, a-fib again, this time having trouble getting heart rate to stabilize – low or too high blood pressures and the kidneys are not happy. It has become an interesting balancing act. He went to a regular room today – I stayed put – way too tired, scratchy throat, and I don’t want to infect him. So I slept, cleaned up, straightened, watched some TV, and drank some wine. I can head back tomorrow in much better shape.

…and I wrote today!

Summer and Fall of “Enlightenment”

Thoughts on NANOWRIMO – yes, it’s November…..been thinking about this for most of October and trying to decide what – and how – I will approach things. November 1 – I don’t have a lot of luck working through the month each day, as witnessed by the last two years of not accomplishing anything – or not even trying.  So I think for this year I want to concentrate on writing my 1637 words each day – on rewrites, character studies, essays, blog posts – just getting back in the habit of writing regularly. I know two years ago I stopped on Book 2 because I had no idea where a lot of the plot was going, what the various story lines were….and then there is so much crap happening right now in the world that sometimes it seemed pointless…but my characters need some resolution, and I still have stories to tell.

So – things to write about –
* the books I have been reading since summer began

*conversations with God and the Joshua books
*science books
*where I seem to be evolving as a result of the changes in this country
*coping with changes in my life with illness with hubby
*writing concerning my art – especially blog posts – need to get regular again, as it does bring in more business, and a big show coming up
*newsletter for MTD
*pictures from this summer
*my own racism

It’s been a long while for writing a blog post, but not for doing art – a brief time off after the last baby quilt was done, and then back to a new baby quilt in September, and now three new pieces finished this week – feels good to be working again. The funny thing about the blog posts – for the last two years I have been 200 blog posts away from a 1000 posts – this year only 82. Should have been a snap, right? Well…..no. That just seems to be an impossible goal. Gonna be workin’ it this month….

We have so many shows coming up, starting with two small pieces tomorrow, two pieces for a January-April show, January/February for one of the community libraries, the US attorney’s office in Burlington, and a bunch more. While helping hubby recuperate in December  from open heart surgery there will be a lot of time on the machine. I have some large pieces that need to be finished, and a major inventory to do of what goes to what show, without much repetition. Also, big art fest show in less than two weeks, and stuff to prepare for that – two patterns to write and put together, inventory for Square (and to figure that out), and the packing for the show.

There’s a l0t of good stuff going on art-wise. After all these years, we have finally found a decent way to package the fabrics – good for pictures, easy for people to see the various pieces, and we have some consistent sizes. Also, by mounting the finished pieces on canvas, we now have people thinking more about the fiber as wall art – a big jump in perception.

The three pieces from this past week – you can see in the upper portion what hasn’t been stitched. It is amazing just how much depth you get with the addition of batting and stitching. This is part of our “Leftover” series – paint left in the bottom of the tray when we clean it up. Once I add thread to it (and I used double batting for this one) it makes the piece come alive.

All the while doing this I was very aware of not having a focal point – I’ve been concentrating on that as I’m out taking pictures. It seemed like there was a consistent white stretch running from upper right to lower left – I saw it as a river, and as I used a light blue thread it started taking on some dimension, but ultimately I didn’t think the river was dark enough, and I wasn’t happy with other colors of blue that I had – so I used some of the India ink I’ve been suing for suminagashi and used a simple wash throughout the river – just the dimension I wanted.

This part for sizing/mounting canvas just didn’t seem to work. I assumed the canvas I had was an 11 x 14, and the piece was bigger than that. Hubby didn’t want to lose the lower left because of the effect, so we went and bought a 12 x 16. Turns out when we got home, that was already what I had…so it was back out for a 16 x 20. Great batik for the canvas covering, and between the binding and the extra border around the canvas, it looks like two mats for the frame. Happy with it!

Introducing: “A River Runs Through It.” $125.00 plus postage. 16 x 20 inches.

We have these wonderful polyester black linen pieces that marbne wonderfully, and I finished two of those – simple, easy to complete – not a great deal of stitching – just enough to emphasize what I want for a theme. Now they are part of a definite series – the “Moonlight” series Simple, easy to complete, and elegant.

Moonlit Garden, just starting the stitching. Finished size 8 x 10 inches.

Finished piece Moonlit Garden, $65.00 plus postage.

Finished Piece – Moonlit Winds, 8 x 8 inches. $65.00 plus postage.

Now to go through a lot of my works in progress – like the Iceberg piece – to get a couple of big pieces started/completed for show next year.

 

 

Spring Open Studios in Vermont

This year for Spring Open Studios we traveled ourselves to see what was in the neighborhood, including immediately down the street where I lived when we were dating. Precision Studio and Theresa Somerset made me seriously hyperventilate – she is amazing, the studio is to dye for!

Her dyeing areas and assorted tools:

Pieces of eggs she has decorated – basically no egg is safe!

Mixed media work – this has so many amazing techniques incorporated into it.

Completed Eggs:Theresa’s photography set-up:

More mixed media work – part of a Vermont Arts Council challenge:

More mixed media – the puzzle piece was part of a state-wide challenge.

Who knew you could find an amazing sculpture garden in the heart of Winooski, Vermont? I could have sat there forever! Gorgeous property surrounded on two sides by tall cedars for privacy.

My favorite piece!

Also a visit to in Jericho – GREAT location, wonderful grounds! I loved this shelf for all the shapes and glazes.

Last stop for the weekend was John Churchman and his farm, where the sheep were being fleeced as we watched. She managed 20 sheep in three hours, with lots of skins to feel. It’s a great working farm, but John is also known for his photography and his children’s books about Sweet Pea. Fun fun time!

“Experimenting with Textiles”

I am currently (like right now) watching a video from the fellows who bring you textileartist.org. I’ve subscribed for several years, and they are introducing a series of videos on finding your voice with your textiles. So far, 11 minutes into the video, I can see the various paths I have taken and why I had problems with them.

First, early on in working with stitching on marbled fabrics, I felt intimidated by mo own machine quilting skills, and I felt like I needed to do a huge amount of practice on smaller pieces before I came to the bigger works I wanted to do. A cyber friend kindly said to me – do the work you want and the skills will follow….and so they did. I started weaving strips of marbled fabric after I machine-quilted them, and I didn’t look back.

Second, I’ve always experimented with lots of techniques – marbling happened to be the latest one (embroidery, knitting, crocheting, painting), but the marbling hooked and and hubby. Now I have a body of work that utilizes marbled fabric and new means of quilting and embellishing. I picked up bead work only in the sense it could add to the overall design.

Lots of ups and downs in learning and trying to determine a niche for ourselves, as well as work within limitations of what we could afford.  I finally decided that what other marblers do is fine – so is our work in its own unique way. I didn’t want to marble paper – I wanted fabric – first limitation, and we made it work. We perfected our style on white fabric – very unforgiving – a second limitation.

How can I push the boundaries of the basics? Hubby and I laugh about what I have him end of trying to marble – “pushing” to do ribbon, silk flowers, canvas…all because I don’t want to waste paint in the marbling tray. Lots of additional projects opened up, mostly with embellishing what we were already creating. Any new techniques were pursued in how they could expand our marbled fiber art.

Making marbled art is expensive –  a pound of carrageenan is about $50.00 now. So because of our extremely limited financial capabilities we had to work within a very tight budget – and we succeeded. Looking at a display of our work several months ago, both of us marveled at what we were able to create with so little resources.

Embracing what we can do on our limited budget led me to learn how to manipulate my 1008 Bernina workhorse sewing machine to do what I wanted it to do. Yes, I miss “needle down” and variable speed….but my skill with this basic machine has led me to teach very successful machine quilting classes to folks who think they can’t machine quilt unless they have a long-arm or other fancy sit-down machine.

In terms of skill level, I am completely self-taught, with only one marbling class from a master (Galen Berry). Everything else has been trial and error….no color theory of design, so I started with putting everything with black fabric. Hubby has the color sense, and I slowly came around to improving mine. Now I can put marbled fabrics with a range of other colors and designs. I attended a workshop with Tony Conner, water colorist extraordinaire, who talked us through a painting he created. It was like a design class with a master, listening to him talk through his decisions. I kept referring to pieces I was working on to see that I was naturally doing some of the design elements. I was trusting my “eye” and myself.

You owe it to yourself to watch the first of these videos – maybe you are new to the idea of limitations. We had natural limitations through finances imposed on us, and it led to who we are as artists now. Check out our web page to see our range of work. Find textileartist.org on Facebook and get your free video.

PS – no more pima cotton fabric, special order didn’t work because it was too light, so we “over-marbled”…and it’s good to go…..making due with a limitation……

Deconstructing and Redesigning

Photograph by Stephen DeVol, Sedona, AZ

For over 13 years this piece has been known privately as “Ode to the Fire Goddess Pele” as a result of my time in Hawaii. It’s official title is Gaia 2: Beginnings. Our biggest problem has been that it was meant to hang on it’s own, but we were unable to figure out a simple – and not intrusive – hanging system. So for the last year, since we have been showing our work in Vermont, we’ve talked about mounting the piece – somehow. Here’s the story of the creation of the original piece.

That led to me deciding to completely redo the piece – ev.er.y.thing. It took two weeks of night time by the television to get all the machine quilting pulled out. In the 13 years since this was finished my machine quilting skills are SO much better. I will say that my original tension was so bad that in many places all I had to do was pull a thread and I had many many inches come right out.

My new plan is to requilt it, change the edging, mount it on a large piece of black fabric, quilt the black fabric, and then add a sleeve. I need to have all this accomplished by May, as I plan to enter it into the “Abstraction” show in Saranac Lake this summer.

Right now I have 12 strips still with serged edges. I found a FABULOUS piece of red and gold fabric in my stash, and (hoping I have enough) I will put the binding on over the serged edges. It looks really good so far.

A close-up of the original weaving with the serged edges.

A close-up of the back with all the hand-stitching to hold all the pieces tight and together (oy, did that take a while….)

Before and after – original stitching, and after the frog stitch….

More before and after….

The beginning of new free motion quilting….

A look at the new binding and how it will work with the weavings.

This piece will also have a new name: Revolution. More on that as I get further along in the quilt.

#WatchPaintDry

The past couple of weeks have seen my activism rise. Phone calls, emails, petitions, talking to other folks to learn about their views, searching out reliable news outlets – and I’m walking in the Women’s March in Montpelier, VT. just three months out of knee surgery – this is too important for me to miss.

But back to art. I am a strong believer in the power of art. On January 8, 2011, there was a mass shooting in the Safeway parking lot in Tucson. Six people died, including a 9-year-old girl, and 13 were wounded, including my Congresswoman, Gabby Giffords. The following week was very difficult; being a teacher means you are a “first responder” at times – Monday morning after the shooting, Wednesday when President Obama came to town for a memorial, and Friday when the Westboro Baptist Church threatened to boycott funerals. Try explaining to teenagers whose brains emotionally are not fully developed that responding to the hate of Westboro Baptist Church was not a healthy response. No time to process my own feelings, just to be there for kids who weren’t sure what was happening – and especially since so many of them had already seen violence up close and personal in an urban city.

With that background, I had to create something, so I made a small piece of quiltart that spoke to my feelings. The piece made itself…from the choice of background (chicken-wire for fencing) to the words printed on cotton. The local newspaper did a brief story, and in Arizona (as in many places now) the trolls came out and said “If only I’d been around to give Hitler a quilt, everything would have been better.” Others reacted to my premise: that words have power; a woman from Australia said the words weren’t the cause, the man was mentally ill. Yes, no question the shooter was mentally ill, and no help from a broken system (thank you Ronald Reagan)….but words can push a person over the edge, even in the best of times.

My original post is here. I just reread it – raw writing for me. Here is the piece – 8.5 x 11 inches.

Binding looks like bullet holes, as does the stitching around the holes. People objected to the words, felt they were inflammatory for someone who was mentally ill. This was after Sarah Palin had a page on her website with a gun sight right over Arizona and Giffords’ district. I believed then that words caused this man to lash out, that words triggered his mental illness to another step.

We see just how far we have come 5 years and 11 days later. We don’t even talk about mental illness, nothing happens at the state or federal level, the body count keeps growing, and we are entering dark days. Hard to believe we are only now recognizing the words of the past months as hate speech, as power, as darkness.

I will keep speaking out through my art. Predominantly I am working with environmental statements concerning climate change. My Wetlands piece is the first attempt to look at a vanishing resource. there are so many issues and problems ahead for us. As artists we must be active.

I welcome comments.

 

Monday Marketing – First of the Year!

“Partly Sunny, Chance of Storms”

I have a list………….

Don’t we all? I start one every year – but this year seems to be somehow different. I have a small composition book (like we used to use in elementary school, back in the day, and I got myself organized very differently. I have a page for yearly goals, then a page for monthly goals. I have separate pages for each of the weeks of the month. Right now the notebook is set up though March.

I can at a glance see what I’ve accomplished, and I have a way of listing items ahead in the month they’re due, and I can backtrack to begin working on them. This helps me see the bigger picture much better…..and I love crossing things off my lists.

I think the thing that is also different is that I am feeling so much better than probably the last five years. The weight is slowly rearranging itself, clothes are fitting, the knee doesn’t hurt, I’m getting stuff accomplished (more than I thought), and I feel calm, centered, and productive. A great way to start the New Year!

We are concentrating on our Etsy shop,(small listing on the right side of the blog…) in preparation for moving to the market on Artizan Made.

Lots of new pictures, revising items, getting ready to do a “retirement sale” of older items that have been around the country one or two times. We’ve lived in places where we could have better photography set-ups, but we are making do. Lots of great suggestions and tips from Rachel Biel of The Fiber and Textile List – she is amazing when it comes to set-up, marketing, and all-round general encouragement.

I am looking for a royalty-free piece of music for our second marbling video, finishing up pieces that have languished for years, taking apart a major piece from 2003 and modernizing it with my new skills, keeping up with blogging (I WILL hit 1000 blog posts this year…….) and constantly looking for new venues and ideas.

Here’s to 2017! What are you doing to start your year out right?

Lessons Learned…Goals Identified

Unexpected colors – from my coloring book experiments

A load of lessons this year – big, small, in-between – physical, emotional, business, art, political. It’s always interesting to me to reflect on what I’ve learned in times of turmoil.

  1. I will stand up against hate.
  2. Knee surgery is a pain, literally, but necessary. Physical therapy is necessary. I am blessed with a great doctor, fabulous physical therapist, and a hospital that helps with financial assistance.
  3. Losing weight over 60 (…over 40…) is tough, but thanks to The Gabriel Method I might just be able to do it this year. No chocolate in over two weeks, n0 hunger pangs, no snacking – all because of visualization.
  4. Vermont pushes too many pills – finally found an integrative health doctor, rather than getting a prescription for anything that ails me without even looking at symptoms.
  5. Survived major surgery with hubby on his aneurysm repair last winter. Great doctor, learned a huge amount – he’s good to go.
  6. Walking still is my best form of exercise. So glad I can do more walking, much more comfortably, with the new knee.
  7. I like myself a lot more. Been years in the making, learning to deal with what I can’t change in the past.
  8. Still madly in love with hubby of 40 years. We always find something new to talk about.
  9. My mother was a full-blown narcissist, and I lived in fear of her most of my life. I have forgiven her and have moved on. She appears every now and then in dreams, and I find I can tell her off when she shows up – something I couldn’t do in real life. I’m moving on.
  10. I need to plan for art business this year. We had a great year last year, and my goal for this year is to sell a lot more art and make some good money.
  11. Newsletter each month for the marbling, more teaching opportunities, retirement sale of older works.
  12. Continue taking online classes for the pure enjoyment/learning something new. Work on color sense.
  13. I wrote a teaching manual – all 35,000 words – essentially in five months. It’s a template for teacher manuals, as it works with standards and ways of integrating new curriculum ideas for teachers. Thinking about a mathematics manual for algebra.
  14. I WILL publish my political novel this year. I am planning a Kickstarter campaign – or something similar. I have to do it in the light of current politics, and I need to get back to book 2.
  15. Made a lot of art last year. I want to make even more art this year, including a couple of large pieces. I’m keeping track of the process of taking my Pele piece apart and modernizing it with my new skills in free motion quilting.
  16. Three years ago I realized I only had 200 more b;og posts to do to hit 1000. Then I seemed to take long breaks from blogging. I’m still trying to hit 1000 – 920 and counting…I should be able to get 80 posts done this year……(PS – 921…)
  17. Politically it’s been a very difficult year for me. As a history/political science major I see trends before they are trends. I’ve been worried the last two years. It is time this year to write, speak out, demonstrate, listen, reach out.
  18. Be kind and listen, regardless of your own opinion. All of us need kindness and understanding.
  19. I will be out in nature more, travel more, worry less about finances.
  20. I will stand up against hate.

Art in 2016 – Part 6 in Review – More Small Works

There were a lot of other small items completed – some UFO’s and some brand new. The small piece at the left (24 0nches square) was an OLD top from many years ago – part of a pattern kit for customers using marbled fabrics. The quilt top had some serious rolls of fabric where the iron (and the user…) had pressed wrong. So I to0k out all the stitches, fixed it, made the sandwich, and then requilted it with my practiced free motion skills. A lot of new patterns from Lori Kennedy’s The Inbox Jaunt – she has amazing tutorials.

Then there were pieces where I looked through pieces of marbled fabric we had saved and waited for one to speak to me. A lot of them did in the course of the year. “Sonoran Desert” was one of those. this was done on white denim, and it was a pattern I’ve not quilted before – but it spoke to me of the saguaros of the Sonoran Desert.

Didn’t like this binding – too sloppy to control, so did a regular fabric binding. It hung in our library show and now has a new home with a woman who lived in Tucson for a number of years. Added a few semi-precious pieces of turquoise, agates and lava.

A friend keeps us supplied with all sorts of remnants of cottons, polys and silks. We used a couple to see if they would marble – and they did – spectacularly. One of them went immediately to our son in Seattle – he loved the dark colors – said they were “sexy.” The one he received was “Sliver of Moonlight.” First pic is of the plain marbled fabric, second is seeing the stitching. Unfortunely no final pic of it mounted.

This one is same fabric – black poly-silk, and is called “Whispers in the Moonlight.”

The finished piece is mounted on a canvas frame covered in black linen, and it “floats” about the frame.

There are more pieces, but I need to move on to new projects…..more on an upcoming sale we are having – next blog post!

 

 

 

 

 

 

hitting 1000 b logposts……

Art in 2016 – Part 4 Review – Classes and Shows…and a Book!

This was a big year for showing our work – many more options and acceptances than most of our time in Arizona. We taught a beginning marbling class at BluSeed Studios in Saranac Lake, NY, and in the process of chatting, we became part of their arts curriculum grant project. I’m really looking forward to this activity; I miss the days of working with The Kennedy Center to bring integrated arts into the classrooms in the Chittenden East School District in Vermont.A lot of great memories from the conferences, and then great memories from arts work within the district (need to do a blog post and reflect on the work we did….)

A couple of pictures from our Saranac Lake class, followed by an individual machine quilting class I did for a fellow artist who wanted to expand her techniques. Mary Hill is a mixed media artist, with vibrant work.

We spent Vermont Open Studios sharing space with Mary over Memorial Day Weekend. LOTSSof great discussions on marketing!!

It was a challenge to plan for what could take Mary’s already wonderful art to the next level.

Mary Hill’s “experimenting as a result of our machine quilting class:

Plus, since May I have been working on an interactive teaching manual for the ebook Interactive Edge of the Sea. This takes all I have worked on in curriculum in 40 years of teaching and brings it together for teachers, with a modern update on using all forms of new assessment and social media within the classroom. My hope is that this manual becomes a template for other disciplines, as there are a lot of useful interactive teaching techniques – and everything is correlated to current educational standards. A labor of love with my second mom, Betty Hupp. Here’s the cover:

A snippet of the lesson plan section….

We are just about done with final edits, and after the first of the year it heads off to coding. I have a lot of links to check to be sure they all work!

Bunches of shows…..here are pictures of our small pieces at Sweet Grass Gallery in Williston, VT for the month of November.

There’s still more…..stay tuned!

Art in 2016 – Part 3 Review – A Few Other Commissions

I was very involved this year in helping others create some wonderful fiber art. First up was a baby quilt for a teacher at a former school of mine. The teachers all created blocks based on children’s books, and then along with the baby quilt, gave the books to the new mom. It came out so cute!

Children’s Book Baby Quilt

You can see the machine quilting – “leaves” for the pages of books – the leave of a book……a lot of fun to quilt. Next time….stabilize the pieces before they are sewn into blocks….

How many books can you identify?

LOVE Patricia Pallaco!

Two more baby quilts scheduled for the new year….prolific bunch at Camels Hump Middle School!

A good friend made a “science fiction” quilt for her son – a gamer, doctoral student, and avid reader. It was SO MUCH fun helping in the process, from using spray basting, to zigzagging quotes, to creating the dragon (a “must-have in this quilt). It hangs from a curtain rod that is very “Lord of the Rings” in design. I was responsible for the machine quilting of dozens of galaxies within the quilt. The dragon has a lot of marbled fabric within it, and it works so well! Kathy did an amazing job. Teeth, flame, wings, and horns all crafted from marbled fabrics. Hubby Dave did the design for the pattern, Kathy did the contruction with vinyl and a few other fabrics.

The last heavy sewing/quilting happened when my friend Kathy wanted to recreate a marbled wall hanging of ours that one of her daughters loved. Sure…..to find she wanted it reversible…and a few other changes….

 

 

 

 

 

 

 

The story of the original piece is here.

I don’t have any finished pics at this point – just an in-progress. Oh, did I forget to mention she wanted one for each daughter? Different colors for reversible? Different quilting patterns? It really was a lot of fun, and it challenged me to revisit a reversible binding….but I made Kathy do all the hand-stitching……

A close-up of in-progress……

Can’t wait for pictures of both the blues and the greens!

The year started with this commission: The Arroyo –

Starting stitching

Embellinging

On the wall at Frog Hollow Gallery

…and we’re not done for the year!!

Art in 2016 – Part 2 Review – Small Works

A lot of smaller work was started, finished, and revised this year – part of the need to create more pieces, and part to experiment with new ideas. We also tried more framing (pretty successful) and mounting on canvas (very successful, and not that all expensive). The biggest issue seemed to be people didn’t know what to do with small wall hangings or table-toppers. By framing them we are leading our customers to see the piece on a wall, looking like artwork. This is also working well for galleries and stores with small spaces.

The “Chocolate Box” piece on the left was done some 18 years ago as part of a challenge on the QuiltArt list to create an 8 x 8 piece with the theme of “brown.” I pulled all kinds of browns from my stash, including some marbled fabrics, and then I zigzagged them together with the idea of creating a “Whitman’s Sampler.” I have always thought it looked very cute. I rediscovered it this summer, adding batting and backing, variegated thread in a more prominent zigzag, put on a binding, and mounted it on fabric. Lots of good feedback on the piece.

Another piece that saw framing was a small piece of marbled poly-satin that a friend (Suzan Drury of Saltwater Systems) added glitter to at least 10 years ago. Loved it, but it didn’t translate into something someone would want to buy – so on a whim I added batting and backing and then quilted it – thus “Pond 3” – a favorite topic. I learned to do sand dollars as part of a tutorial from Lori Kennedy (theinboxjaunt.com), so you will see clam shells, sea urchins, and sand dollars throughout the small piece. It looks quite striking. One thing I learned in the framing process was to move to lighter-colored frames to keep a piece from feeling constrained.

this year saw the debut of a new series – “Leftovers.” The idea for this came about when we would clean the marbling tray after a session. There were wonderful designs of leftover paint as we emptied the carrageenan. We started saving some small pieces to capture to designs – all of which are very organic and “earth strata.” Two pieces made their debut at Phoenix Books in Essex as part of a rotating display of work by the Essex Art League. There are LOTS more to come – all of which need me to stare at a piece for a while to determine how it wants to be stitched. They are all simply framed and look almost like photographs.

 

Leftovers 1: Sunrise

Before stitching on From Above:

Ultrasuede marbles wonderfully. Over the past couple of years we have been doing yards of this for Bead My Love to sell at the various bead and gem shows. We get to keep a few pieces for ourselves, and this year I finally attacked quilting one – with some interesting lessons….the fabric feels like suede, but it doesn’t translate to a puffiness when quilting (note to self: use extra batting for the next piece). Also, the various colors didn’t show well, which is why I went with Superior Threads New Brytes yellow – a thicker thread. this is a 12 x 12 piece of ultrasuede. Introducing “Partly Sunny, Chance of Storms.”

Partly Sunny, Chance of Storms

One more piece – we also started marbling flowers and leaves from the silk flower sections of the craft stores – another way to use up left-over paint in the marbling tray. Here’s “Autumn,” a collage of some marbled silk leaves. Covered canvas, 8 x 10 inches.

More next time as I continue to review the year. Comments welcome!

Art in 2016 – Part 1 Review

It has been a banner year for art – especially in the making of art. When I stopped to reflect, I realized we created more this year than any other year – some big, many small, and all taught us something! I’m doing several blog posts, since I don’t have pics for a bunch of gifts – awaiting the jpgs in the email….

Yesterday was the presentation of a commission for dear friends of ours. It was supposed to be for their anniversary in September, but just didn’t happen….Once knee surgery was over and I could move around fairly easily, I set to work. The marbled fabric had been done since April, and I had been mulling designs since then. It was time….

I started working with the Chinese symbol for “family,” and after just this first littyle bit, I have even more appreciation for the art quilts of Kathy Nida. This involved tracing the symbol, determining which side would be “up” when ironing onto the front of the fabric, adding WonderUnder, and then making sure it actually worked – especially since I had a limited amount of the fabric choice for the symbol. First success.

Next was creating the pattern for the side panels, loosely based on a table runner by Lonnie Rossi and definitely made my own. Same issues with being sure of right and wrong side, since there would be two panels, and the designs would mirror each other. Much angst – especially on the choice of the background – I had a peach silk that worked with the overall colors, but looked terrible with the small pieces actually on it. The fabrics were extra marbled fat quarters that didn’t make the cut in terms of main color, but they were all complementary.

I put off for the longest time doing the zigzag satin stitch and then discovered that the fabric frayed very easily. A lot of adjustment, sharp pointy scissors, and FrayCheck got me through this section.

The satin stitch….forever…..

I had one panel completed and then started on the second panel. It probably would have been easier doing them both at the same time, but I wanted to be sure the idea could be executed before I was completely committer.

The request was for some apple blossoms quilted into the design – originally to be on the border….but it worked out differently. I Googled images of apple blossoms and determined a free motion pattern, and then began. As long as the petals had ragged edges, the pattern worked.

Starting the apple blossoms

Lots of flowers over both panels – really liked how subtle the patterns are.

Checking to see if the three panels really do work together….

Time to square off and do the binding – the side panels had a LOT of ironing as they were becoming distorted. Note to self – allow more edging next time around…..

Preparing the canvas for mounting the panels. We have started mounting much of our work on canvas frames covered with a complementary fabric. Much sturdier, easier to hang, and people seem to view them more as “art.”

20-inch square canvas covered in poly-linen.

Thinking it’s going to work…….each side panel is three 8 x 8-inch  canvases, mounted together and covered.

The final product – “Family.”

Monday Marketing – OMG

Storage cubbies

Storage cubbies

So the studio has had quite the workout these last few months since I posted. It certainly doesn’t look this neat right now – and probably won’t for another couple of months. Lots to do before knee surgery on October 20th. In a nutshell, we have done more marketing/business/sales/creating in 8 months than in a decade in Tucson. We have been busy.

So far, we are in a small gallery in the Phoenix Book Store in Essex, a fabulous independent bookstore. Haven’t sold anything, be we are getting recognition as fiber artists. On the wall these two months:

leftovers1This is Leftovers 1: Sunrise. This is a new series, made of marbled fabric was was dropped on the paint as we were cleaning the tray at the end of a marbling session. Adding thread tells a story.

We had a solo show at the Brownell Library in Essex Junction, Vermont, for the month of August. The fiber looked great on the brick walls. We sold a piece, had 30-plus folks come by, and had a great time.

reception_inviteMore to follow on this once I find the pictures…..

We spent the month on the wall at Frog Hollow Art and Craft Gallery, as step two of the jurying process – we are awaiting notification if we have been accepted as members. An invitation from Burlington City Arts for 6 months in their city gallery, the month of November in a small gallery in Williston, Vt, and new revisions to packaging and items for sale, as well as joining ArtizanMade. I just can’t find all my pictures, so that becomes a major item for the to-do list. That….and the seriously overdue newsletter……. You’ll find a bunch of pictures on our Facebook page, facebook.com/MarbleTDesign.

screen-shot-2016-09-19-at-11-20-39-amIt’s going to be frustrating catching up on all the marketing….bottom line – get out and do it – it pays off if you are patient and stay with it!

 

UFOs No Longer

apache4A

Lots of finishes going on of projects that have been around for a VERY long time! I had a productive weekend of finishing three, and next blog post should be about two more, as well as a new project undertaken.

First up – a Halloween quilt I pieced probably 15 years ago, when I was using McCalls Quilting and piecing lots of quilt tops. It didn’t really need much – cats’ eyes (variegated thread) and eyes for the ghost (small pieces of lava). I examined the machine quilting, back from when all I did was stippling – I was very happy with how it looked. I added free-motion words in the sky and then added binding. Really happy –

HalloweenFinish

This small 8 x 8 was done YEARS ago in response to a challenge on the QuiltArt list. The theme was “brown,” and this was way back when I was still pretty literal and linear in putting work together. This is “Candy Box,” and I used a zigzag in variegated thread like you would see in the wrappers in a fancy candy box. Added the binding and much pleased with the finished table-topper.

CandyBox

This last piece was a remnant from about 10 years ago. I quilted the bubbles, but it still needed a focal point – so I quilted in some sea urchins…hence the name “Sea Urchins.” Another 8 x 8 stitched to canvas after quilting was finished.

SeaUrchins

For Sale: $125.00

A great weekend, more happening in the studio…..lots of upcoming opportunities!

 

 

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